Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
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Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)

The first traveling group exhibition of Saudi contemporary art was inaugurated at the historic Paço Imperial in Rio de Janeiro, Brazil on Sunday.

Titled “Art of the Kingdom”, this landmark exhibition introduces the public to the works of leading contemporary artists from Saudi Arabia, fostering a deeper global understanding of the Kingdom’s evolving art landscape.

Debuting in Brazil, the exhibition will move on a global tour starting with 2025, reaching the National Museum of China in Beijing.

Titled “Poetic Illuminations”, the inaugural edition of this exhibition in Brazil is curated by Diana Wechsler and features 17 Saudi artists from different generations and of various artistic styles, showcasing a diverse collection of artworks ranging from paintings to installations and video works.

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. Woven artistically, it offers audiences in Brazil and beyond the unique opportunity to engage with Saudi Arabia’s cultural narratives and art practices.

“Art has the power to unite people and cultures, and Art of the Kingdom exemplifies this mission,” said Mona Khazindar, advisor at Saudi Arabia’s Ministry of Culture.

“This exhibition not only stands as a testament to the incredible talent of Saudi contemporary artists, it also creates a platform for Saudi artists to share their stories and perspectives with the world. By launching Art of the Kingdom in Rio de Janeiro, we aim to foster cross-cultural dialogue and understanding through art, while celebrating and nurturing Saudi artists’ creativity and empowering local talents to engage with the world,” she added.

On the concept of the exhibition, Wechsler said: “Is it possible to approach a culture through contemporary art? How do the visual arts contribute to reconfiguring the narratives we construct about society, memory, the past, and the present? These two questions are the starting point of the exhibition.”

“Through a curated selection of artists and works, the exhibition seeks to explore these themes, guided by the idea that the essence of art, in conceptual terms, is poetic illumination — its ability to symbolically shed light on the world we inhabit, revealing not only elements of our past but also our dreams, longings, and fantasies,” she emphasized.

Two main themes emerge from the exhibition’s repertoire. One is the desert as a definition of space, infinity, and life; the other is the singularity of cultural tradition, and the evolution of a unique visual culture, shaped by diverse pasts and presents.

The stunning setting of Paço Imperial, a cultural landmark in Rio de Janeiro, adds to the beauty and significance of this exhibition, as it creates an artistic conversation between the historical setup and the contemporary works on display.

As the Kingdom proceeds on an unprecedented journey of cultural transformation, the “Art of the Kingdom” exhibition offers a unique opportunity to explore the ways in which Saudi contemporary art contributes to shaping new cultural narratives.

 

 



Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
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Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA

Saudi Minister of Culture, Chairman of the Board of Directors of the Literature, Publishing, and Translation Commission (LPTC) Prince Badr bin Abdullah bin Farhan, met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday.

This specialized training program, organized in collaboration between the commission and Manga Productions, a subsidiary of the Mohammed bin Salman Foundation (Misk), aims to nurture talented manga artists through professional training rooted in Japanese techniques, the birthplace of this art form.

During the meeting, Prince Badr emphasized the Saudi leadership's unwavering support for developing human capabilities across all fields, highlighting the importance of academic and professional training in cultural disciplines.

The meeting was attended by CEO of LPTC Dr. Mohammed Hasan Alwan, CEO of Manga Productions Essam Amanullah Bukhari, and students studying manga art at Kadokawa Contents Academy (KCA), one of Japan’s leading institutions for training and recruiting talent in manga creation.

The program includes virtual workshops, an intensive training course, and overseas training in Japan. It has also launched competitions blending manga with Saudi cultural themes, such as "Munjanha," which transforms Arabic proverbs into manga stories; "Manga Al-Qaseed," which adapts Arabic poems into manga; and "Manga Al-Ibil," which celebrates the cultural symbolism of camels in Saudi Arabia.

The program has benefited over 1,850 participants through virtual workshops, with 115 advancing to the intensive training phase, resulting in the creation of 115 manga stories. Among these, 21 students were sent to Japan for advanced training. The competitions garnered significant engagement, receiving 133 submissions for "Munjanha," over 70 for "Manga Al-Qaseed," and more than 50 for "Manga Al-Ibil."