Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
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Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)

In Beijing’s Forbidden City, once the sprawling palace to China’s Ming and Qing emperors and their legions of guards and servants, steady streams of visitors wearing historical costumes pose for portraits, in a fashion of centuries gone by.
It’s a phenomenon seen around heritage sites across China, inspired by comic book conventions and the Japanese passion for cosplay, but with additional nationalistic and cultural dimensions, The Associated Press said.
Though the historical veracity of the frocks and cloaks may not be guaranteed, they draw their inspiration from Chinese painting, theater and art, especially that of the Qing, China’s last dynasty that was known for its relative prosperity and cultural advances through trade in silk and porcelain.
During this time, China expanded its empire and its art and paintings flourished, as did clothing and textiles. Men and women wore full length elaborately embroidered silk robes and women wore hairpieces encrusted with flowers, pearls and gemstones.
The Qing fell in 1911 and following decades of warfare, power was seized by the Communist Party, which sought to grind out all vestiges of China’s imperial past.
With the abandonment in recent years of hard-core Maoism and rising prosperity, it is now common to see whole families decked out in Qing Dynasty garb, some of which is homemade, others rented from vendors at photo shoots who will also provide help with hairstyles and makeup.
Popular historical TV dramas and the rise of social media have fed the craze, and while they don’t involve battle reenactments like those popular in the US and Europe, they reflect a growing respect for China’s history in the centuries before the communist takeover. Some participants base their looks on characters from novels, plays and poems going back centuries.
Throngs of people gather along the walls and a scenic moat surrounding the former palace — now a museum that is resplendent in weeping willows and turning colors during the late summer and early fall. Both professional and amateur photographers shop their samples to families and couples. Others in imperial dress take turns with their phone cameras. A group of students from the elite Tsinghua University celebrated their end of semester with a costume photo.
Despite the sweltering Beijing summer heat, families, friends and couples pose with a smile, sweat dripping down foreheads. It’s a serious affair, necessitating the right pose, the perfect prop and the ideal camera angle. And when everything is in place, they slip back in time — feeling like royalty and fulfilling a fantasy — however briefly with others like them living otherwise ordinary lives.



Saudi Heritage Commission, SDAIA Sign MoU to Boost AI Use in Cultural Heritage

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission, SDAIA Sign MoU to Boost AI Use in Cultural Heritage

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

The Saudi Heritage Commission has signed a Memorandum of Understanding (MoU) with the Saudi Data & AI Authority (SDAIA) to advance data- and AI-driven solutions in the cultural heritage sector.

The agreement helps enable technologies that showcase, document, and strengthen the digital presence of national heritage.

The MoU was signed on the sidelines of the Digital Heritage Conference 2025 that was organized by the Heritage Commission on December 9-10 in Riyadh.

The event was held under the patronage of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan.

The agreement reflects the two sides’ keenness to employ data and analytical technologies in the inventory, documentation, and relational analysis of cultural heritage. It aims to support decision-making and build a knowledge ecosystem grounded in accurate and measurable data.

The MoU also paves the way for joint projects to enhance digital heritage content and apply AI-based tools to interpret heritage and make it more accessible to the public.


Saudi Cultural Development Fund to Support 5 Enterprises Worth over SAR63 Million

The agreements were concluded during the Development Finance Conference MOMENTUM 2025. SPA
The agreements were concluded during the Development Finance Conference MOMENTUM 2025. SPA
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Saudi Cultural Development Fund to Support 5 Enterprises Worth over SAR63 Million

The agreements were concluded during the Development Finance Conference MOMENTUM 2025. SPA
The agreements were concluded during the Development Finance Conference MOMENTUM 2025. SPA

Saudi Arabia’s Cultural Development Fund (CDF) signed five credit facility agreements under its Cultural Financing Program, with a total value exceeding SAR63 million, to finance cultural projects.

The agreements were concluded during the Development Finance Conference MOMENTUM 2025, organized by the National Development Fund (NDF) at the King Abdulaziz International Conference Center in Riyadh, held under the patronage of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Saudi Crown Prince and Prime Minister.

The credit facilities aim to support the growth of a select group of cultural projects targeting four cultural sub-sectors: architecture and design arts, theater and performing arts, music, and visual arts.

The projects focus on several areas, including strengthening cultural sector infrastructure by establishing a music institute and developing a creative complex, in addition to providing supporting services for the sector and developing national talents and capabilities.


Cultural Fund Hosts 'Film Future Reception' during Red Sea International Film Festival

CDF signed credit facility agreements under the Cultural Financing Program, totaling more than SAR60 million - SPA
CDF signed credit facility agreements under the Cultural Financing Program, totaling more than SAR60 million - SPA
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Cultural Fund Hosts 'Film Future Reception' during Red Sea International Film Festival

CDF signed credit facility agreements under the Cultural Financing Program, totaling more than SAR60 million - SPA
CDF signed credit facility agreements under the Cultural Financing Program, totaling more than SAR60 million - SPA

The Cultural Development Fund (CDF) hosted the “Film Future Reception” during the fifth edition of the Red Sea International Film Festival.

The event brought together entrepreneurs, investors, and leading filmmakers from the Kingdom and around the world to highlight financial solutions and investment opportunities that support the growth of the sector and its cinematic productions.

During the gathering, CDF signed credit facility agreements under the Cultural Financing Program, totaling more than SAR60 million, to finance six major projects in the film sector. These projects target several areas, including feature film production and infrastructure development supporting the industry, SPA reported.

The gathering was organized in collaboration with the Red Sea International Film Festival and BSF Capital. During the event, the fund reviewed future investment trends in the film sector and the funds in which it serves as a principal investor, including the Riviera Content Fund— the first of its kind in the Kingdom— in addition to a second investment fund in the film sector, whose establishment agreement was signed last September and is managed by BSF Capital. Each of these funds has a capital size of SAR375 million.