Secrets of Palestinians' UNESCO-listed Nablus Soap

A Palestinian woman pours the ingredients for making traditional 'Nabulsi' soap into a barrel, in the village of Salem east of the occupied-West Bank city of Nablus on December 5, 2024. (Photo by Zain JAAFAR / AFP)
A Palestinian woman pours the ingredients for making traditional 'Nabulsi' soap into a barrel, in the village of Salem east of the occupied-West Bank city of Nablus on December 5, 2024. (Photo by Zain JAAFAR / AFP)
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Secrets of Palestinians' UNESCO-listed Nablus Soap

A Palestinian woman pours the ingredients for making traditional 'Nabulsi' soap into a barrel, in the village of Salem east of the occupied-West Bank city of Nablus on December 5, 2024. (Photo by Zain JAAFAR / AFP)
A Palestinian woman pours the ingredients for making traditional 'Nabulsi' soap into a barrel, in the village of Salem east of the occupied-West Bank city of Nablus on December 5, 2024. (Photo by Zain JAAFAR / AFP)

Initiated into the thousand-year-old practice of Nablus soap making by a distant relative, Umm al-Abed is now passing on the secrets of the practice newly designated by UNESCO as intangible world heritage, Agence France Presse reported.

Umm al-Abed handcrafts soap at her home in the village of Salem, east of Nablus, in one of many small soap workshops across the Israeli-occupied West Bank.

The process is rudimentary, involving a plastic bucket in a concrete courtyard and just three ingredients: olive oil, water and lye.

"The person who taught us to make the soap was an elderly relative from the village of Immatin. A long time ago, around 20 to 30 years, she came here and made soap," Umm al-Abed said.

"When she cooked the oil, I watched how she did it. I learnt the processes and I began to make soap myself. I made it for all the residents" of the village, she said.

Behind Umm al-Abed, the women were hard at work. One poured olive oil from a container, then added the lye. Using a long stick, she stirred the mixture with one hand and poured in water with the other. As she did so, the mixture gradually turned vibrant green.

The cooking is done in an oil drum over a wood fire. When the mixture is ready, it is poured into large, plastic-lined trays and left to cool and harden.

The giant block is then marked by hand before being cut into small bars of soap with a giant metal sheet.

The artisanal process, handed down from generation to generation, was recently added to UNESCO's list of intangible cultural heritage.

- 'Need to preserve it' -

It joins other Palestinian entries like hikaye, a tradition of female storytelling, the traditional dabkeh dance and embroidery.

According to the UN's cultural organization: "The use of olive oil reflects people's strong relation to nature, and many people use their homemade soap as a personal gift for celebrations such as weddings and birthdays."

"Most families in Palestine share the tradition, with both men and women taking part" in all stages of production and children helping to cut and pack it.

In Nablus, the Tuqan soap factory, established in 1872, continues to churn out bars.

It was founded "in the Ottoman period and has made soap ever since", said Nael Qubbaj, the factory chief.

He sat in his office, surrounded by faded portraits of suit and fez-wearing men, all members of the Abdul Fattah Tuqan family, co-founders of the factory.

The site's output is considerably higher than that of Umm al-Abed's artisanal workshop.

On the factory floor, a layer of soap covered the whole room from wall to wall. A barefoot soap maker slowly walked backwards across the room slicing the vast soap carpet into perfectly sized individual blocks.

The thousands of individual soaps were then stacked into hollow round towers to dry before being individually wrapped.

Recognition by UNESCO of Nablus soap "is an acknowledgement by the global community... of the significance of this craft and the need to preserve it," AFP quoted Qubbaj as saying.

Doing so was especially important "given the Israeli occupation's efforts to undermine these traditional industries," he said.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."