عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Saudi Arabia Reaffirms Commitment to Global Cultural Collaboration

Saudi Arabia reiterated its dedication to promoting cultural diversity. SPA
Saudi Arabia reiterated its dedication to promoting cultural diversity. SPA
TT
TT

Saudi Arabia Reaffirms Commitment to Global Cultural Collaboration

Saudi Arabia reiterated its dedication to promoting cultural diversity. SPA
Saudi Arabia reiterated its dedication to promoting cultural diversity. SPA

Saudi Arabia’s commitment to cultural collaboration and sustainable development was highlighted at the 5th G20 Culture Ministers’ Meeting, where Deputy Minister of Culture for International Cultural Relations Eng. Fahad Abdulrahman Alkanaan delivered the Kingdom’s speech.

The ministerial meeting, held in Salvador, Brazil, under the theme “Building a Just World and a Sustainable Planet,” provided Saudi Arabia an opportunity to reaffirm its dedication to advancing the global cultural agenda.

In his speech on behalf of Minister of Culture Prince Bader bin Abdullah bin Farhan, Deputy Minister Eng. Fahad Abdulrahman Alkanaan expressed gratitude to the Brazilian Presidency, specifically acknowledging Minister of Culture Margareth Menezes, for their dedication to supporting the cultural track within the G20 framework.

“Saudi Arabia is honored to have initiated the first-ever G20 Culture Ministers’ Meeting in 2020 during the Saudi Presidency, themed ‘The Rise of the Cultural Economy: A New Paradigm.’ This initiative underscores our belief in culture as a global public good, connecting our past, enriching our present, and shaping our future,” he said.

The G20 Culture Track was introduced in 2020 under Saudi Arabia’s Presidency, marking a transformative milestone in recognizing culture’s role in influencing economic growth, making it an essential part of the G20 agenda. Since then, Saudi Arabia has established a strong legacy within the G20 framework, and successive presidencies—Italy, Indonesia, India, and now Brazil—have expanded upon this foundation, broadening the cultural agenda’s scope and impact.

Aligning with this year’s G20 theme to foster social inclusion, environmental sustainability, and economic resilience, Saudi Arabia reiterated its dedication to promoting cultural diversity, leveraging digital advancements, fostering a creative economy, and preserving cultural heritage.

Saudi Arabia emphasized the importance of preserving and protecting heritage sites worldwide. To support this mission, the Kingdom has launched several initiatives, including the establishment of a world-class center dedicated to the restoration and protection of underwater cultural heritage in the Red Sea and the Arabian Gulf, demonstrating Saudi Arabia’s commitment to safeguarding cultural heritage locally and internationally.
Through these continued efforts, Saudi Arabia remains dedicated to the priorities of the G20 Culture Track, viewing culture as a vital contributor to sustainable growth. Prince Bader remarked, “We are confident that the collaborative efforts among G20 members will continue to elevate culture as a vital force for sustainable development, inspiring future generations to build a better world.”

Most Viewed

 
 
Culture

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
TT
TT

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”