Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
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Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

 The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)

New York’s Metropolitan Museum of Art has returned an ancient bronze griffin head stolen nearly a century ago to a museum in southern Greece, the latest repatriation marking a broader shift in the museum world to return significant artifacts.

The 7th century B.C. artifact was on display at the Archaeological Museum of Olympia, the city that in ancient times was the birthplace of the games that later inspired the modern Olympic Games.

Greece’s culture minister, Lina Mendoni, attended a ceremony Friday at the museum, calling the return a significant moment.

“After decades of absence, the griffin returns from the Metropolitan Museum in New York to the place it belongs,” she said, praising the joint effort by the Culture Ministry and the Met to trace the artifact’s past. The ceremony coincided with a visit to Greece by members of the International Olympic Committee to elect a new president. Kirsty Coventry became the first woman and first African to lead the global body.

The griffin, a mythical creature with the body of a lion and the head and wings of an eagle, symbolized strength and divine protection in ancient Greece. The bronze head will now be displayed alongside a similar griffin head already at the Olympia museum.

The Met has recently increased its efforts to review the history of its holdings, hiring additional experts to track the origins of objects in its collection.

“We are grateful for our long-standing partnership with the Greek government and look forward to continued engagement and cultural exchange,” the Met's museum director Max Hollein said in a statement.

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As part of this new framework, Greece has agreed to loan the griffin head back to the Met for future exhibitions, Mendoni said.

Athens is hoping the new, more open approach will boost its decades-long campaign for the return of the Parthenon Sculptures, taken from the Acropolis in Athens in the 19th century and now in the British Museum. The government — citing their cultural importance and illegal removal — says it is making slow progress in negotiations with the London museum.



A Rare Peek at the Hidden Waterworks behind Rome’s Trevi Fountain

A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
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A Rare Peek at the Hidden Waterworks behind Rome’s Trevi Fountain

A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)

The Trevi Fountain, arguably the world’s most famous, has graced screens for decades, from Fellini’s “La Dolce Vita” to Netflix’s “Emily in Paris.” Each year, millions of visitors push through Rome's narrow streets to gaze at the towering Titan god flanked by falls cascading into a turquoise pool.

Yet, they never get to venture behind Oceanus’ back to see what produces the sublime play of water in the baroque masterpiece.

Wooden doors on an adjacent street lead to the maneuvering chambers that control the fountain's water supply, coming from the Aqua Virgo — an ancient Roman aqueduct 16 kilometers (10 miles) away. Two electric pumps recycle 126 liters (33 gallons) of water per second while Rome’s water management company, ACEA, carefully monitors the flow around the clock.

This precise amount is crucial for the movement of water through the statues; a little more or less, and it wouldn’t work, said Davide D’Alonzo, ACEA’s manager for the area.

The modern maneuvering chamber features metal tanks and lighted panels. In the original, arched chamber, water audibly rushes through a thick pipe and there is a functional, 18th-century hydrometer to gauge the fountain’s water level.

A large, rudimentary spreadsheet on the wall displays the names of rich Roman families whose homes received water from the chamber long ago; when they fell behind on their payments, their supply was cut off.

The chamber's grated windows grant views out over the fountain and its many visitors — all of whom are oblivious to its hidden waterworks. They toss coins over their shoulders into the water, a hopeful gesture based on a legend that it guarantees their return to the eternal city.