Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
TT

Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)

Sudan's priceless archaeological heritage is being stripped from museums, with looters loading statuettes and fragments of ancient palaces onto lorries, smuggling them out of the war-torn country, and selling them online, Agence France Presse reported.

More than a year of war between rival generals has killed tens of thousands of people, forced millions more to flee their homes, and left the country's prized antiquities at the mercy of pillagers.

On Thursday, UNESCO, the United Nations's cultural body, said the "threat to culture appears to have reached an unprecedented level, with reports of looting of museums, heritage and archaeological sites and private collections.”

In the capital Khartoum, where fighting broke out in April 2023 between the army and the Rapid Support Forces, the recently renovated Sudan National Museum has had prized artifacts stolen, archaeologists and officials say.

The museum houses prehistoric artifacts from the Palaeolithic era and items from the famed site of Kerma in northern Sudan, as well as Pharaonic and Nubian pieces.

First opened in 1971, the museum was founded in part to house objects rescued from an area due to be flooded by the construction of Egypt's massive Aswan dam.

Now, its artifacts are under threat from war.

"The Sudan National Museum has been the subject of major looting," said Ikhlas Abdel Latif, head of museums at the national antiquities authority.

"Archaeological objects stored there have been taken in big lorries and transferred to the west and to border areas, particularly near South Sudan," she told AFP.

The extent of the looting is hard to determine because the museum is located in an area controlled by the RSF.

Officials and experts have accused the RSF of looting the site. Contacted by AFP, a spokesman for the force did not comment.

In May, the RSF said it was being "vigilant" in "protecting and preserving the antiquities of the Sudanese people.”

Throughout history, fighters have used plunder to fund their war efforts.

UNESCO said it was calling on "the public and the art market... in the region and worldwide to refrain" from trading in Sudanese items.

The agency also said it was planning training in the Egyptian capital Cairo for law enforcement and the judiciary from Sudan's neighbors.

"Because of the war, the museum and the artifacts are not being monitored," said Hassan Hussein, a researcher and former director of the national antiquities authority.

The army, led by Abdel Fattah al-Burhan, is locked in conflict with the RSF, which is led by his former deputy, Mohamed Hamdan Daglo.

The Island of Meroe, a UNESCO World Heritage site that is home to the capital of the ancient Kingdom of Kush and dozens of its pyramids, is also under threat.

Artifacts and exhibition accessories have been stolen from the museum in Nyala, the South Darfur state capital, said Abdel Latif.

In Omdurman, just across the River Nile from Khartoum, part of the Khalifa House museum was also destroyed, she said.

Last week, the Association of Friends of Sudanese Museums condemned "in the strongest terms" the looting that is taking place across the country.



The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett
TT

The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett

Fifteen years after her blockbuster novel “The Help” sparked conversation and criticism for its portrayal of the lives of Black maids in the South, Kathryn Stockett is publishing a new novel.
Set in 1933 in Oxford, Miss., “The Calamity Club” centers on a group of women whose lives intersect as they struggle to get by during the Depression. It will be published in April 2026 by the independent press Spiegel & Grau.
Anticipation for a follow-up from Stockett was high. When it was released in 2009, “The Help” caused a stir with its frank depiction of racial inequality. It went on to sell some 15 million copies, spent more than two years on the New York Times best-seller list, and was adapted into an Academy Award-winning movie.
In a video interview from her home outside of Natchez, Miss., Stockett admitted that writing a second novel in the long shadow of her debut was daunting.
“The pressure was definitely on,” she said. “The fear of failure, it really weighs on a writer.”
The novel also drew sharp criticism for its portrayal of Black characters and their speech, which some readers and critics found insensitive and offensive. Viola Davis, who was nominated for an Academy Award for her role in the film, later said she regretted participating, adding that she felt the film failed to accurately capture the voices and lives of Black women.
In some ways, the debate over “The Help” foreshadowed the “own voices” movement in the literary world, which pushed for more diversity in literature from writers drawing on their own cultural backgrounds.
Stockett said that “The Help” would most likely not have found a publisher in today’s environment, but that she doesn’t regret the way she told the story.
“I doubt that ‘The Help’ would be published today, for the fact that a white woman was writing in the voice of a Black woman,” she said. “I did get a lot of criticism but it didn’t get under my skin, because it started conversations.”
“The Help” was inspired in part by Stockett’s relationship with a woman named Demetrie McLorn, who worked as a maid for her family and died when Stockett was a teenager.
The story, which takes place in Mississippi in the early 1960s, has multiple narrators: a Black woman named Aibileen who works as a nanny and housekeeper for white families, Aibileen’s outspoken friend Minny, and a young white woman, Skeeter, who is appalled by the racism she witnesses.
Stockett’s new novel, set in the segregated South, also engages with the issue of race, but not as directly, Stockett said.
“Race is always in the background,” she said. “It’s probably always going to be in the background of any book I write.”
Stockett first began working on a novel set in Depression-era Mississippi in 2013. She did extensive research into the era, learning about the Farm Act, child labor laws, the eugenics movement and the forced sterilization of women in prison, and Franklin D. Roosevelt’s economic policies.
The story is narrated by two white female characters: an 11-year-old girl who lives in an orphanage and a young woman from the Delta who has come to Oxford in hopes of helping her family through hard times.
In 2020, after writing some 800 pages, Stockett felt stuck, and almost abandoned the book. A friend who had read the manuscript connected her with Julie Grau, co-founder of Spiegel & Grau. They worked for years without a contract, and kept the project quiet. A few years later, they signed a deal. With its release next year, the book will be published simultaneously in Britain by Fig Tree and in Canada by Doubleday Canada.
“There’s something really precious about giving writers the time and the space to execute that follow up,” Grau said. “It was really remarkable and ideal to shield her from the glare.”
Stockett said she was so stunned by the success of her debut that she’s set aside any expectations about how “The Calamity Club” will be received.
“I can’t believe it happened then,” she said, “and I have no idea what's going to happen this time around either.”

 

The New York Times