Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)
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Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)

Researchers in architecture consider intricately decorated wooden doors, which have endured for centuries, as prime examples of the exceptional craftsmanship and artistic depth that have characterized the Arabian Peninsula, particularly the Aseer region.
Traditional decorations on wooden doors and windows have been a hallmark of architecture in the Arabian Peninsula since ancient times. These decorative elements have not only served as a reflection of a carpenter's skill, they have also played a significant role in marketing their work.
In an interview with the Saudi Press Agency, Dr. Ali Marzouq, professor of archaeology and Islamic arts at King Khalid University, emphasized the social significance of this art form. He noted that people derive psychological comfort from beautifying their belongings, and the decorative motifs associated with Islamic architecture, such as engravings and writings on doors and windows, became an integral part of building design, enhancing both functionality and aesthetic appeal.
Researcher Dr. Saleh Abu Arad concurred and highlighted the importance of the "door and window industry" as a skilled craft that relies on the use of local wood and the application of various techniques to create doors and windows of different sizes. These structures are often adorned with beautiful engravings and may include metal accents such as handles or rings.
The type of wood used in door and window construction significantly impacts the final product. The talh tree (red acacia), known for its cohesive fibers, is a preferred material for high-quality doors and intricate decorations. Carpenters have excelled in engraving decorations on both external and internal doors, taking advantage of the talh tree's properties.
Internal wooden doors and windows are often decorated by the housewife or with the help of female relatives and neighbors. These decorations incorporate a variety of geometric, botanical, and symbolic motifs, creating a welcoming atmosphere for guests and visitors.
Aseer region has a rich tradition of skilled carpenters who have mastered the art of creating traditional architecture doors and windows. These craftsmen have demonstrated their expertise in incorporating various geometric and botanical motifs into their designs, drawing inspiration from the surrounding natural world. While they avoid using human or animal figures, they skillfully employ plant, geometric, and symbolic elements to create unique decorative compositions.
Researcher Maryam Al-Omari said that popular artists frequently used geometric shapes, such as triangles and diamond shape, in their door designs. These were often combined in various ways, creating intricate patterns.
Due to the creativity and skill involved in carving and engraving wooden doors, they have become symbols of social status.
Marzouq said that the main door holds significant social importance, reflecting the owner's wealth and status. Elaborately decorated doors made from expensive wood are often found in the houses of wealthy villagers, while simpler doors are more common in the houses of ordinary people.
The tradition of decorating doors continues today, with people often renewing the decorations on their doors to celebrate holidays or special occasions.
In coastal Tihama, some people even plant aromatic plants around their main doors, creating a fragrant entrance.
In 2021, the Ministry of Culture recognized the importance of preserving this heritage and republished the works of the late French professor Thierry Mouget whose extensive photographic documentation of southern Saudi Arabia in the 1980s captured the region's architectural style, historical legacy, social life, and customs. His work sheds light on the rich cultural heritage of the Aseer region.



Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
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Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP

In southern Morocco, women are the guardians of the age-old craft of carpet weaving, an intricate art form that often leaves them with meagre earnings.

Women like Ijja Benchri, who creates carpets on a wooden weaving loom outside her small home in the village of Taznakht, follows traditions going back many generations.

"I started when I was 11 or 12, imitating the women I saw weaving," said Benchri, 60.

Known for their bold geometric patterns and vibrant colors, the handwoven rugs are a fixture in local markets and a favorite among tourists.

In 2022, traditional carpets accounted for nearly 22 percent of the kingdom's artisan exports, according to government data, AFP reported.

The mountain villages around Taznakht are famous for their Ait Ouaouzguite carpets, named after a native Amazigh tribe, one among a grouping of several communities indigenous to North Africa long referred to as Berbers.

The carpets are woven by the women on small traditional looms, either at home or in specialised workshops.

They are then categorized into various styles, depending on their region of origin and their designs.

Some of Morocco's finest rugs are crafted from high-quality sheep wool in Jbel Sirwa just south of the Atlas Mountains, and dyed using natural pigments from plants like henna, pomegranate peels, or indigo.

Though industrial dyes have replaced natural ones for most weavers because they are cheaper and can be produced more quickly.

"This tradition has been handed down for centuries, from mothers to daughters," said Safia Imnoutres, who leads a local women's weaving cooperative.

She was one of the women showcasing their creations at a recent festival in Taznakht dedicated to safeguarding the heritage.

- 'Comes from within' -

Creating a single carpet can take two to four weeks depending on its size, said Benchri, speaking in Tamazight, the community's language recognized as an official language alongside Arabic in Morocco.

"I choose the colors as I go, according to my feelings," she added.

Imnoutres also described the process as "instinctive", guided by emotion rather than a predetermined design.

"Weaving is an expression of the women's feelings, when they are joyful, when they are melancholic," she added. "It's an art that comes from within."

But beyond its artistic value, weaving is a vital source of income.

Every Thursday, many travel to a weekly market to sell their rugs, often to middlemen who set the prices.

On average, a large rug sells for just 250 Moroccan dirhams (around $24), with its final price later raking astronomical profits.

In cities like Marrakech, some 250 kilometres (160 miles) north of Taznakht, they are sold in bazaars for up to ten times the original price.

Other rugs are listed at up to $6,000 on online platforms.

"We earn very little," said Benchri. "The intermediaries decide the price, and we have no choice but to accept it because this is our livelihood."

These diminishing returns, she added, have contributed to making the craft less attractive for younger women and jeopardising the handcraft tradition.

Additionally, the influx of cheaper, machine-made rugs has deepened competition.

To address these challenges, a new exhibition space in Taznakht allows some weavers to sell their work directly to buyers, cutting out middlemen.

The center also tries to open new avenues for these women to sell their products independently through courses in digital marketing.

"If this heritage isn't made financially viable, we risk losing it," Imnoutres warned.