European Fake Art Network Involving Banksys, Warhols, Modiglianis Uncovered in Italy

Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
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European Fake Art Network Involving Banksys, Warhols, Modiglianis Uncovered in Italy

Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)

Italian authorities say a network of European art forgers who painted fake Warhols, Banksys and Picassos and then tried to sell them to unsuspecting buyers with the help of complicit auction houses has been dismantled.

Thirty-eight people have been placed under investigation, including six in Spain, France and Belgium. Italian authorities say the network could have done 200 million euros ($212 million) in economic damage by flooding the art market with fake works.

Italy’s culture ministry said Monday the seizures in Italy, France, Spain and Belgium netted 2,100 fake works attributed to more than 30 famed artists, including Andy Warhol, Amedeo Modigliani, Banksy, Pablo Picasso, Joan Mirò, Francis Bacon, Wassily Kandinsky, Henry Moore and Gustav Klimt.

The operation uncovered a network of forgers in Spain, France and Belgium who produced the works, said Eurojust, the European Union agency for judicial cooperation. Fake Warhols and Banksys were the most commonly forged and the fakes were exhibited at shows in Mestre and Cortona, Italy, with a catalogue published, the authorities said.

Eurojust said the network was able to use complicit auction houses in Italy that issued forged certificates and stamps of authenticity, some 500 of which were also seized.

The investigation began in March 2023 when Italian authorities discovered 200 fakes during the search of the home of a Pisa businessman that prompted them to monitor e-commerce sites of auction houses to see if others were involved in the network.

Those arrested are accused of conspiracy to forge and deal in contemporary art, Eurojust said.



Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park
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Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

The Saudi Ministry of Culture announced on Wednesday the appointment of Douglas Gautier as CEO of the Royal Arts Complex at King Salman Park in Riyadh Region. Gautier will assume responsibilities for managing and operating the complex and developing its cultural programs, drawing upon his extensive global experience in managing cultural assets.

This appointment aligns with the ongoing development of the Royal Arts Complex in King Salman Park, at the heart of Riyadh. Designed as a dynamic cultural landmark, the complex fosters creativity, unites diverse artistic expressions, and promotes cultural dialogue. It aims to provide exceptional experiences in an engaging environment that reflects the Kingdom's cultural aspirations while attracting local and international audiences.

The complex spans an area exceeding 500,000 square meters and includes seven key cultural assets: the Museum of World Cultures, the National Theater, the Arts Library, the Arts Cinema, the Sculpture Pavilion, the Dome, and the Royal Institute of Traditional Arts. These assets are designed to offer a comprehensive cultural experience that embraces diverse art forms and enriches the Kingdom's cultural landscape.

Gautier will oversee the next phase of the complex's development, focusing on finalizing operational plans and managing its programs and cultural content. He brings over four decades of experience in managing cultural institutions, during which he led projects that have contributed to the development of the global artistic landscape throughout his professional career in Asia and Australia. He has played a significant role in launching innovative initiatives that foster cross-cultural dialogue and contribute to the expansion of artistic exchange.

Gautier has served as CEO and Artistic Director of the Adelaide Festival Centre in Australia, where he founded the OzAsia Festival, now recognized as a leading platform for cultural exchange between Australia and Asia. He is recognized for his dedication to broadening access to the arts through innovative cultural programs rooted in diversity and creativity, and for his efforts to strengthen international partnerships that foster global cultural exchange. He has chaired the Association of Asia Pacific Performing Arts Centers (AAPPAC) since 2013.

Gautier expressed his pride in being appointed Chief Executive Officer of the Royal Arts Complex, stating: "I am honored to join the Royal Arts Complex at this pivotal stage of cultural development in the Kingdom. This project represents a unique opportunity to contribute to a global cultural dialogue celebrating Saudi heritage and international artistic achievements. I look forward to collaborating with esteemed artists, curators, and cultural leaders from the Kingdom and across the globe to realize this ambitious vision."

The Royal Arts Complex comes as part of the objectives of Saudi Vision 2030, serving as a key pillar in advancing the artistic landscape, supporting the creative economy, and fostering new opportunities for artists and cultural enthusiasts. It will play a vital role in establishing a comprehensive and globally connected cultural ecosystem. It will also mark a significant milestone in the Saudi cultural landscape and encourage local and international creativity.