Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA

The Museums Commission inaugurated on Thursday the exhibition "The Writings of Today Are a Promise for Tomorrow" at the Saudi Arabia Museum of Contemporary Art at Jax, introducing contemporary artists of Chinese origin to Saudi Arabia for the first time.
Bringing together over 30 artists of different generations and cultural backgrounds, the exhibition showcases a collection of over 50 art pieces, offering diverse and nuanced perspectives on the profound transformation of our contemporary society.
The exhibition draws fascinating parallels between Arab and Chinese traditions by exploring two central elements they have in common: calligraphy and the garden. The exhibition highlights the profound significance of calligraphy as a cultural and societal practice in both Arabic and Chinese cultures, in which the written word and script are revered not only as a form of communication but also as a spiritual endeavor.
The balance between discipline and naturalness, a requirement for masterful calligraphy, links the field of writing with the domain of the garden. By definition, the garden is nature in an arranged order, and it is considered in both cultures a representation of creation, designed for the appreciation of beauty and spirituality, and for contemplation and conviviality.
"The Writings of Today Are a Promise for Tomorrow" exhibition also reflects an aspiration towards future possibilities and ongoing dialogue, addressing the concepts of energy flow and synergy. Writing here is understood in a larger sense as the trace of a meaningful act of participation and communication.
The exhibition is designed as a stroll through a series of thematic stages, exploring the interplay between presence and absence, action and contemplation, memory and imagination
Visitors will have the opportunity to explore pieces from two notable Paris-based collections of contemporary Chinese art, the Donnersberg Collection and the dslcollection, as well as direct contributions from artists and site-specific works produced in Saudi Arabia for the exhibition. They will also see the works of a French-Algerian artist Adel Abdessemed and Taiwanese artist Michael Lin, showing for the first time in Saudi Arabia.
The exhibition showcases how the art of today continues to evolve, reflecting and reshaping the flow of cultural energy, connecting past and future, and embodying the promise of tomorrow.
The exhibition will run until January 18, 2025.



British Museum Explores ‘Silk Roads’ Trade Routes in New Exhibition

People walk in front of the British Museum in London, Britain, on September 28, 2023. (Reuters)
People walk in front of the British Museum in London, Britain, on September 28, 2023. (Reuters)
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British Museum Explores ‘Silk Roads’ Trade Routes in New Exhibition

People walk in front of the British Museum in London, Britain, on September 28, 2023. (Reuters)
People walk in front of the British Museum in London, Britain, on September 28, 2023. (Reuters)

A new exhibition exploring the vast network of the Silk Road trade routes opens at the British Museum in London this week.

Showcasing a range of artifacts including Chinese ceramics, Byzantine jewellery and the earliest known group of chess pieces, "Silk Roads" focuses specifically on the period AD 500 to 1,000, amid the rise of different empires and religions.

"This exhibition is presenting a rather different vision of the Silk Road than some people might be expecting... Rather than a single trade route between east and west, we are showing the Silk Roads plural... as a series of overlapping networks that link communities across Asia, Africa and Europe," exhibition co-curator Sue Brunning told Reuters.

"We're showing that it was not just silk and spices... but also people, objects and ideas moving sometimes great distances, not just by land, but also by sea and river and exchanges taking place in all contexts."

Highlights include loans from central Asia such as a large mural found in the reception hall of an aristocratic house in Samarkand, Uzbekistan and a gilded silver cup from the Galloway Hoard, on loan from the National Museums Scotland.

"Silk Roads" opens on Thursday and runs until February.