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Saudi Arabia Railways, Arsenale Unveil the Final Designs of 'Dream of the Desert' Luxury Train 

Designed as a moving five-star destination, the train combines world-class hospitality with exquisite design, setting a new benchmark for premium rail travel. (SPA)
Designed as a moving five-star destination, the train combines world-class hospitality with exquisite design, setting a new benchmark for premium rail travel. (SPA)
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Saudi Arabia Railways, Arsenale Unveil the Final Designs of 'Dream of the Desert' Luxury Train 

Designed as a moving five-star destination, the train combines world-class hospitality with exquisite design, setting a new benchmark for premium rail travel. (SPA)
Designed as a moving five-star destination, the train combines world-class hospitality with exquisite design, setting a new benchmark for premium rail travel. (SPA)

Saudi Arabia Railways (SAR) and Italian hospitality company Arsenale officially unveiled the final designs of the Dream of the Desert train, the first five-star luxury train in the Middle East. This milestone marks a significant step forward in redefining luxury rail travel in the region, seamlessly blending contemporary opulence with the rich cultural heritage of Saudi Arabia. The announcement coincided with a visit by Italian Prime Minister Giorgia Meloni to the Kingdom.

According to a statement by SAR on Monday, the announcement is a major advancement in the execution of the agreement signed last year between SAR and Arsenale.

Inspired by the desert landscape and traditional Saudi architecture, the interiors feature refined craftsmanship, with earthy tones, luxurious textiles, and intricate decorative details. Architectural elements and motifs from iconic Saudi landmarks—including Madain Saleh and Hail—are elegantly woven into the train's design, offering passengers a journey that is both visually and culturally enriching.

Dream of the Desert’s ambitious vision is to redefine luxury train travel in the Kingdom, in alignment with Saudi Vision 2030’s objective of enhancing high-end tourism and supporting the cultural sector, continued the statement.

The Dream of the Desert train consists of 14 carriages housing 34 luxury suites, offering an exclusive and intimate experience for travelers. Designed as a moving five-star destination, the train combines world-class hospitality with exquisite design, setting a new benchmark for premium rail travel.

Departing from Riyadh, the train will traverse SAR’s Northern Railway network, allowing guests to explore some of Saudi Arabia's most breathtaking heritage and natural sites.

Through its collaboration with the Ministry of Culture, the train will feature curated cultural programs, ensuring passengers experience Saudi Arabia's traditions in an immersive and engaging way. Additionally, the Saudi Tourism Authority and the Center for Development Authorities Support are working on unique tourism itineraries that integrate seamlessly with the train journey, providing guests with an unparalleled window into the heart of Saudi heritage.

Saudi Minister of Transport and Logistic Services and Chairman of SAR Eng. Saleh bin Nasser Al-Jasser emphasized the strategic significance of the project: “The National Transport and Logistics Strategy aims to develop an integrated transport network that strengthens Saudi Arabia's position as a global logistics hub. The Dream of the Desert train is a testament to our commitment to this vision, delivering innovative solutions that elevate both the transport and tourism sectors.”

“This project reflects the Kingdom’s ambitious drive to develop world-class infrastructure while offering unparalleled travel experiences that reinforce Saudi Arabia's status as a premier global tourism destination. The train combines luxury, innovation, and cultural authenticity, setting a new standard in rail travel,” he added.

SAR CEO Dr. Bashar bin Khalid AlMalik highlighted SAR's leadership in advancing the objectives of Vision 2030 and strengthening the integration between the transport, economic, and tourism sectors, saying: “At SAR, we believe our role extends beyond operating a railway network—we are actively attracting global investments to introduce advanced transport solutions that support economic growth and regional connectivity.”

“The Dream of the Desert train is a prime example of this commitment, demonstrating how collaboration between private and public sector entities can create groundbreaking experiences in luxury transport. With this project, we are setting a new benchmark for service excellence, merging comfort and sophistication to position Saudi Arabia among the world's leading luxury rail travel destinations,” he stressed.

CEO of Arsenale Group Paolo Barletta expressed his enthusiasm for the project, stressing: “When we first envisioned Dream of the Desert, our goal was to create an unparalleled travel experience—one that would take guests on an unforgettable journey through the heart of Saudi Arabia.”

“This project is more than just a luxury train; it is a fully immersive experience that blends refined design, world-class hospitality, and rich cultural traditions. Working with SAR, the Ministry of Culture, and the Saudi Tourism Authority has been an extraordinary collaboration, allowing us to bring this vision to life in a way that authentically reflects Saudi Arabia’s beauty,” he remarked.

“We are proud of this achievement and look forward to welcoming our first guests on board. Dream of the Desert is expected to begin operations by the end of Q3 2026, with booking details and exclusive packages to be announced soon on the official website,” he revealed.

Tribute to Saudi Culture and Craftsmanship

The train’s interiors have been meticulously designed to reflect the essence of Saudi Arabia. Its elegant reception lounges are inspired by traditional majlis settings, adorned with intricately hand-carved wooden elements and geometric patterns that embody the warmth of Saudi hospitality. The onboard dining experience combines heritage and sophistication, featuring a refined menu crafted in collaboration with top local and international chefs.

Passengers will also be immersed in the Kingdom's artistic heritage, with curated art pieces and photography displayed along the train’s corridors, showcasing Saudi Arabia’s cultural and natural landmarks.

With the unveiling of these groundbreaking designs, the Dream of the Desert train is set to redefine luxury travel in Saudi Arabia, offering a journey that is not only luxurious but also deeply connected to the Kingdom’s cultural and historical identity.

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Culture

Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
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Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS

The bones of a Neanderthal from a cave in Iraq's Kurdistan region are offering evidence of both violence and compassion in the closest evolutionary cousins of our species, exhibiting a wound apparently from a fatal spear attack as well as signs of an earlier nonfatal injury that may have elicited kindly care.

Researchers have discovered at Shanidar Cave in the Zagros Mountains of northern Iraq a partial skeleton of a Neanderthal, aged in the mid-40s, that included a left shoulder blade, or scapula, with a circular hole six-tenths of an inch (15 mm) wide indicative of a deeply penetrating stab.

The bones of this individual, who they call Shanidar A, were unearthed from under about 25 feet (7.5 meters) of rocks and sediment inside the cave and date to about 75,000 years ago.

The researchers were unable to determine Shanidar A's sex.

According to Reuters, the researchers said the injury's shape suggests it was caused by a forceful thrust using a sharpened wooden spear, a type of weapon Neanderthals are known to have used, rather than a spear with a stone tip. It was a weapon employed in hunting large mammals that were an important food source.

"The ⁠spear would have ⁠gone through the skin and major muscles, especially the pectoralis, as well as the ribcage and muscles between the ribs, and the lung," said biological anthropologist Emma Pomeroy of the University of Cambridge in England, lead author of the study published on Thursday in the journal Scientific Reports.

"The location could be like the kind of 'heart shot' hunters use to kill animals quickly by puncturing the heart, but that is a bit speculative. We do see heart shots as a hunting strategy both today and in the archaeological record. Neanderthals would have known this would lead to a quick death," Pomeroy said.

University of Cambridge archaeologist and study co-author Graeme Barker, who has led Shanidar Cave excavations since 2015, said the likeliest scenario ⁠is interpersonal violence.

The researchers said the violence probably occurred either between members of a particular Neanderthal group or between members of rival Neanderthal groups, calling a Homo sapiens attack or an accidental injury less likely.

The researchers found shards of bone displaced by the weapon. The injury indicated that the spear entered from above with a downward trajectory, penetrating the left chest cavity from the front and traveling through the body before punching the hole in the scapula, causing quick death.

In addition to the scapula, the researchers found some ribs, a nearly complete right hand and seven teeth, mostly from the front of the lower jaw, belonging to Shanidar A. The teeth bore evidence that this Neanderthal had survived brutal injury at least a year before death — a blow to the face resulting in front teeth being smashed and lost. One tooth was split, with half remaining rotated in the mouth and others pushed out of position.

"The pain would have been extreme, and basic needs like eating and drinking would have been difficult, perhaps meaning Shanidar A needed food mashing and being able ⁠to rest. It's likely that Shanidar ⁠A did need some care from members of the group for some basic needs during recovery," Pomeroy said.

Shanidar A was one of five Neanderthals, four adults and one infant, whose bodies were carefully tucked behind a rock pillar in the cave in a burial cluster within a generation or so of each other. The cave was occupied by Neanderthals for tens of thousands of years as a seasonal campsite, and later by Homo sapiens.

Neanderthals were more robustly built than Homo sapiens, with larger brows. They lived as hunter-gatherers and inhabited Eurasia from the Atlantic coast to the Ural Mountains from about 400,000 years ago until a bit after 40,000 years ago, disappearing after Homo sapiens became established in the region.

The two species interbred, with modern non-African human populations bearing residual Neanderthal DNA.

The cave, overlooking the Great Zab river valley, has been a source of information about Neanderthals since the 1950s, with Shanidar A now offering new insight into their behavior.

"We see evidence of two contrasting facets of human nature – care and violence – juxtaposed in the same individual," Pomeroy said.

"We see evidence all around us today that violence and care are both aspects of how we humans behave, and we see this here in Shanidar A, too. Neanderthals were like us in many respects, both the good and the bad, and this find really highlights that, going against stereotypes of Neanderthals as unintelligent, uncaring cavemen and cavewomen," Pomeroy said.

Culture

Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
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Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA

The Riyadh Art Program, one of the programs of the Royal Commission for Riyadh City, signed a memorandum of understanding (MoU) with the Royal Institute of Traditional Arts "Wrth" to strengthen cooperation in cultural and creative fields.

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact, SPA reported.

The MoU covers the development of joint creative initiatives that bring together contemporary and traditional arts through the exchange of expertise, art residency programs, and seasonal events.

It also includes cooperation to enhance the presence of both parties' projects and programs at relevant international events and forums.

Culture

Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
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Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou

Hundreds of people queued on Tuesday outside a Hong Kong gallery to see a Vincent van Gogh painting on public display for the first time in six decades.

The Dutch artist's "Chataigniers en fleurs" ("Chestnut Trees in Blossom") was on show in Hong Kong ahead of its November 18 auction in New York, where it is expected to smash records and fetch around $180 million, according to Sotheby's.

It was one of 12 works owned by late Argentine collectors Nelly Arrieta de Blaquier and Carlos Pedro Blaquier. Others by Claude Monet, Camille Pissarro and Paul Cezanne will also go under the hammer.

The van Gogh, which according to Sotheby's was unseen by the public for over 60 years, portrays a blossoming chestnut tree with a solitary man walking past three women in Japanese attire.

Completed in 1890, it is from the last two months of van Gogh's life.

"It's one of the last, most expressive and hopeful works by van Gogh in this final phase of his career," Scott Niichel, a vice chairman at Sotheby's, told AFP.

It is one of approximately 70 works van Gogh created after leaving the psychiatric asylum of Saint-Remy, where he had created his famous "The Starry Night.”

During these final days of his life, van Gogh was producing at a frantic rate -- averaging around one work a day.

He died shortly after at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

"This manic frenzy of paint application suggests he has so much more to give, and he's just racing to put it to canvas," Niichel said, noting the thickness of the paint layers.

"Orchard with Cypresses" set the current record for a van Gogh price point, selling for $117.2 million in a 2022 auction.

Niichel said that "anything is possible" for who might claim the painting in November.

"Our revealing in Hong Kong suggests that Asia is certainly a possibility."