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Misk Announces Annual Creative Forum 2024

Misk Announces Annual Creative Forum 2024
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Misk Announces Annual Creative Forum 2024

Misk Announces Annual Creative Forum 2024

Saudi Arabia’s Misk Art Institute, an affiliate of the Mohammed bin Salman Foundation (Misk), announced its annual Creative Forum 2024, which will take place at Mohammed bin Salman Nonprofit City (Misk City) on November 1 and 2.

Now in its fifth edition, the forum will feature panel discussions, interactive activities, and performances. Since its launch in 2020, the Creative Forum has become a key event during Misk Art Week, the Misk Art Institute's flagship initiative, reported the Saudi Press Agency on Saturday.

CEO of the Misk Art Institute Reem Al Sultan said: "Hosting the Creative Forum at Misk City marks our first step toward moving into the Misk Art Institute building in Mohammed bin Salman Nonprofit City in 2025. We will also unveil expanded programs and activities aimed at fostering the growth of the cultural and arts sector in the Kingdom and supporting artists."

This year's forum, themed "Media and Technology," will gather thought leaders and experts from around the world at Misk City's Experience Center, a space dedicated to nurturing creativity and engaging youth. Discussions will focus on how media and technology can create new opportunities for artists and society, exploring the role of media in promoting interactive participation and the ways technology has revolutionized exploration and interaction.

In alignment with this theme, the Misk Art Institute will present the exhibition “The Silent Age of Singularity”, running from November 3, 2024, to February 27, 2025. The exhibition will examine the post-internet era, marked by technology's pervasive influence on society.

Curated by the Director of the Curatorial Department and Chief Curator at the Misk Art Institute Basma Al-Shathry, with assistance from Assistant Curator Aram Al-Ajaji, the exhibition will be held at Prince Faisal bin Fahd Arts Hall. It aims to highlight how the Internet has impacted daily life, showcasing transformations brought about by satellites, television, and the Internet in global connectivity, cultural exchange, and information dissemination.

Al-Shathry noted: "The Internet has evolved from simply a communication tool to an essential part of our daily lives. Our exhibition examines the changes that have transformed the ways we communicate, create, and understand the world."

Participating artists in the exhibition include Ibrahim Abumsmar (Saudi Arabia), Mahdi Al Jeraibi (Saudi Arabia), Turki Al-Qahtani (Saudi Arabia), Omar Al-Zahrani (Saudi Arabia), Mohammed Sharrouro (Morocco), Ayman Yasser Didban (Palestine/Saudi Arabia), Iman Al-Jabreen (Saudi Arabia), Mounir Fatmi (Morocco), Samia Halabi (Palestine), David Hockney (United Kingdom), Sofiane El Idrissi (Morocco), Ziad Kaaki (Saudi Arabia), Khaled Makhshoush (Saudi Arabia), Ahmed Matar (Saudi Arabia), Bennett Miller (United States), Nam June Paik (South Korea), John Salvest (United States), Faisal Samra (Saudi Arabia), and Anya Soliman (Egypt/Poland).

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Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
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Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)

Thousands of tourists, pagans, druids and people simply yearning for the promise of spring marked the dawn of the shortest day of the year at the ancient Stonehenge monument on Saturday.

Revelers cheered and beat drums as the sun rose at 8:09 a.m. (0809 GMT) over the giant standing stones on the winter solstice — the shortest day and the longest night in the Northern Hemisphere. No one could see the sun through the low winter cloud, but that did not deter a flurry of drumming, chanting and singing as dawn broke.

There will be less than eight hours of daylight in England on Saturday — but after that, the days get longer until the summer solstice in June.

The solstices are the only occasions when visitors can go right up to the stones at Stonehenge, and thousands are willing to rise before dawn to soak up the atmosphere.

The stone circle, whose giant pillars each took 1,000 people to move, was erected starting about 5,000 years ago by a sun-worshiping Neolithic culture, according to The AP. Its full purpose is still debated: Was it a temple, a solar calculator, a cemetery, or some combination of all three?

In a paper published in the journal Archaeology International, researchers from University College London and Aberystwyth University said the site on Salisbury Plain, about 128 kilometers (80 miles) southwest of London, may have had political as well as spiritual significance.

That follows from the recent discovery that one of Stonehenge’s stones — the unique stone lying flat at the center of the monument, dubbed the “altar stone” — originated in Scotland, hundreds of miles north of the site. Some of the other stones were brought from the Preseli Hills in southwest Wales, nearly 240 kilometers (150 miles) to the west,

Lead author Mike Parker Pearson from UCL’s Institute of Archaeology said the geographical diversity suggests Stonehenge may have served as a “monument of unification for the peoples of Britain, celebrating their eternal links with their ancestors and the cosmos.”