Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands
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Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Centuries-old stone Buddha statues and precious jewelries repatriated by the Dutch government to its former colony are on display at Indonesia's National Museum, providing a glimpse into the country's rich heritage that the government had struggled to retrieve.
The collection is part of more than 800 artifacts that were returned under a Repatriation Agreement signed in 2022 between Indonesia and the Netherlands, said Gunawan, the museum's head of cultural heritage. The objects are not just those looted in conflict, but also seized by scientists and missionaries or smuggled by mercenaries during the four centuries of colonial rule, The Associated Press reported.
“I was so amazed that we have all of these artifacts,” said Shaloom Azura, a visitor to the museum in Jakarta. She hoped other historical objects can be repatriated too, "so we don’t have to go to the Netherlands just to see our own cultural heritage.”
The agreement to return cultural objects was inspired by the new era of global restitution and repatriation efforts.
In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.
Cambodia in 2023 welcomed the return of priceless stolen artifacts that had been seized during periods of war and instability. Many of the items returned so far have come from the United States. And the Berlin museum authority said it would return hundreds of human skulls from the former German colony of East Africa.
The Dutch government announced the same year the return of the Indonesian treasures and looted artifacts from Sri Lanka.
Only a few objects made it back before a deal was struck. The repatriation “is not something out of the blue” but followed a lengthy process, said I Gusti Agung Wesaka Puja, former Indonesian ambassador to the Netherlands who also headed the government's team tasked to recover the objects.
He said negotiations with the Dutch government have been ongoing since Indonesia’s independence in August 1945, but it was only in July 2022 that Indonesia formally requested the return of its cultural objects with a list of specific items.
“This repatriation is important for us to reconstruct history that may be lost or obscured or manipulated,” Puja said. “And we can fill the gap of the historical vacuum that has existed so far.”
The Dutch government in 1978 returned the famous 13th-century statue of princess Pradnya Paramita from the Javanese Singhasari Kingdom. During the same visit to Indonesia, then-Queen Juliana also returned a saddle and spear seized from Prince Diponegoro, a Javanese nobleman considered a national hero for his struggle against colonial rule in the 19th century.
The prince's scepter was returned in 2015. In 2020, Dutch King Willem-Alexander handed over Diponegoro's gold-plated kris dagger in his first state visit to Indonesia.
Also pending is the return of the “Java Man” — the first known example of homo erectus that was collected by Dutch paleoanthropologist Eugene Dubois in the 19th century.
“The importance of the most recent repatriation is knowledge creation, that will give society a more complete knowledge of our past history,” said Puja.
He said the recent repatriation efforts seem to also be motivated by practical considerations, such as when the Delf city administration sent back 1,500 objects in 2019. They were part of the bankrupted Nusantara Museum collection.
However, Marc Gerritsen, the Dutch ambassador to Indonesia, said the repatriation would only focus on cultural objects that are requested, rather than emptying out European museums.
“There is a huge interest from the Dutch public in Indonesian history and Indonesian culture, so we do know that if Dutch museums put these objects on display, there will be an interest,” Gerritsen said, “But again, the heart of the matter is that the colonial collections artifacts that were stolen during the colonial period are returned on the basis of this process that was established.”
He said the Netherlands, the largest investor from the European Union in Indonesia, has a unique relationship with Southeast Asia’s biggest economy.
“Of course, we have elements of which we are not proud, but we are really grateful for the fact that Indonesia is so much attached to preserving that history,” Gerritsen said.
To support its former colony in safeguarding its repatriated cultural heritage, the Dutch government has offered to assist in improving museum storage conditions and staff expertise.
Some researchers have criticized Indonesia, the world’s largest archipelago nation of 17,000 islands, for a lack of legal framework to protect its rich cultural heritage and natural conservation.
At least 11 cases of museum thefts were reported between 2010 and 2020, according to a 2023 report by Rucitarahma Ristiawan, a lecturer of cultural science at Gajah Mada University, and two other researchers.
In 2023, dozens of ships dredged the bottom of the Batanghari River in Jambi province, and the crews looted archaeological objects including porcelain, coins, metal and gold artifacts, which are believed to have been sold abroad, the report said.
“I think there is a lot to be reviewed from our historical works that are still kept in other countries,” said Frengky Simanjuntak, who marveled at the Repatriation Exhibition at the National Museum, on display since October. “So it’s not just about bringing them back home, but how to protect them."



Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 
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Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures (DAF) announced on Wednesday the opening date of its fourth major exhibition, titled "Of the Earth: Earthly Technologies to Computational Biologies."

The exhibition will run in Diriyah from January 14 to May 16.

Curated by DAF’s Director of Exhibitions Irini Papadimitriou, the exhibition is organized into four thematic areas. It examines how technology is often viewed as a tool for controlling nature, while also addressing the environmental impact of digital systems on a planet with finite resources. The artworks will showcase how these technologies are constructed from the earth's own materials.

The collaborations between art, technology, and science provide creative ways to address urgent issues and challenge technological power structures. They propose pathways toward caring ecosystems, reimagining technology shaped by interspecies, collective, and planetary intelligence that serves more than just human needs.

A public program featuring panel discussions, practical workshops, and masterclasses will accompany the exhibition.


France's Louvre Museum Remains Shut as Workers Extend Strike

FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
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France's Louvre Museum Remains Shut as Workers Extend Strike

FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa

Staff at France's Louvre museum in Paris on Wednesday unanimously voted in favor of extending a strike over pay and working conditions that began on Monday, leaving the world's most visited museum closed until further notice.

The museum is routinely closed on Tuesdays.

The strike comes after a spectacular jewel heist in October, as well as recent infrastructure problems, including a water leak that damaged ancient books, which have exposed glaring security gaps and revealed the museum's deteriorating state.

Unions have said that staff at the Louvre are overworked and mismanaged, and they are calling for more hiring, pay increases and a redirection of spending.

Louvre director Laurence des Cars, who has faced intense criticism since burglars in October made off with crown jewels worth 88 million euros ($103.14 million), is due to answer questions from the French Senate on Wednesday afternoon. 

Des Cars has acknowledged an “institutional failure” following the heist but has come under renewed scrutiny after admitting she only learned of a critical 2019 security audit after the robbery.

France’s Court of Auditors and a separate administrative inquiry have since criticized delays in implementing a long-promised security overhaul.

The Culture Ministry announced emergency anti-intrusion measures last month and assigned Philippe Jost, who oversaw the Notre Dame restoration, to help reorganize the museum. The move was widely seen as a sign of mounting pressure on Louvre leadership.
 


New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
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New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)

After years of delays and spiraling costs, Rome inaugurated two new metro stations on Tuesday, including one by the Colosseum, showcasing archaeological discoveries that might become tourist attractions in their own right.

The driverless Metro C line now stretches from the Italian capital's eastern suburbs to Porta Metronia and the Colosseum, extending its reach into the historic city center.

Future plans will take it even deeper under Rome's baroque heart, beneath the river Tiber and onto the Vatican, though the next stop at Piazza Venezia is not expected to open before 2032.

Excavations for the new stations revealed remarkable finds, which slowed work as archaeologists painstakingly preserved layers of ancient Rome they hadn't known were there.

At Porta Metronia, drilling rigs uncovered a military barracks dating back 2,000 years, as well as a residential house, complete with frescoed rooms and mosaics, which are preserved in a museum within the station.

During the Colosseum excavations, workers discovered 28 ancient wells and hundreds of everyday artifacts, including hairpins, oil lamps, irrigation pipes, knives, and statues, many of which are on show.

"These two stations will travel around the world," Transport Minister Matteo Salvini said on Tuesday, predicting they would soon flood social media.

"Beyond serving commuters and Romans, anyone who comes here from Italy or from abroad will stop in these stations. They might take the metro even if they don't need it, just to enjoy the ride," he added.

LONG DELAYS, COST HIKES

Rome's Metro C was meant to link the city's two main Basilicas by the year 2000. Instead, the line only reached the imposing San Giovanni Basilica in 2018, and the Vatican station near St. Peter's Basilica won't be ready for at least another decade.

The initial plan to build 24 stations to the Colosseum was priced at 2.23 billion euros ($2.63 billion), but costs have surged past 3 billion euros, and the entire line could exceed 6 billion by the time the final seven stations are completed.

Engineers say Rome is among the most challenging cities in the world for metro construction, due to buried archaeological sites that require safeguarding and concerns that vibrations could damage the heritage above ground.

At the next stop, at Piazza Venezia, a construction team is digging an 85-meter deep (280 feet) ring around the site which will be filled with reinforced concrete to protect the six underground floors of the station that are being dug out.

Rome Mayor Roberto Gualtieri said it was worth the effort.

"Without these major works, we would never have discovered the barracks at Porta Metronia, we would never have found these wells, and today we would have known far less about our extraordinary past," he said.

Metro C is intended to carry 600,000 passengers a day, easing Rome's notorious traffic and speeding tourists between major landmarks. At present it carries 41,000 daily, but the new openings should see numbers climb.