Public Art Abu Dhabi Biennial to Launch on November 15

The inaugural Public Art Abu Dhabi Biennial will feature over 70 UAE-based and international artists. WAM
The inaugural Public Art Abu Dhabi Biennial will feature over 70 UAE-based and international artists. WAM
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Public Art Abu Dhabi Biennial to Launch on November 15

The inaugural Public Art Abu Dhabi Biennial will feature over 70 UAE-based and international artists. WAM
The inaugural Public Art Abu Dhabi Biennial will feature over 70 UAE-based and international artists. WAM

The inaugural Public Art Abu Dhabi Biennial will commence on November 15, featuring over 70 UAE-based and international artists who will present site-specific installations and performances in Abu Dhabi and Al Ain, themed ‘Public Matter,’ Emirates News Agency (WAM) reported.

Organized by the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) as a key pillar of its Public Art Abu Dhabi initiative, artists will include Allora & Calzadilla, Arquitectura Expandida, Christopher Joshua Benton, Farah Al Qasimi, guBuyoBand, Hashel Al Lamki, Kabir Mohanty, Khalil Rabah, Oscar Murillo, Radhika Khimji, Sammy Baloji, Tarik Kiswanson, Wael Al Awar, Zeinab Alhashemi and more, WAM said.

The first Public Art Abu Dhabi Biennial focuses on redefining the concept of "public" within the unique context of Abu Dhabi, considering factors such as environmental conditions, communal living, and city planning. It highlights the influence of a diverse, immigrant population on the city's public life and emphasizes values like hospitality and generosity.

The Biennial aims to explore the cultural experiences of various transitory communities and their integration into public spaces. By showcasing site-specific artworks and performances in accessible downtown locations, it underscores the significance of public art as a communal resource.

"We are launching the Public Art Abu Dhabi Biennial as part of our wider cultural vision, providing a unique platform for our community to both appreciate our cultural heritage and be inspired by contemporary art. It also reflects our commitment to supporting creatives in Abu Dhabi, the global south and the rest of the world through flagship art programs,” said DCT Abu Dhabi Chairman Mohamed Khalifa Al Mubarak.

“Taking over key sites in Abu Dhabi City and Al Ain, the Biennial will further position the emirate as a center for culture and creativity, and ensure transformative, inclusive and accessible art encounters are available to both our residents and visitors.”



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.