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2025 Islamic Arts Biennale Opens in Jeddah

The Islamic Arts Biennale takes place in Jeddah, a city that has been a cultural crossroads for centuries. SPA
The Islamic Arts Biennale takes place in Jeddah, a city that has been a cultural crossroads for centuries. SPA
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2025 Islamic Arts Biennale Opens in Jeddah

The Islamic Arts Biennale takes place in Jeddah, a city that has been a cultural crossroads for centuries. SPA
The Islamic Arts Biennale takes place in Jeddah, a city that has been a cultural crossroads for centuries. SPA

The Diriyah Biennale Foundation inaugurated on Saturday the second edition of the Islamic Arts Biennale, titled And All That is in Between, which will run until May 25.
The Islamic Arts Biennale takes place in Jeddah, a city that has been a cultural crossroads for centuries. The venue, the Western Hajj Terminal of King Abdulaziz International Airport, holds deep emotional resonance for millions of Muslim pilgrims embarking on their sacred journeys for Hajj and Umrah. By juxtaposing historical objects from Islamic cultures with contemporary art, the Biennale explores how faith is experienced, expressed, and celebrated through feeling, thinking, and making.
The Biennale artistic team is led by prominent international experts, including Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, alongside Saudi artist Muhannad Shono, who serves as Curator, the Saudi Press Agency (SPA) reported.
The title, And All That is in Between, originates from a verse that appears several times in the Quran: “And God created the Heavens and the Earth and all that is in between.” It captures the majesty of God’s creation as perceived by humankind. Spanning five exhibition halls, outdoor spaces, and more than 500 objects and contemporary artworks, the 2025 Islamic Arts Biennale delves into how humanity endeavors to comprehend the divine.
In its second edition, the Biennale showcases significantly more works and welcomes a greater number of participating institutions, solidifying its position as the central global platform for Islamic arts. Loans from leading institutions across the world, including the Musée du Louvre (Paris), the Victoria and Albert Museum (London), the Ahmed Baba Institute of Higher Learning and Islamic Research (Timbuktu), the Museum of Islamic Art (Doha), and the Manuscripts Institute of Türkiye (Istanbul), enrich the exhibition. Saudi institutions contributing to the Biennale include the King Abdulaziz Center for World Culture (Ithra) (Dhahran), the King Abdulaziz Waqf Libraries Assembly (Madinah), and the King Fahad National Library (Riyadh). Visitors can also view objects and works of art from the holy sites of Makkah and Madinah.
A key highlight is the first-ever display of the entire Kiswah—the cloth that covers the Holy Kaaba—outside of Makkah. This Kiswah, created annually, is the one that adorned the Holy Kaaba last year, SPA said.
The Biennale features contributions from over 30 artists from Saudi Arabia, the Gulf region, and beyond, including 29 new commissions. This reflects the Diriyah Biennale Foundation’s commitment to providing a global platform for Saudi artists and bringing international artists to Saudi Arabia, fostering engagement with diverse perspectives in contemporary art.
The Biennale comprises seven thematic sections: AlBidayah (The Beginning), AlMadar (The Orbit), AlMuqtani (Homage), AlMidhallah (The Canopy), AlMukarramah (The Honored), AlMunawwarah (The Illuminated), and AlMusalla. These components are housed in indoor galleries and outdoor spaces spanning 100,000 square meters of exhibition space.
Public programs accompanying the Biennale include talks, workshops, community initiatives, and symposia throughout the exhibition period. Notable inaugural programs include Biennale After School and Biennale After Work, which offer hands-on art workshops for children and adults, fostering creativity and reflection.

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Culture

Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."

Culture

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.

Culture

Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.