Nobel Literature Prize Winner Mario Vargas Llosa Dies in Peru

(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
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Nobel Literature Prize Winner Mario Vargas Llosa Dies in Peru

(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)
(FILES) Peruvian writer Mario Vargas Llosa is pictured during an interview at his home in Madrid on October 7, 2009. (Photo by Pierre-Philippe MARCOU / AFP)

Peruvian writer and Nobel literature laureate Mario Vargas Llosa died on Sunday at the age of 89, his family announced, ending the era of Latin America's literary golden generation.

"It is with deep sorrow that we announce that our father, Mario Vargas Llosa, passed away peacefully in Lima today, surrounded by his family," his eldest son Alvaro wrote in a message on X also signed by his siblings Gonzalo and Morgana Vargas Llosa.

Born into a middle-class Peruvian family, Vargas Llosa was one of the greats of the Latin American literary "boom" of the 1960s and 1970s, along with Colombia's Gabriel Garcia Marquez and Argentina's Julio Cortazar.

Rumors of the writer's deteriorating health had spread in recent months, during which he had been living out of the public eye.

In October, his son Alvaro said he was "on the verge of turning 90, an age when you have to reduce the intensity of your activities a little."

The writer's "passing will sadden his relatives, his friends and his readers around the world," the family statement read.

"But we hope that they will find comfort, as we do, in the fact that he enjoyed a long, adventurous and fruitful life, and leaves behind him a body of work that will outlive him."

Peru declared a day of mourning for the author on Monday, with flags flying at half-mast on government premises.

'Enduring legacy'

The family said that "no public ceremony will take place," in accordance with instructions left by Vargas Llosa himself.

"Our mother, our children and ourselves trust that we will have the space and privacy to bid him farewell in the company of family members and close friends," the siblings added.

Vargas Llosa's body will be cremated, in accordance with his wishes, they said.

Gustavo Ruiz, a reader of Vargas Llosa's works, was among a small group of young people gathered around the writer's home to pay tribute.

"I didn't believe it and I wanted to come close to his house since they are not going to give him a wake," Ruiz told national radio station RPP.

David Marreros, a 30-year-old visual artist, told AFP that Vargas Llosa proved "one can live doing what one is most passionate about."

The writer's "intellectual genius and enormous body of work will remain an enduring legacy for future generations," Peru's President Dina Boluarte posted on X.

"We express our sincerest condolences to the family, to his friends and to the whole world. Rest in peace, illustrious Peruvian for the ages."

Former Colombian President Alvaro Uribe called Vargas Llosa a "Master of Masters."

"He leaves us a path for the future," Uribe said on X.

Fellow Peruvian writer Alfredo Bryce Echenique hailed Vargas Llosa's "enormity," telling RPP his friend's death was "a sorrow for Peru."

US Deputy State Secretary State Christopher Landau said that "to label him as just Peruvian would be a disservice because his themes and interests were timeless and universal."

"He will live on in my bookshelves and many others in Latin America and around the world," Landau wrote on X.

Mario Vargas Llosa moved to Lima last year and celebrated his 89th birthday on March 28.

A few days before, his son Alvaro posted on X three photos of him showing the writer in spots around Lima where he wrote his last two novels, "Cinco Esquinas" ("Five Corners", 2016) and "Le Dedico Mi Silencio" ("I Dedicate My Silence To You," 2023).

Vargas Llosa was hailed for his close description of social reality in works like "La ciudad y los perros" ("The City and the Dogs", 1963) and "Conversacion en la catedral" ("Conversation in the Cathedral", 1969).

But he was criticized by some South American intellectuals for his conservative stances.

Vargas Llosa's works were translated into around 30 languages.

A Francophile, he lived in Paris for several years, becoming in 2016 the first foreign author added to the prestigious Pleiade literary collection during his lifetime.

He was named to France's Academy of prominent intellectuals in 2021.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.