Hidden for Centuries, Chinese Treasures Finally See the Light of Day 

A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
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Hidden for Centuries, Chinese Treasures Finally See the Light of Day 

A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)

Depicting Taoist figures in a misty landscape, a Qing dynasty lacquer panel inlaid with jade and agate is among thousands of artifacts pulled out of museum storage in China to be restored, and one day, even showcased to the world.

"The bottom layer had shifted and loosened to the point where it was in a pulverized state," said Sun Ou, who restores inlaid lacquer artworks at the Forbidden City, the former imperial palace in the heart of Beijing.

"More than 100 pieces of inserts had fallen off and had to be reinforced again," she told Reuters during a government-organized media tour at the cultural protection and restoration department of the Palace Museum at the Forbidden City.

The painstaking work to restore ornate treasures amassed by Chinese emperors in centuries past has accelerated in the past decade amid President Xi Jinping's push to preserve China's heritage and project its cultural power on the global stage.

The restoration and curation efforts come as the Palace Museum marks its 100th anniversary and prepares to open a new Beijing branch later this year in a state-of-the-art venue that could double or even triple the number of pieces on display.

Of the nearly 2 million artifacts held by the Palace Museum - from centuries-old paintings to ancient bronzeware and rare ceramics - just 10,000 are currently showcased at a time.

A Hong Kong branch of the museum opened in 2022 displaying about 900 pieces.

The Palace Museum was established in 1925 by the then ruling Republic of China government, after the last emperor of China, Pu Yi, and his household were evicted.

In the decades that followed, the museum's collection was threatened by theft, damage and even destruction during World War Two, a Chinese civil war, and later the Cultural Revolution.

In the early 1930s, before Japanese forces swept across China, Palace Museum authorities packed up many pieces - including imperial thrones - and moved them out of Beijing to other cities.

Then, in 1949, Chiang Kai-shek's Republic of China government was defeated by Mao Zedong's communist forces. As Chiang and his Nationalist Party fled to Taiwan, they took with them thousands of crates of relics that later came under the care of Taiwan's version of the Palace Museum.

Today, the National Palace Museum in Taipei holds more than 690,000 items, more than 80% of which are from the former Qing court, the Taiwan museum said. It said the items belong to Taiwan's government.



Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
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Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)

New York’s Metropolitan Museum of Art has returned an ancient bronze griffin head stolen nearly a century ago to a museum in southern Greece, the latest repatriation marking a broader shift in the museum world to return significant artifacts.

The 7th century B.C. artifact was on display at the Archaeological Museum of Olympia, the city that in ancient times was the birthplace of the games that later inspired the modern Olympic Games.

Greece’s culture minister, Lina Mendoni, attended a ceremony Friday at the museum, calling the return a significant moment.

“After decades of absence, the griffin returns from the Metropolitan Museum in New York to the place it belongs,” she said, praising the joint effort by the Culture Ministry and the Met to trace the artifact’s past. The ceremony coincided with a visit to Greece by members of the International Olympic Committee to elect a new president. Kirsty Coventry became the first woman and first African to lead the global body.

The griffin, a mythical creature with the body of a lion and the head and wings of an eagle, symbolized strength and divine protection in ancient Greece. The bronze head will now be displayed alongside a similar griffin head already at the Olympia museum.

The Met has recently increased its efforts to review the history of its holdings, hiring additional experts to track the origins of objects in its collection.

“We are grateful for our long-standing partnership with the Greek government and look forward to continued engagement and cultural exchange,” the Met's museum director Max Hollein said in a statement.

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As part of this new framework, Greece has agreed to loan the griffin head back to the Met for future exhibitions, Mendoni said.

Athens is hoping the new, more open approach will boost its decades-long campaign for the return of the Parthenon Sculptures, taken from the Acropolis in Athens in the 19th century and now in the British Museum. The government — citing their cultural importance and illegal removal — says it is making slow progress in negotiations with the London museum.