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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM
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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM

The Abu Dhabi Arabic Language Centre (ALC) has unveiled the shortlists for the second edition of the Sard Al Thahab Award, Emirates News Agency (WAM) reported Wednesday.

A total of 15 works from eight countries have been selected to compete across four categories: ‘Short Story for Published Stories’, ‘Popular Narratives’, ‘Short Story for Unpublished Stories’, and ‘Illustrated Story,’ WAM said.

In addition to these, the center will announce the winners in the ‘Narrators’ and ‘Emirati Narration’ categories, along with the winners in the four categories, over the coming months.

The shortlist features works from the UAE, Bahrain, Iraq, Sudan, Syria, Egypt, Morocco, and Tunisia. The increase in the number of participating countries highlights the award's rapid expansion and its capacity to attract creative talents across its six categories.

The shortlist for the ‘Short Story for Published Stories’ category is: ‘The Two Sisters’ by Ali AlAbdan from the UAE, published in 2023 by the Emirates Writers Union; ‘The Last Storyteller in This Time’ by Abdulrahman Abbas from Sudan, published in 2023 by Rwafead Publishing & Distribution; and ‘The Green Dragon’s Wife and Other Colourful Tales’ by Rawaa Sunbol from Syria, published in 2019 by Alaan Publishers & Distributors.

The shortlist for the ‘Popular Narratives’ category features: ‘Bahraini Folktales: One Thousand and One Tales’ by Dr. Dheya Abdulla Khamis AlKaabi from Bahrain, published in 2018 by the Arab Institute for Research & Publishing; ‘Encyclopedia of Folktales: One Thousand and Eighty Tales from Northern Upper Egypt’ by Dr. Sayed Fares from Egypt, published in 2023 by the Sharjah Institute for Heritage; and ‘The Hidden Heritage: The Sumerian Legend and the Gulf Novel of the Al-Sirah al-Hilaliyyah’ by Fathy Abdelsamie from Egypt, published in 2024 by Dar Waad for Publishing and Distribution.

The shortlist for the ‘Short Story for Unpublished Stories’ category has five entries: ‘Rooms with People Running Underneath Them’ by the Iraqi writer Yas AlFahdawi; ‘Biography of a Creature’ by the Moroccan writer Said Alfellak; ‘Suspended Souls’ by the Egyptian writer AbdelHady Ibrahim; ‘Judeilah Weather’ by the Egyptian writer Aida Deraman; and ‘Al Hashashat’ by the Tunisian writer Nasr Sami.

The shortlist for the ‘Illustrated Story’ category has four works: a documentary film titled ‘Tifan’ by Aaesha Alteneiji from the UAE; a photograph titled ‘Grandma’s Stories’ by Nuwair Alhajeri from the UAE; a photograph titled ‘Wife’s Loyalty’ by Issa Mohamed from Bahrain; and a drawing titled ‘Antara and Abla’ by Mahmood Shubbar from Iraq.

The jury selected the nominated works based on their alignment with the award's standards and objectives, reinforcing the award's commitment to excellence and fostering creativity in the literary field.

The Sard Al Thahab Award is an annual initiative launched by the Abu Dhabi Arabic Language Center. Its objectives are inspired by the poetry of the late Sheikh Zayed bin Sultan Al Nahyan, Father of the Nation. The award aims to serve as a platform that merges creativity with intellectual thought, fostering an artistic movement that draws upon Sheikh Zayed’s creative legacy as a foundation for new forms of creativity.

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Culture

Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.

Culture

Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.

Culture

Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.