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Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
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Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA

The Diriyah Biennale Foundation said that the second edition of the Islamic Arts Biennale is scheduled to open on January 25 at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah.
The biennale aims to present a captivating blend of timeless treasures of Islamic civilization and contemporary artistic creations, offering visitors a journey through the artistic heritage of Islam that engages senses, intellect, and creativity.
Featuring the contributions of over 30 artists from Saudi Arabia and beyond, the artworks will be on display in both indoor and outdoor exhibition spaces.
Saudi artist Muhannad Shono will lead the curation of contemporary art, supported by associate curators Joanna Chevalier and Amina Diab.
Shono, alongside artistic directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, has tasked the participating artists with creating new pieces that complement historical Islamic artifacts.
The theme of this biennale, "And all that is in between,” encapsulates the essence of the contemporary artworks, transcending simplistic notions and cultural dialogues to foster a collective understanding, imagination, and interpretation.
Many artists have found inspiration in timeless elements, seeking to captivate visitors with themes like space, time, and light. The artworks offer insight into ways of preserving and nurturing culture by exploring the evolving landscape in Saudi Arabia.
The new art pieces will be showcased alongside historical artifacts, including religious relics, maps, and jewelry, in five indoor exhibition halls and various outdoor spaces under the canopy of the Hajj Terminal.
The works are inspired by the concept of the garden in Islamic civilization, blending nature and traditional design while tackling contemporary environmental and social issues.
The 2025 Islamic Arts Biennale will be held in seven sections: AlBidaya (the beginning), AlMadar (the orbit), AlMuqtani (homage), AlMathala (the canopy), Makkah al-Mukarramah, Al-Madinah al-Munawwarah, and AlMusalla (the prayer hall), spread throughout various galleries and outdoor areas, on 100,000 square meters of dedicated exhibition space.

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Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
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Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

More than a century ago, Pablo Picasso smashed the Sacre-Coeur Basilica in Paris into a web of tangled lines on his canvas, deconstructing reality with the brushstrokes of a master cubist.
At a Hong Kong exhibition opening Saturday, that painting will be shown alongside a more literal form of destruction -- a "gunpowder drawing" by Chinese-born artist Cai Guo-Qiang -- as part of a cross-cultural exchange, AFP said.
"Interest in (Picasso's) life and work hasn't subsided at all, including in Asia" in the half-century since his death, said Doryun Chong, artistic director and chief curator at the M+ museum.
The show will pair more than 60 masterpieces loaned from the Picasso Museum in Paris with around 130 works by Asian and Asian-diasporic artists.
Highlights include "Portrait of a Man" from Picasso's Blue Period, a 1937 horse head sketch for "Guernica" and "Massacre in Korea", a 1951 expressionist anti-war painting.
"Exhibitions on Picasso tend to be very monographic," said Chong, who co-curated the event.
"We felt that it's more productive for understanding Picasso... that we create these unexpected juxtapositions and dialogues."
Cecile Debray, president of the Picasso Museum in Paris, hailed the approach as being "decentered from the Western point of view".
The last major Picasso showcase in Hong Kong, a more straightforward affair, took place in 2012 and drew huge crowds.
In the intervening decade, Picasso's reputation has been dented by the #MeToo movement as critics decried his abusive treatment of wives and girlfriends.
"We are of course very open and honest about the rather disturbing aspects of his biography, but we also shouldn't let that determine the meanings of his whole career," Chong said.
Hong Kong officials have touted the four-month exhibition as part of "Art March", hoping that high-brow events at museums, fairs and auction houses can boost the city's international appeal.
Since opening in late 2021, M+ has seen more than eight million visitors -- a bright spot for Hong Kong's loss-making West Kowloon Cultural District.
Chong said the museum connects visual culture between Asia and the world, citing the example of how Picasso is placed next to self-taught local painter Luis Chan.
Chan, who drew ample inspiration from the Spanish master, was "of the older generation when formal training in art was not possible in Hong Kong".
"Still he felt connected to the center of the art world at the time in Paris, and the very important figure in that context (that is) Picasso."