Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM
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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM

The Abu Dhabi Arabic Language Centre (ALC) has unveiled the shortlists for the second edition of the Sard Al Thahab Award, Emirates News Agency (WAM) reported Wednesday.

A total of 15 works from eight countries have been selected to compete across four categories: ‘Short Story for Published Stories’, ‘Popular Narratives’, ‘Short Story for Unpublished Stories’, and ‘Illustrated Story,’ WAM said.

In addition to these, the center will announce the winners in the ‘Narrators’ and ‘Emirati Narration’ categories, along with the winners in the four categories, over the coming months.

The shortlist features works from the UAE, Bahrain, Iraq, Sudan, Syria, Egypt, Morocco, and Tunisia. The increase in the number of participating countries highlights the award's rapid expansion and its capacity to attract creative talents across its six categories.

The shortlist for the ‘Short Story for Published Stories’ category is: ‘The Two Sisters’ by Ali AlAbdan from the UAE, published in 2023 by the Emirates Writers Union; ‘The Last Storyteller in This Time’ by Abdulrahman Abbas from Sudan, published in 2023 by Rwafead Publishing & Distribution; and ‘The Green Dragon’s Wife and Other Colourful Tales’ by Rawaa Sunbol from Syria, published in 2019 by Alaan Publishers & Distributors.

The shortlist for the ‘Popular Narratives’ category features: ‘Bahraini Folktales: One Thousand and One Tales’ by Dr. Dheya Abdulla Khamis AlKaabi from Bahrain, published in 2018 by the Arab Institute for Research & Publishing; ‘Encyclopedia of Folktales: One Thousand and Eighty Tales from Northern Upper Egypt’ by Dr. Sayed Fares from Egypt, published in 2023 by the Sharjah Institute for Heritage; and ‘The Hidden Heritage: The Sumerian Legend and the Gulf Novel of the Al-Sirah al-Hilaliyyah’ by Fathy Abdelsamie from Egypt, published in 2024 by Dar Waad for Publishing and Distribution.

The shortlist for the ‘Short Story for Unpublished Stories’ category has five entries: ‘Rooms with People Running Underneath Them’ by the Iraqi writer Yas AlFahdawi; ‘Biography of a Creature’ by the Moroccan writer Said Alfellak; ‘Suspended Souls’ by the Egyptian writer AbdelHady Ibrahim; ‘Judeilah Weather’ by the Egyptian writer Aida Deraman; and ‘Al Hashashat’ by the Tunisian writer Nasr Sami.

The shortlist for the ‘Illustrated Story’ category has four works: a documentary film titled ‘Tifan’ by Aaesha Alteneiji from the UAE; a photograph titled ‘Grandma’s Stories’ by Nuwair Alhajeri from the UAE; a photograph titled ‘Wife’s Loyalty’ by Issa Mohamed from Bahrain; and a drawing titled ‘Antara and Abla’ by Mahmood Shubbar from Iraq.

The jury selected the nominated works based on their alignment with the award's standards and objectives, reinforcing the award's commitment to excellence and fostering creativity in the literary field.

The Sard Al Thahab Award is an annual initiative launched by the Abu Dhabi Arabic Language Center. Its objectives are inspired by the poetry of the late Sheikh Zayed bin Sultan Al Nahyan, Father of the Nation. The award aims to serve as a platform that merges creativity with intellectual thought, fostering an artistic movement that draws upon Sheikh Zayed’s creative legacy as a foundation for new forms of creativity.



Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
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Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)

Pablo Picasso's anti-war masterpiece "Guernica" is swept up in a conflict in Spain, where Basque leaders want the government in Madrid to move the painting to their region, whose 1937 bombing inspired it.

The mural-sized painting has been on display since 1992 at the Reina Sofia museum in the Spanish capital, and repeated requests for it to be moved to Spain's Basque Country have been refused.

The latest demand was made by the head of the regional Basque government, Imanol Pradales, during talks with Socialist Prime Minister Pedro Sanchez.

The Basque government wants the painting to be hung in the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the April 26, 1937, bombing, in which forces from Nazi Germany and Fascist Italy razed the town of Guernica to help General Francisco Franco in the Spanish Civil War.

Bringing the painting to Bilbao from October until June would be a form of "reparation and historical memory", the Basque government said.

Sanchez -- whose minority government depends on the support of two Basque parties in parliament to pass laws -- did not reject the proposal outright, instead referring it to the culture ministry.

The ministry asked the Reina Sofia museum for a technical report on the viability of the request, which once again "strongly advised" against moving the painting.

The report said the painting is too fragile to travel, citing risks of damage from vibration or movement.

Picasso's black-and-white masterpiece is the highlight of the Reina Sofia museum, which welcomed around 1.6 million visitors last year.

The outspoken head of the regional government of Madrid, Isabel Diaz Ayuso of the conservative Popular Party (PP), weighed in on Monday, calling the request to move the painting "provincial".

"It makes no sense for everything to be returned to its origin. In that case we should send all of Picasso's works to Malaga," she said, a reference to the southern Spanish city where Picasso was born.

- Return from New York -

Asked about the controversy on Tuesday, Spain's central government spokeswoman Elma Saiz said the government relies on the advice of "professionals", referring to the museum report, and "never resorts to insults".

Painted in 1937 in the aftermath of the bombing, "Guernica" debuted in Paris at the World's Fair, then was placed in the care of the Museum of Modern Art in New York.

When Franco's forces overthrew the Spanish republic, Picasso stipulated that the painting should not return to Spain until democracy had been restored.

The work was moved to Spain in 1981, six years after Franco's death.

It was first displayed at the Prado museum, then moved to the Reina Sofia in 1992.

Picasso, who died in 1973, never lived to see the painting on exhibit in Spain.

In 1995, Spanish authorities refused to lend it to the Pompidou Center in Paris, citing the damage the work could suffer during its transport.


Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.