As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
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As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)

Comedian Ayman Nahas said he has kept a "low profile" since October 7, fearing reprisals as an Arab artist in Israel while the country wages war in the Gaza Strip.

He is one of many Arab artists in Israel or annexed east Jerusalem who describe facing increasing hostility and harassment, and fearing looming funding cuts or arrests.

"You never know where your place is and that is not the right atmosphere to perform," said Nahas, who is also the artistic director at the Arabic-language Sard theater in Haifa, in Israel's north.

His theater depends on government subsidies "like 99 percent of cultural spaces" in Israel, he said, AFP reported.

But he fears the money could be cut, as happened in 2015 to Al-Midan, another theater in the mixed Arab-Jewish city of Haifa, after it put on a play inspired by the story of a prisoner jailed by Israel over an attack on troops.

One 25-year-old performer, who asked to use the pseudonym Elias to avoid a backlash, said he has put acting aside and became a swimming pool attendant because he was fed up with only getting stereotyped roles.

Other Arab actors say that since the war, they can no longer find work in Israel.

Elias has finally found a role in Berlin.

"I have had to go into exile to practice my art," he told AFP in a Tel Aviv cafe.

"I don't wear my 'Free Palestine' bracelet anymore and I take care about what I put on social media. I have friends who have been visited by the police."

Non-profit group Mossawa has documented an increase in human rights violations against Israel's Arab minority since October, including arrests, discrimination at work and harassment at schools, as well as curbs on the right to protest.

Singer Dalal Abu Amneh, who is also a neuroscientist, was detained for 48 hours for a social media post after Hamas's October 7 attack that said "the only victor is God".

Abu Amneh later said she had been harassed in her Jewish-majority hometown of Afula in northern Israel. Her lawyer said she had received hundreds of "death threats".

About 20 percent of Israel's 9.5 million inhabitants are Arab, and many of them identify as Palestinian.

They say they are frequently the targets of discrimination by the Jewish majority, and those complaints have grown through more than nine months of war between Israel and Palestinian militants in Gaza.

Huda Imam, who promotes Palestinian cultural sites in Jerusalem, said that "a cultural silence has taken hold since October 7".

"There has been a shock, an inability to produce out of fear and respect" for the war's victims, she added.

"There was a Palestinian cultural life before the war, especially in east Jerusalem," Imam said, referring to the sector Israel captured in 1967 and later annexed in a move never recognised by most of the international community.

"Now people don't go out."

And it is primarily exiles "who give a voice to Palestine", said Imam, highlighting the rapper Saint Levant who played at the Coachella music festival in the United States in April, and the European-based singer and flute player Nai Barghouti.

Palestinians still express themselves through their "living heritage, like drinking coffee or dancing dabkeh," a traditional dance, said artist Hani Amra.

Some artists wondered about the relevance of their work now.

"You turn on the television and you see the war live. The reality is more powerful than any artistic work," Amer Khalil, the director of east Jerusalem's Al-Hakawati, also known as the Palestinian National Theater.

The theater, founded in 1984, "has been closed more than 200 times in 40 years" and is again in the crosshairs of Israeli authorities, said Khalil.

"Running a theatre is always difficult, but after October 7 things became even more complicated," he said, adding that Al-Hakawati was preparing a play about that day.

"It is a game, like censorship, it comes and goes."



Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
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Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)

Iraq is home to ruins from some of the world's earliest civilizations, but teams led by international archaeologists have been forced by drone and rocket attacks in the Middle East war to cut short their expeditions.

Archaeologists told AFP that some of the projects interrupted by the war had been planned for years, but their teams have had to evacuate ancient sites since the United States and Israel attacked Iraq's neighbor, Iran.

Like other countries around the region, Iraq has become engulfed in the war, bringing to an abrupt end a period of nascent stability.

Iraq's precious archaeological sites, some dating back thousands of years, had for years faced threats ranging from climate change to successive conflicts.

Under normal circumstances, around 60 international teams would have been working on digs, a government official told AFP, but "all of these missions have left Iraq".

- 'Like a musician' -

Adelheid Otto of Germany's Ludwig-Maximilians-University started a long-planned dig at ancient Shuruppak, modern-day Tell Fara, on February 28.

That same day, Israel and the US launched strikes against Iran, sparking a war that has dragged Iraqi armed groups into the fray -- and cutting short Otto's work.

"We are Near Eastern archaeologists. So that is our work. That is like a musician who can no longer play an instrument," she told AFP.

Her team -- 18 German archaeologists, geologists, geophysical experts and students and seven Iraqi archaeologists -- initially stayed, reasoning travelling the 750 kilometers (460 miles) overland to Türkiye was more dangerous.

"After some days we got kind of used to the rockets and drones above our heads," she said.

But Iraqi officials repeatedly urged them to depart, despite their discovery of ancient cuneiform tablets.

"It is impossible" to leave, she told authorities, insisting on staying extra days. "We have to document it. We have to take photos of everything."

"I told the students you have to work on all the small finds that we have," said Otto, 59, who boasts four decades of experience.

"You never know in any of these countries if you will ever return," she said.

- 'Guarantors' -

Many German institutions had just started relaxing travel restrictions to Iraq after a succession of conflicts, including the 2003 US-led invasion and the extremist ISIS group.

Now, said Otto, archaeologists once again face being shut out.

Iraq's State Board of Antiquities and Heritage head Ali Obeid Shalgham told AFP Iraqi security forces were the sites' "true guarantors", especially as many are in remote rural areas.

He said the country is installing so-called protective "blue shields" -- nicknamed "the Red Cross of heritage" -- at archaeological sites.

The presence of foreign teams is "crucial", said Aqeel al-Mansrawi, an Iraqi landscape archaeologist.

"They work to protect heritage through conservation," he said.

He also emphasized the training Iraqi experts receive from foreigners, vital after years of isolation and war.

"We are always training a lot of Iraqi archaeologists and colleagues," said Otto, of the German institute.

"If it would be cut again, it would be terrible," she said.

Foreign digs must work with Iraqi archaeologists, bringing their international expertise.

Shalgham said the arrangement allows Iraqis "to keep up with global advancements in new technologies and state-of-the-art equipment".

- 'Can't catch a break' -

Chicago University professor Augusta McMahon was in southern Iraq, working at the 6,000-year-old Nippur site, when the war began.

Having worked in the Middle East for almost four decades, this was her third evacuation.

In 2024, she had to leave Iraq, while in 2011, she left Syria.

"We had pressure from a lot of different directions in terms of having to leave," she said, with her eight-person team departing under an Iraqi escort on March 10.

"It is quite frustrating, along with everything else, I feel terribly bad for [my] Iraqi colleagues," she said.

The war has also rippled beyond the immediate: an initiative to finally return the preeminent Rencontre Assyriologique Internationale (RAI) conference to Iraq was cancelled by the University of Baghdad.

The city last attempted to host the event in 1990, according to the university, but it was scrapped with the Gulf War.

"Now 36 years later, they finally pulled themselves together... and it's cancelled again," said McMahon, who was due to be presenting.

"It's like they can't catch a break."


Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
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Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.


Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
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Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.