Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
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Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)

Sudan's priceless archaeological heritage is being stripped from museums, with looters loading statuettes and fragments of ancient palaces onto lorries, smuggling them out of the war-torn country, and selling them online, Agence France Presse reported.

More than a year of war between rival generals has killed tens of thousands of people, forced millions more to flee their homes, and left the country's prized antiquities at the mercy of pillagers.

On Thursday, UNESCO, the United Nations's cultural body, said the "threat to culture appears to have reached an unprecedented level, with reports of looting of museums, heritage and archaeological sites and private collections.”

In the capital Khartoum, where fighting broke out in April 2023 between the army and the Rapid Support Forces, the recently renovated Sudan National Museum has had prized artifacts stolen, archaeologists and officials say.

The museum houses prehistoric artifacts from the Palaeolithic era and items from the famed site of Kerma in northern Sudan, as well as Pharaonic and Nubian pieces.

First opened in 1971, the museum was founded in part to house objects rescued from an area due to be flooded by the construction of Egypt's massive Aswan dam.

Now, its artifacts are under threat from war.

"The Sudan National Museum has been the subject of major looting," said Ikhlas Abdel Latif, head of museums at the national antiquities authority.

"Archaeological objects stored there have been taken in big lorries and transferred to the west and to border areas, particularly near South Sudan," she told AFP.

The extent of the looting is hard to determine because the museum is located in an area controlled by the RSF.

Officials and experts have accused the RSF of looting the site. Contacted by AFP, a spokesman for the force did not comment.

In May, the RSF said it was being "vigilant" in "protecting and preserving the antiquities of the Sudanese people.”

Throughout history, fighters have used plunder to fund their war efforts.

UNESCO said it was calling on "the public and the art market... in the region and worldwide to refrain" from trading in Sudanese items.

The agency also said it was planning training in the Egyptian capital Cairo for law enforcement and the judiciary from Sudan's neighbors.

"Because of the war, the museum and the artifacts are not being monitored," said Hassan Hussein, a researcher and former director of the national antiquities authority.

The army, led by Abdel Fattah al-Burhan, is locked in conflict with the RSF, which is led by his former deputy, Mohamed Hamdan Daglo.

The Island of Meroe, a UNESCO World Heritage site that is home to the capital of the ancient Kingdom of Kush and dozens of its pyramids, is also under threat.

Artifacts and exhibition accessories have been stolen from the museum in Nyala, the South Darfur state capital, said Abdel Latif.

In Omdurman, just across the River Nile from Khartoum, part of the Khalifa House museum was also destroyed, she said.

Last week, the Association of Friends of Sudanese Museums condemned "in the strongest terms" the looting that is taking place across the country.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.