Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
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Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)

In Beijing’s Forbidden City, once the sprawling palace to China’s Ming and Qing emperors and their legions of guards and servants, steady streams of visitors wearing historical costumes pose for portraits, in a fashion of centuries gone by.
It’s a phenomenon seen around heritage sites across China, inspired by comic book conventions and the Japanese passion for cosplay, but with additional nationalistic and cultural dimensions, The Associated Press said.
Though the historical veracity of the frocks and cloaks may not be guaranteed, they draw their inspiration from Chinese painting, theater and art, especially that of the Qing, China’s last dynasty that was known for its relative prosperity and cultural advances through trade in silk and porcelain.
During this time, China expanded its empire and its art and paintings flourished, as did clothing and textiles. Men and women wore full length elaborately embroidered silk robes and women wore hairpieces encrusted with flowers, pearls and gemstones.
The Qing fell in 1911 and following decades of warfare, power was seized by the Communist Party, which sought to grind out all vestiges of China’s imperial past.
With the abandonment in recent years of hard-core Maoism and rising prosperity, it is now common to see whole families decked out in Qing Dynasty garb, some of which is homemade, others rented from vendors at photo shoots who will also provide help with hairstyles and makeup.
Popular historical TV dramas and the rise of social media have fed the craze, and while they don’t involve battle reenactments like those popular in the US and Europe, they reflect a growing respect for China’s history in the centuries before the communist takeover. Some participants base their looks on characters from novels, plays and poems going back centuries.
Throngs of people gather along the walls and a scenic moat surrounding the former palace — now a museum that is resplendent in weeping willows and turning colors during the late summer and early fall. Both professional and amateur photographers shop their samples to families and couples. Others in imperial dress take turns with their phone cameras. A group of students from the elite Tsinghua University celebrated their end of semester with a costume photo.
Despite the sweltering Beijing summer heat, families, friends and couples pose with a smile, sweat dripping down foreheads. It’s a serious affair, necessitating the right pose, the perfect prop and the ideal camera angle. And when everything is in place, they slip back in time — feeling like royalty and fulfilling a fantasy — however briefly with others like them living otherwise ordinary lives.



The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
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The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)

The golden rays of the afternoon sun enhance the bold, hand-painted patterns on the mud walls of a round, thatched hut in Peggy Masuku's village of Matobo in southwestern Zimbabwe.

Outside, at a small table with two curved seats -- all fashioned out of mud -- Masuku shows visitors how she mixes soil pigments, charcoal and ash to create the earth tones that make the striking motifs.

The 54-year-old is admired as one of the best among hundreds of women who practice the traditional art of hut painting in the picturesque granite hills of Matobo, where the rocks hold spiritual value.

The art is gaining recognition beyond this part of rural Zimbabwe, with the bold patterns incorporated into fashion and designs that are finding a small market as far away as Europe and bringing income to its village artists.

For the self-effacing Masuku, it all started when her stepmother assigned her, as the youngest girl in the family, the duty of smearing a cow-dung paste onto the walls and floors of the family huts, a traditional technique to maintain the structures.

"My stepmother would oversee this chore and make sure I did it to perfection. Initially, I thought this was abuse but I later realized it was good training," Masuku told AFP.

"I graduated to doing the hut painting, which elderly women did, and over time became quite good at it."

- International interest -

Masuku's talent first found recognition through a competition called My Beautiful Home, in which she has featured among the winners several times since its launch in 2014.

The annual event is the brainchild of Veronique Attala, a French woman who stumbled on "a beautifully decorated hut" when lost while hiking in the Matobo Hills, a UNESCO heritage site that has one of the highest concentrations of rock paintings in Africa.

Attala, who has lived in Zimbabwe for more than 30 years, was inspired to nurture the tradition and support the women artists and their farming communities.

A new project headed by the German Embassy has also started testing out the commercial promise of these designs.

In collaboration with Zimbabwe's National Gallery and Fashion Council, it has launched the Matobo Collection featuring the work of selected artists reproduced on saleable items such as textiles, flowerpots and lampshades.

The project is helping to find markets in other parts of Zimbabwe and also abroad, mainly in Germany, with the artists receiving a license fee for their designs and royalties for every sale.

To help the women navigate issues of copyright and compensation, the embassy has also brought in intellectual property lawyers.

"The aim is to further promote the artistry of the ladies of Matobo and, subsequently, create greater awareness of this unique cultural heritage, nationally as well as internationally," the embassy's cultural attache Katrin Simon told AFP.

One of those selected for the Matobo Collection is Elgar Maphosa, who is impressed that the traditions of her community have "come this far".

"It is something that we do as routine," the 58-year-old villager said. "I never at any time imagined that I would one day get an income out of it while also learning new things."

- Younger generation -

Hut painting is an ancient Ndebele tradition in which the motifs were originally imbued with meaning.

It was a "mode of communicating the worldview or beliefs, as well as ideals and values of communities that lived long ago," said cultural historian Pathisa Nyathi.

"Over time the meanings got lost and, owing to the interaction with other cultures including Western, emphasis is now on aesthetics," Nyathi told AFP.

Emboldened by her success at My Beautiful Home, Masuku has been commissioned to paint buildings at Zimbabwe's top tourist resort town of Victoria Falls, which she hopes will lead to more projects.

Younger women are also learning the craft, including 26-year-old Nozipho, a development studies graduate and civil servant who is currently learning the art from her mother, and hopes to follow the steps of the older women in her community.