Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
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Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)

Alan Arkin, the wry character actor who demonstrated his versatility in everything from farcical comedy to chilling drama as he received four Academy Award nominations and won an Oscar in 2007 for "Little Miss Sunshine," has died. He was 89.

His sons Adam, Matthew and Anthony confirmed their father's death through the actor's publicist on Friday. "Our father was a uniquely talented force of nature, both as an artist and a man," they said in a statement.

A member of Chicago's famed Second City comedy troupe, Arkin was an immediate success in movies with the Cold War spoof "The Russians Are Coming, The Russians Are Coming" and peaked late in life with his win as best supporting actor for the surprise 2006 hit "Little Miss Sunshine." More than 40 years separated his first Oscar nomination, for "The Russians are Coming," from his nomination for playing a conniving Hollywood producer in the Oscar-winning "Argo."

In recent years he starred opposite Michael Douglas in the Netflix comedy series "The Kominsky Method," a role that earned him two Emmy nominations.

"When I was a young actor people wanted to know if I wanted to be a serious actor or a funny one," Michael McKean tweeted Friday. ‘I’d answer 'Which kind is Alan Arkin?’ and that shut them up."

Arkin once joked to The Associated Press that the beauty of being a character actor was not having to take his clothes off for a role. He wasn't a sex symbol or superstar, but was rarely out of work, appearing in more than 100 TV and feature films. His trademarks were likability, relatability and complete immersion in his roles, no matter how unusual, whether playing a Russian submarine officer in "The Russians are Coming" who struggles to communicate with the equally jittery Americans, or standing out as the foul-mouthed, drug-addicted grandfather in "Little Miss Sunshine."

"Alan's never had an identifiable screen personality because he just disappears into his characters," director Norman Jewison of "The Russians are Coming" once observed. "His accents are impeccable, and he's even able to change his looks. ... He's always been underestimated, partly because he's never been in service of his own success."

While still with Second City, Arkin was chosen by Carl Reiner to play the young protagonist in the 1963 Broadway play "Enter Laughing," based on Reiner's semi-autobiographical novel.

He attracted strong reviews and the notice of Jewison, who was preparing to direct a 1966 comedy about a Russian sub that creates a panic when it ventures too close to a small New England town. In Arkin's next major film, he proved he could also play a villain, however reluctantly. Arkin starred in "Wait Until Dark" as a vicious drug dealer who holds a blind woman (Audrey Hepburn) captive in her own apartment, believing a drug shipment is hidden there.

He recalled in a 1998 interview how difficult it was to terrorize Hepburn's character.

"Just awful," he said. "She was an exquisite lady, so being mean to her was hard."

Arkin's rise continued in 1968 with "The Heart Is a Lonely Hunter," in which he played a sensitive man who could not hear or speak. He starred as the bumbling French detective in "Inspector Clouseau" that same year, but the film would become overlooked in favor of Peter Sellers' Clouseau in the "Pink Panther" movies.

Arkin's career as a character actor continued to blossom when Mike Nichols, a fellow Second City alumnus, cast him in the starring role as Yossarian, the victim of wartime red tape in 1970's "Catch-22," based on Joseph Heller's million-selling novel.

Through the years, Arkin turned up in such favorites as "Edward Scissorhands," playing Johnny Depp's neighbor; and in the film version of David Mamet’s "Glengarry Glen Ross" as a dogged real estate salesman. He and Reiner played brothers, one successful (Reiner), one struggling (Arkin), in the 1998 film "The Slums of Beverly Hills."

"I used to think that my stuff had a lot of variety. But I realized that for the first twenty years or so, most of the characters I played were outsiders, strangers to their environment, foreigners in one way or another," he told The Associated Press in 2007.

"As I started to get more and more comfortable with myself, that started to shift. I got one of the nicest compliments I've ever gotten from someone a few days ago. They said that they thought my characters were very often the heart, the moral center of a film. I didn't particularly understand it, but I liked it; it made me happy."

Other recent credits included "Going in Style," a 2017 remake featuring fellow Oscar winners Michael Caine and Morgan Freeman, and "The Kominsky Method." He played a Hollywood talent agent and friend of Douglas' character, a once-promising actor who ran an acting school after his career sputtered.

He also was the voice of Wild Knuckles in the 2022 animated film "Minions: The Rise of Gru."

Arkin also directed the film version of Jules Feiffer's 1971 dark comedy "Little Murders" and Neil Simon's 1972 play about bickering old vaudeville partners, "The Sunshine Boys." On television, Arkin appeared in the short-lived series "Fay" and "Harry" and played a night court judge in Sidney Lumet's drama series "100 Centre Street" on A&E. He also wrote several books for children.

Born in New York City's borough of Brooklyn, he and his family, which included two younger brothers, moved to Los Angeles when he was 11. His parents found jobs as teachers, but were fired during the post-World War II Red Scare because they were Communists.

"We were dirt poor so I couldn't afford to go to the movies often," he told the AP in 1998. "But I went whenever I could and focused in on movies, as they were more important than anything in my life."

He studied acting at Los Angeles City College; California State University, Los Angeles; and Bennington College in Vermont, where he earned a scholarship to the formerly all-girls school.

He married a fellow student, Jeremy Yaffe, and they had two sons, Adam and Matthew.

After he and Yaffe divorced in 1961, Arkin married actress-writer Barbara Dana, and they had a son, Anthony. All three sons became actors: Adam starred in the TV series "Chicago Hope."

"It was certainly nothing that I pushed them into," Arkin said in 1998. "It made absolutely no difference to me what they did, as long as it allowed them to grow."

Arkin began his entertainment career as an organizer and singer with The Tarriers, a group that briefly rode the folk musical revival wave of the late 1950s. Later, he turned to stage acting, off-Broadway and always in dramatic roles.

At Second City, he worked with Nichols, Elaine May, Jerry Stiller, Anne Meara and others in creating intellectual, high-speed impromptu riffs the fads and follies of the day.

"I never knew that I could be funny until I joined Second City," he said.



The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
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The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)

Nicholas Hoult was certain someone had made a mistake.

Clint Eastwood wanted to talk to him about starring in his new film, a slow burn legal thriller about a normal guy faced with an extraordinary moral dilemma. Surely Eastwood meant someone else, he thought. But soon enough they were chatting on the phone about "Juror #2," opening in theaters Friday.

"I was so nervous," the British actor said. "I remember saying to him, ‘I really like the script.’ I was so eager to please."

For Eastwood’s comeback, Hoult slipped into a pitch-perfect impersonation of his gravelly voice: "If you like it so much, I guess I’ll have to read it."

Suddenly Hoult was laughing. The tension was broken.

"I was like, wow this guy’s cool," he said. "He’s got a great sense of humor and we’re going to get along."

Though there may be a healthy amount of English self-deprecation in the story, the spirit of it isn’t unique to Hoult. Eastwood, 94, is the kind of living legend that has even the most seasoned veterans a little starstruck. "Juror #2," his 42nd film behind the camera, is getting strong reviews for being a smart, original courtroom thriller about an impossible conundrum.

In the original script by Jonathan Abrams, Hoult’s character, a recovering alcoholic with his first child about to be born, gets selected for jury duty on a murder case. But when the facts start to emerge, so do his memories and he’s forced to confront the possibility that he might have been unknowingly responsible.

"After the first read it had me," Eastwood wrote in an email. "It made me think about what would you do if you were put in this situation? What is right? What is wrong? Who would you protect? A true moral dilemma. That’s something I’d want to watch."

And he started rounding out his cast, led by Hoult who he called a true "movie star," with supporting turns from Toni Collette as the ambitious prosecutor, Chris Messina as the public defender, J.K. Simmons as a fellow juror, as well as Zoey Deutch and Kiefer Sutherland, who wrote a letter asking if there might be a role for him.

Sutherland had long imagined he’d cross paths with Eastwood. A lifelong Western fan, Sutherland’s late father Donald Sutherland had even worked with Eastwood a few times ("Kelly’s Heroes,Space Cowboys"). But when he read about the plans for "Juror #2" he felt a new sense of urgency.

"I always thought one day I would arrive at Mr. Eastwood’s doorstep. Then I realized that that time was maybe kind of going away," said Sutherland. "I just said, ‘I’ve always dreamed of working with you and if there is a part, any part, I would just like to be able to have the experience of watching you direct."

He was ultimately cast to play a lawyer and an AA sponsor to Hoult’s character. The screentime was relatively small, but the experience was exactly what he hoped: A masterclass in the truest sense.

"I’ve worked with people that shout and get angry and they’re very demonstrative," Sutherland said. "He was so amazingly quiet and calm and soft spoken. That’s someone who has power, when they can be that and get everything they need."

On one of his first days, an assistant director was explaining to Sutherland how to navigate a doorway in a scene. Eastwood stepped in to stop the tutorial, telling the AD, "He knows what he’s doing." Despite his 40-plus years in the business, Sutherland said he walked a little taller that day.

"It made my life," Sutherland said. "I’m very glad I didn’t work with him when I was 18 years old, because I would have tied myself in knots."

Collette similarly said she’s never felt so trusted.

"He’s so confident as a director, but not in a negative way. He’s just so present and allows it all to unfold," she said. "I’ve never worked with anyone who’s so easygoing, to be honest."

The film would also be the first time she and Hoult would share the screen since they played mother and son in "About a Boy" 23 years ago, when he was only 11. They’d texted a bit prior, but Collette was not prepared for the swell of emotion seeing Hoult, now 34, again. Then came their first scene together and it wasn’t going to be an easy one: In fact, it’s the last shot of the film.

But that’s the Eastwood way. His efficiency on set is the stuff of legend. Sometimes you get two takes, but three is almost unheard of. Hoult said he and the actors on the jury even rehearsed in secret to make sure they would nail the lengthier scenes. No one wanted to be the squeaky wheel.

"He’s not efficient for the sake of being efficient," Sutherland said. "I think Sydney Pollack, for instance, was really efficient and kind of when he became known for being efficient, started trying to show off his efficiency. ... I think Mr. Eastwood just kind of looks at a set and looks at a scene and just finds the straightest way to shoot it."

Much has been made about whether "Juror #2" is going to be Eastwood’s last film. But he’s not saying that, publicly or privately. In fact, when production went on hiatus during the actors strike, he didn’t even use that time as a break.

"I remember when we did come back from the strike, I was like, ’What did you do? And he was like, ‘Well, I was looking for new material,’" Collette said. "It’s nobody’s position to say this is his last movie."

Sutherland added: "His parking spot at the Warner Bros. lot isn’t going anywhere."