Christie’s Expands Hong Kong Footprint in Hope of Art Market ‘Pickup’

 A security personnel stands next to a painting titled "Nympheas" (water lilies) by artist Claude Monet during the inaugural sale at Christie's new Asia Pacific headquarters in Hong Kong, China September 19, 2024. (Reuters)
A security personnel stands next to a painting titled "Nympheas" (water lilies) by artist Claude Monet during the inaugural sale at Christie's new Asia Pacific headquarters in Hong Kong, China September 19, 2024. (Reuters)
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Christie’s Expands Hong Kong Footprint in Hope of Art Market ‘Pickup’

 A security personnel stands next to a painting titled "Nympheas" (water lilies) by artist Claude Monet during the inaugural sale at Christie's new Asia Pacific headquarters in Hong Kong, China September 19, 2024. (Reuters)
A security personnel stands next to a painting titled "Nympheas" (water lilies) by artist Claude Monet during the inaugural sale at Christie's new Asia Pacific headquarters in Hong Kong, China September 19, 2024. (Reuters)

Auction house Christie's opened its regional headquarters in Hong Kong on Friday as its Asia Pacific chief predicted a sales "pickup" despite a global art market weighed down by wary sellers.

Christie's is the third major auction house in recent years to expand their footprint in the Chinese finance hub in a bid to woo younger Asian buyers, following rivals Phillips and Sotheby's.

President of Christie's Asia Pacific Francis Belin said the current dip in the market was due to "hesitant" consignors and "sellers being a little bit cautious".

"We are quite confident... in the second half of this year that we see a very nice pickup in our numbers," Belin told AFP.

Christie's earlier reported $2.1 billion in sales in the first six months of 2024 -- the second consecutive year of decline -- down from its 2022 peak of $4.1 billion.

China's economic slump has been cited as a key reason the art market has pulled back from its pandemic-era peaks.

But Belin said the new venue reflected the "very strong demand" from Asia with the emergence of younger collectors.

"The market is not short of buyers... Asia continues to recruit new clients, younger clients (and) Asian collectors embrace new categories," he said, adding that Hong Kong remained the "best place to transact art".

"It's a free flow of capital, free flow of merchandise, free flow of people," Belin said.

The auction house took over four floors at a new skyscraper designed by Zaha Hadid Architects located in the heart of Hong Kong's financial district, with 50,000 square feet (4,600 square meters) of exhibition and office space.

The new space will allow Christie's to bring their events in-house instead of vying for room at Hong Kong's convention and exhibition center.

Its first series of auctions set for next week includes artwork by Vincent van Gogh, Claude Monet and Chinese-French painter Zao Wou-Ki.

Analysts say major auction houses are unfazed by Hong Kong's political environment even as Beijing tightens its grip on artistic freedoms.

Christie's expansion also came at a time when the city's commercial property market was at a low ebb.

The building housing Christie's, called The Henderson -- reportedly built on the world's most expensive plot of land -- was 40 percent vacant as of May, according to Bloomberg News.

Belin earlier told AFP that Christie's signed a 10-year lease at The Henderson and that the relocation would cut operating costs.



Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM
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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM

The Abu Dhabi Arabic Language Centre (ALC) has unveiled the shortlists for the second edition of the Sard Al Thahab Award, Emirates News Agency (WAM) reported Wednesday.

A total of 15 works from eight countries have been selected to compete across four categories: ‘Short Story for Published Stories’, ‘Popular Narratives’, ‘Short Story for Unpublished Stories’, and ‘Illustrated Story,’ WAM said.

In addition to these, the center will announce the winners in the ‘Narrators’ and ‘Emirati Narration’ categories, along with the winners in the four categories, over the coming months.

The shortlist features works from the UAE, Bahrain, Iraq, Sudan, Syria, Egypt, Morocco, and Tunisia. The increase in the number of participating countries highlights the award's rapid expansion and its capacity to attract creative talents across its six categories.

The shortlist for the ‘Short Story for Published Stories’ category is: ‘The Two Sisters’ by Ali AlAbdan from the UAE, published in 2023 by the Emirates Writers Union; ‘The Last Storyteller in This Time’ by Abdulrahman Abbas from Sudan, published in 2023 by Rwafead Publishing & Distribution; and ‘The Green Dragon’s Wife and Other Colourful Tales’ by Rawaa Sunbol from Syria, published in 2019 by Alaan Publishers & Distributors.

The shortlist for the ‘Popular Narratives’ category features: ‘Bahraini Folktales: One Thousand and One Tales’ by Dr. Dheya Abdulla Khamis AlKaabi from Bahrain, published in 2018 by the Arab Institute for Research & Publishing; ‘Encyclopedia of Folktales: One Thousand and Eighty Tales from Northern Upper Egypt’ by Dr. Sayed Fares from Egypt, published in 2023 by the Sharjah Institute for Heritage; and ‘The Hidden Heritage: The Sumerian Legend and the Gulf Novel of the Al-Sirah al-Hilaliyyah’ by Fathy Abdelsamie from Egypt, published in 2024 by Dar Waad for Publishing and Distribution.

The shortlist for the ‘Short Story for Unpublished Stories’ category has five entries: ‘Rooms with People Running Underneath Them’ by the Iraqi writer Yas AlFahdawi; ‘Biography of a Creature’ by the Moroccan writer Said Alfellak; ‘Suspended Souls’ by the Egyptian writer AbdelHady Ibrahim; ‘Judeilah Weather’ by the Egyptian writer Aida Deraman; and ‘Al Hashashat’ by the Tunisian writer Nasr Sami.

The shortlist for the ‘Illustrated Story’ category has four works: a documentary film titled ‘Tifan’ by Aaesha Alteneiji from the UAE; a photograph titled ‘Grandma’s Stories’ by Nuwair Alhajeri from the UAE; a photograph titled ‘Wife’s Loyalty’ by Issa Mohamed from Bahrain; and a drawing titled ‘Antara and Abla’ by Mahmood Shubbar from Iraq.

The jury selected the nominated works based on their alignment with the award's standards and objectives, reinforcing the award's commitment to excellence and fostering creativity in the literary field.

The Sard Al Thahab Award is an annual initiative launched by the Abu Dhabi Arabic Language Center. Its objectives are inspired by the poetry of the late Sheikh Zayed bin Sultan Al Nahyan, Father of the Nation. The award aims to serve as a platform that merges creativity with intellectual thought, fostering an artistic movement that draws upon Sheikh Zayed’s creative legacy as a foundation for new forms of creativity.