How ‘Grease: Rise of the Pink Ladies’ Found a Sound of Its Own 

Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
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How ‘Grease: Rise of the Pink Ladies’ Found a Sound of Its Own 

Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)

While songwriter Justin Tranter has attained success by penning hit pop anthems like Justin Bieber's "Sorry" and Imagine Dragons' "Believer," writing music for the Paramount+ prequel "Grease: Rise of the Pink Ladies" took him in a new direction.

For the 10-part musical TV series based on the famous 1978 film "Grease," Tranter wrote 30 original tracks - most of which weren't in the vein of the pop songs for which he is known.

"I'm very proud of my pop songs but there isn't the level of storytelling that's required for a musical," Tranter told Reuters.

"Grease: Rise of the Pink Ladies" is set in 1954, four years before the story of the US high school movie starring John Travolta and Olivia Newton-John.

The first season, which ends on Thursday, follows four rebellious students who unite to become the misfits of Rydell High and eventually the "Pink Ladies" clique. The show's lead, Marisa Davila, portrays Jane Facciano, the first female student to run for class president.

When he knew he was interested in being a part of the project, Tranter wrote his own original audition song, "Too Cool," which is featured in the first episode.

One of the main challenges Tranter faced was emulating the popular songs from the original film, which incorporated sounds from different decades.

"Some of it feels very true to the '50s and some of it is very much a late '70s take," Tranter said, referring to the original "Grease."

He also wanted to bring some of his contemporary pop style into the mix as well.

"We are waiting to see how an audience receives 30 original songs over 10 episodes. No-one has done it before, so we don't know how it's going to work," Tranter said.



Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)

Cinema has been weakened in recent years and its survival cannot be taken for granted, French actress Isabelle Huppert said on Wednesday as she took charge of the main jury at the Venice Film Festival.

The 11-day event draws together film-makers from around the world, giving them an invaluable opportunity to promote work that might otherwise not gain global prominence.

But beyond the Venice Lido's glamorous red carpet, movie veterans worry about the future of the industry: box office sales have not yet recovered from the COVID pandemic, raising questions about the long-term financial viability of movies.

"What concerns us all is that cinema continues to live on as much as possible. We know that it has been weakened in recent times," Huppert said at the traditional news conference to mark the start of the world's oldest film festival.

"I am not a director, I am only an actress, but we know what it represents in terms of courage, endurance, solitude, determination, to ... make a film," she added, saying her goal was to help cinema keep going "for as long as possible".

"But that's why a festival like Venice exists, it's like an ecosystem that is more necessary than ever to proclaim these values. So I'm really happy to be here," Huppert said.

Huppert, 71, has appeared in over 120 films and has won the best actress award twice at Venice, in 1988 and 1995. She and her family also run two small art house cinemas in Paris.

Global cinema box office takings are estimated to have hit almost $34 billion in 2023, according to data from Gower Street Analytics, an increase of 30.5% on 2022, but still 15% below average annual returns from 2017-2019, before COVID hit.

However, sales have declined again this year in the United States - the biggest movie market in the world, setting alarm bells ringing.

US director Debra Granik, who is the head of the jury for Venice's more experimental Horizons section this year, thanked Huppert for addressing the "elephant in the room".

"That's why we all showed up here because we want to see this art form thrive,” Granik said.

The Venice festival opens on Wednesday night with the world premiere of Tim Burton's "Beetlejuice Beetlejuice", which is being shown out of competition. The event ends on Sept. 7 when Huppert will announce who has won the top Golden Lion award.