Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
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Sudan Museums' Precious Antiquities Looted in War

(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)
(FILES) A view of Sudan National Museum in Khartoum on August 12, 2020. (Photo by ASHRAF SHAZLY / AFP)

Sudan's priceless archaeological heritage is being stripped from museums, with looters loading statuettes and fragments of ancient palaces onto lorries, smuggling them out of the war-torn country, and selling them online, Agence France Presse reported.

More than a year of war between rival generals has killed tens of thousands of people, forced millions more to flee their homes, and left the country's prized antiquities at the mercy of pillagers.

On Thursday, UNESCO, the United Nations's cultural body, said the "threat to culture appears to have reached an unprecedented level, with reports of looting of museums, heritage and archaeological sites and private collections.”

In the capital Khartoum, where fighting broke out in April 2023 between the army and the Rapid Support Forces, the recently renovated Sudan National Museum has had prized artifacts stolen, archaeologists and officials say.

The museum houses prehistoric artifacts from the Palaeolithic era and items from the famed site of Kerma in northern Sudan, as well as Pharaonic and Nubian pieces.

First opened in 1971, the museum was founded in part to house objects rescued from an area due to be flooded by the construction of Egypt's massive Aswan dam.

Now, its artifacts are under threat from war.

"The Sudan National Museum has been the subject of major looting," said Ikhlas Abdel Latif, head of museums at the national antiquities authority.

"Archaeological objects stored there have been taken in big lorries and transferred to the west and to border areas, particularly near South Sudan," she told AFP.

The extent of the looting is hard to determine because the museum is located in an area controlled by the RSF.

Officials and experts have accused the RSF of looting the site. Contacted by AFP, a spokesman for the force did not comment.

In May, the RSF said it was being "vigilant" in "protecting and preserving the antiquities of the Sudanese people.”

Throughout history, fighters have used plunder to fund their war efforts.

UNESCO said it was calling on "the public and the art market... in the region and worldwide to refrain" from trading in Sudanese items.

The agency also said it was planning training in the Egyptian capital Cairo for law enforcement and the judiciary from Sudan's neighbors.

"Because of the war, the museum and the artifacts are not being monitored," said Hassan Hussein, a researcher and former director of the national antiquities authority.

The army, led by Abdel Fattah al-Burhan, is locked in conflict with the RSF, which is led by his former deputy, Mohamed Hamdan Daglo.

The Island of Meroe, a UNESCO World Heritage site that is home to the capital of the ancient Kingdom of Kush and dozens of its pyramids, is also under threat.

Artifacts and exhibition accessories have been stolen from the museum in Nyala, the South Darfur state capital, said Abdel Latif.

In Omdurman, just across the River Nile from Khartoum, part of the Khalifa House museum was also destroyed, she said.

Last week, the Association of Friends of Sudanese Museums condemned "in the strongest terms" the looting that is taking place across the country.



UK's Bayeux Tapestry Exhibition Set to Wow Visitors with Battle Scenes, Scale

 The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
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UK's Bayeux Tapestry Exhibition Set to Wow Visitors with Battle Scenes, Scale

 The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)

Visitors to the sell-out Bayeux Tapestry Exhibition should be ready for the "brutal reality" of battle scenes and expect to be astonished by the scale of the 1,000-year-old embroidery, as excitement mounts ahead of the London show's opening on Thursday.

King Charles and French President Emmanuel Macron were among the first viewers at the British Museum last week, where the monarch celebrated ‌the artwork ‌that depicts the conquest of England by his ancestor ‌William ⁠I in 1066.

Thought ⁠to have been stitched in Kent, southern England, the tapestry was subsequently taken across the Channel and is being shown outside France for the first time, generating a wave of interest in its significance to English history.

Millie Horton-Insch, a curator of the Bayeux Tapestry exhibition, told Reuters on Monday that its 70-meter (230-foot) length would stun visitors.

"No matter how many times ⁠I see it, I'm still blown away by its ‌size," she said.

The tapestry recounts ‌the events leading up to the famous Battle of Hastings and the subsequent ‌Norman defeat of Anglo-Saxon King Harold II.

"We see an incredible battle that ‌really doesn't shy away from the brutal reality of medieval warfare and how devastating it was for both sides," the curator added.

Initial tickets for the nine-month show sold out within hours, generating sales of £2.5 million and making it ‌the museum's best-selling exhibition. Another batch of tickets will go on sale in October.

William's conquest was the last ⁠time England was successfully ⁠invaded, and 1066 remains the most famous year in the nation's history.

The loan from France is seen as a sign of closer ties between the countries after the discord caused by the 2016 Brexit vote, and Macron talked of the unifying role of art to show "what humanity is capable of creating".

Horton-Insch said that it was difficult for a modern audience to comprehend the thousands of hours it would have taken the English seamstresses to weave it, including spinning the wool thread and mastering the natural dyes.

The Bayeux Tapestry arrived in Britain in July having travelled in an air-conditioned, anti-vibration crate under police escort from France.

"It seems to have borne the journey incredibly well," Horton-Insch said.


Makkah Advances Preservation and Development of Historical and Cultural Sites

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
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Makkah Advances Preservation and Development of Historical and Cultural Sites

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA

The historical and cultural sites of Makkah bear witness to the city’s rich history, encompassing places associated with events from the life of the Prophet and Islamic history, as well as roads, markets, wells, inscriptions, and landmarks that have shaped the city's identity over the centuries.

With growing attention to these sites, a comprehensive system is now in place to preserve, study, and rehabilitate them, while presenting them in an accessible manner that enables visitors to learn their stories and appreciate their significance, SPA reported.

This approach builds on the strategy for historical and cultural sites in Makkah, which seeks to establish an integrated system covering documentation, protection, rehabilitation, experience development, partnership activation, and enhanced site readiness and sustainability.

Under the strategy, 65 development studies have been conducted, 56 sites documented, 32 rehabilitated, and 23 enhanced, with 28 sites now open to visitors.

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026, up 47% from 3.6 million during the same period in 2025. Visitor satisfaction reached 95.8%.

Since the strategy’s launch, total visits to historical and cultural sites have exceeded 19 million, reflecting not only increased visitation but also the expansion of the network of sites and experiences, improved access, and the transition of more sites from study and preservation to visitation and engagement.

Makkah’s historical and cultural sites thus remain an integral part of the city’s story: a heritage to be preserved, landmarks to be explored, and experiences that offer visitors a deeper understanding of Makkah and its history.


Saudi Arabia's King Abdulaziz Foundation Showcases Publications at Moscow Book Fair

King Abdulaziz Foundation (Darah) logo
King Abdulaziz Foundation (Darah) logo
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Saudi Arabia's King Abdulaziz Foundation Showcases Publications at Moscow Book Fair

King Abdulaziz Foundation (Darah) logo
King Abdulaziz Foundation (Darah) logo

The King Abdulaziz Foundation (Darah) is participating in the Moscow International Book Fair 2026, which began Wednesday in the Russian capital, as part of the Saudi pavilion.

Darah has a dedicated section featuring its publications and scientific and cultural projects, highlighting its efforts to promote the Kingdom's history, heritage, and culture.

The section also provides an opportunity to connect with academics, researchers, and others interested in historical and cultural affairs from various countries.

The section has attracted visitors interested in the Kingdom's history, heritage, and culture, as well as Darah's specialized publications on history, studies, sources, and cultural heritage.

Darah's participation reflects its efforts to promote the Kingdom's history, heritage, and culture internationally and strengthen its presence at cultural events. It also helps build connections with researchers and others interested in Saudi history and culture.