French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
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French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)

If French Montana’s father never abandoned him as a teenager, the rapper believes he would not have grown into a popular figure who has earned three Grammy nominations.

Montana and his family left Morocco more than two decades ago in hopes of a better life in the US, but when times got tough, his father returned to their native country. Montana turned to New York City’s street life in the South Bronx for manly guidance while his mother served as the faithful backbone. It was his mother’s sacrifice to raise her sons as a single parent that inspired him to become a better man.

The “Pop That’’ rapper is telling that story in the documentary film “For Khadija,” a project named after his mother that recently premiered at the Tribeca Film Festival. The project touches on his rise as a successful recording artist and the plight of his single immigrant mother raising three sons.

“This is a story about the grind, the losses and the sacrifices,” said Montana about the documentary, which is executive produced by Drake and Sean “Diddy” Combs.

“That father figure left, and I had no guidance, so the streets became my father,” Montana said. “But my father didn’t’ have the right guidance himself. I think Allah moved him out of my life, because he had his own destiny for me. I’m sure (my father) wanted me to do a lot of things that he sees in his eyes. But I feel like when he left, French Montana took over.”

Montana’s music career includes several hits, including “Unforgettable” featuring Swae Lee. The Moroccan-born rapper earned his Grammy nominations through his songwriting endeavors on Kanye West’s “All Day” and being featured on “All the Way Up” with Fat Joe, Remy Ma and Infared. He’s also been actively fighting for global healthcare efforts in Uganda as a Global Citizen rap ambassador.

Montana feels no bitterness toward his father for leaving them during their stressful circumstances. His father wanted to return to Morocco for good after a couple opportunities didn’t pan out, but his mother was against taking the family back. She believed there were better opportunities in the United States.

“I ... respect the move he made, than if he would’ve stayed with us and we all suffered in New York,” he said. “I’m happy that he found his peace. If he stayed, I would have never been French Montana. Why would I be mad at him? That was the best thing he ever did for me as a man. He left me and I became a man. That’s how it’s supposed to be. The right way.”

With his mother having no work experience and unable to speak English, Montana said his father thought they would only last maybe a year or two before they too would return to Morocco. Instead, their time in America ultimately lasted 25 years.

In the documentary, Montana said he and his mother shared a heartfelt moment – which symbolized how her enduring faith helped them overcome a plethora of financial obstacles while she worked multiple jobs and prayed daily.

“When you see my mother kiss me on the forehead, it was us sacrificing, us going through the trials and tribulations,” he said. “It was really making the impossible come true. It was a miracle. It was no support except for the man upstairs.”

Director Mandon Lovett said he first became intrigued about Montana’s story after reading a 2012 article about him traveling to Morocco and seeing his father for the first time since the elder man left New York. Lovett was compelled by Montana’s story and wanted to one day work with him.

That moment came in 2017 when Montana took a trip to Morocco to film a music video for his song “Famous.” Through mutual acquaintances, the director was able to tag along and create a short sizzle reel.

After viewing all the material, Lovett said the story was strong enough to turn into a full-length project.

“From Morocco to New York, this story spans the globe,” said Lovett, who mentioned that Montana’s father has photos of all his sons through his apartment. “It’s a big, broad story. As French and I got to know each other, it took an even more of a turn which turned into a story that paid homage to his mother.”

Montana said naming the documentary after his mother was an easy decision after seeing Lovett’s finished product. The rapper said no accomplishment in his music career was greater than seeing his mother return to Morocco and hug her sister who she hadn’t seen in more than two decades.

“When we watched the film, I said to myself ‘This is bigger than me,’” he said. “When my mother hugged my aunt at the end, it was just a full circle moment. I came back to Morocco before my mother did. But the real warrior here, and the real struggle was her.”



As India's Bollywood Shifts, Stars and Snappers Click

Paparazzi, here taking pictures and videos of Indian actress Akanksha Puri (R), have developed an increasingly symbiotic relationship with Bollywood. Sujit JAISWAL / AFP
Paparazzi, here taking pictures and videos of Indian actress Akanksha Puri (R), have developed an increasingly symbiotic relationship with Bollywood. Sujit JAISWAL / AFP
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As India's Bollywood Shifts, Stars and Snappers Click

Paparazzi, here taking pictures and videos of Indian actress Akanksha Puri (R), have developed an increasingly symbiotic relationship with Bollywood. Sujit JAISWAL / AFP
Paparazzi, here taking pictures and videos of Indian actress Akanksha Puri (R), have developed an increasingly symbiotic relationship with Bollywood. Sujit JAISWAL / AFP

From riding pillion on zooming motorbikes to round-the-clock airport stakeouts, India's celebrity-hunting paparazzi photographers have gone from "outcasts" to becoming a key part of Bollywood's vast film industry machine.
Times have changed for celebrity snapper Manav Manglani, who scored big at the wedding of Bollywood star Shilpa Shetty in 2009 -- by climbing a tree and perching on a branch for hours to spy over the venue's walls.
"We ...were considered outcasts," said the photographer, describing the early days of his trade.
Fifteen years later, Manglani pushes streams of content to over 6.5 million followers on Instagram, AFP said.
"We are part of the system now", he said, commanding a squad of nearly 20 photographers who stake out popular gyms, chic cafes and luxury hotels, their phones buzzing with tips.
The team has divided the megacity into coverage zones, including someone stationed at the airport full-time.
Mumbai-based Bollywood, the core of India's Hindi-language film industry, is the longtime heart of moviemaking in the world's most populous nation and a major cultural export.
In celebrity-obsessed India, it can be a lucrative trade.
'Brand-building'
Bollywood began a century ago.
But it was in the 1970s that film magazines began publishing "inside" industry gossip, said Ram Kamal Mukherjee, a former editor-in-chief of Stardust magazine.
The Bollywood publication brought "stories from the studios, bedroom stories, stories from the make-up van", he said.
The first wave of paparazzi began in India in the early 2000s, with freelance photographers chasing celebrities.
The insatiable demand by social media and ubiquitous availability of smartphones shifted gears again -- with photographers no longer "just providing pictures" but working to help produce a narrative, he said.
"Today there is intervention," Mukherjee said, citing examples such as staged incidents where young actors seemingly spontaneously hand cash to beggars. "There is brand building."
That has come alongside wider industry changes, including viewers shifting from the big screen.
Traditional blockbuster spectacles drawing crowds into cinemas have been challenged by long-format narratives on streaming platforms viewed at home, commonly called OTT or "over-the-top" services in India.
This, observers say, has helped paparazzi develop a role in the publicity machine.
"Being an influencer with followers with a very popular page, helping them promote the movies, the OTT, and the brands... we are now important," Manglani said.
Indian movies released in theatres raked in an "all-time high" of $1.4 billion in box office revenue in 2023, according to consulting firm EY.
But competition is fierce.
Mandvi Sharma, a former publicist for mega-star Shah Rukh Khan, said the two sides can be "co-dependent", especially for younger actors hoping photographers can boost their fame.
"Things have changed", said Viral Bhayani, a photographer with over 12 million Instagram followers, recalling how a decade ago he would have to "beg" for information about organized media events.
It's been quite a shift, "from being thrown out of places... to now being called everywhere", he said.
Bollywood also faces rising challenges from other Indian-language film centers. Of the country's 1,796 cinema releases last year, just 218 were Bollywood's traditional fare of Hindi-language movies, said EY.
'Need us'
Photographers now snap more candid images of celebrity daily lives, often more relatable to millions of fans than red carpet glamour or formal magazine shoots.
Despite their careers being more closely linked, old frictions remain, especially for big-name stars.
In 2023, Bollywood star Alia Bhatt made a police complaint for "gross invasion" of privacy after two photographers took pictures of her at home from a neighbouring rooftop.

But Manglani said his images are also a useful barometer to measure actors' presence on the screen.
Producers, directors and the brands, "are keenly watching whom am I featuring... what's happening, and what is the traction on that celebrity," Manglani said.
"We used to run behind them," he said. "We wanted money, we were earning by the picture... Now it's both ways. They also need us, we also need them."
Sneh Zala, a younger celebrity snapper, sees his job as a service for both sides.
"I want the fans... to see where their favourite celebrities are going, what they are doing in their lives," said Zala.
"I am just the mediator between the actors and their fans."