French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
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French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)

If French Montana’s father never abandoned him as a teenager, the rapper believes he would not have grown into a popular figure who has earned three Grammy nominations.

Montana and his family left Morocco more than two decades ago in hopes of a better life in the US, but when times got tough, his father returned to their native country. Montana turned to New York City’s street life in the South Bronx for manly guidance while his mother served as the faithful backbone. It was his mother’s sacrifice to raise her sons as a single parent that inspired him to become a better man.

The “Pop That’’ rapper is telling that story in the documentary film “For Khadija,” a project named after his mother that recently premiered at the Tribeca Film Festival. The project touches on his rise as a successful recording artist and the plight of his single immigrant mother raising three sons.

“This is a story about the grind, the losses and the sacrifices,” said Montana about the documentary, which is executive produced by Drake and Sean “Diddy” Combs.

“That father figure left, and I had no guidance, so the streets became my father,” Montana said. “But my father didn’t’ have the right guidance himself. I think Allah moved him out of my life, because he had his own destiny for me. I’m sure (my father) wanted me to do a lot of things that he sees in his eyes. But I feel like when he left, French Montana took over.”

Montana’s music career includes several hits, including “Unforgettable” featuring Swae Lee. The Moroccan-born rapper earned his Grammy nominations through his songwriting endeavors on Kanye West’s “All Day” and being featured on “All the Way Up” with Fat Joe, Remy Ma and Infared. He’s also been actively fighting for global healthcare efforts in Uganda as a Global Citizen rap ambassador.

Montana feels no bitterness toward his father for leaving them during their stressful circumstances. His father wanted to return to Morocco for good after a couple opportunities didn’t pan out, but his mother was against taking the family back. She believed there were better opportunities in the United States.

“I ... respect the move he made, than if he would’ve stayed with us and we all suffered in New York,” he said. “I’m happy that he found his peace. If he stayed, I would have never been French Montana. Why would I be mad at him? That was the best thing he ever did for me as a man. He left me and I became a man. That’s how it’s supposed to be. The right way.”

With his mother having no work experience and unable to speak English, Montana said his father thought they would only last maybe a year or two before they too would return to Morocco. Instead, their time in America ultimately lasted 25 years.

In the documentary, Montana said he and his mother shared a heartfelt moment – which symbolized how her enduring faith helped them overcome a plethora of financial obstacles while she worked multiple jobs and prayed daily.

“When you see my mother kiss me on the forehead, it was us sacrificing, us going through the trials and tribulations,” he said. “It was really making the impossible come true. It was a miracle. It was no support except for the man upstairs.”

Director Mandon Lovett said he first became intrigued about Montana’s story after reading a 2012 article about him traveling to Morocco and seeing his father for the first time since the elder man left New York. Lovett was compelled by Montana’s story and wanted to one day work with him.

That moment came in 2017 when Montana took a trip to Morocco to film a music video for his song “Famous.” Through mutual acquaintances, the director was able to tag along and create a short sizzle reel.

After viewing all the material, Lovett said the story was strong enough to turn into a full-length project.

“From Morocco to New York, this story spans the globe,” said Lovett, who mentioned that Montana’s father has photos of all his sons through his apartment. “It’s a big, broad story. As French and I got to know each other, it took an even more of a turn which turned into a story that paid homage to his mother.”

Montana said naming the documentary after his mother was an easy decision after seeing Lovett’s finished product. The rapper said no accomplishment in his music career was greater than seeing his mother return to Morocco and hug her sister who she hadn’t seen in more than two decades.

“When we watched the film, I said to myself ‘This is bigger than me,’” he said. “When my mother hugged my aunt at the end, it was just a full circle moment. I came back to Morocco before my mother did. But the real warrior here, and the real struggle was her.”



The Real-Life Violence That Inspired South Korea’s ‘Squid Game'

Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
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The Real-Life Violence That Inspired South Korea’s ‘Squid Game'

Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)

A factory turned into a battlefield, riot police armed with tasers and an activist who spent 100 days atop a chimney -- the unrest that inspired Netflix's most successful show ever has all the hallmarks of a TV drama.

This month sees the release of the second season of "Squid Game", a dystopian vision of South Korea where desperate people compete in deadly versions of traditional children's games for a massive cash prize.

But while the show itself is a work of fiction, Hwang Dong-hyuk, its director and writer, has said the experiences of the main character Gi-hun, a laid-off worker, were inspired by the violent Ssangyong strikes in 2009.

"I wanted to show that any ordinary middle-class person in the world we live in today can fall to the bottom of the economic ladder overnight," he has said.

In May 2009, Ssangyong, a struggling car giant taken over by a consortium of banks and private investors, announced it was laying off more than 2,600 people, or nearly 40 percent of its workforce.

That was the beginning of an occupation of the factory and a 77-day strike that ended in clashes between strikers armed with slingshots and steel pipes and riot police wielding rubber bullets and tasers.

Many union members were severely beaten and some were jailed.

- 'Many lost their lives' -

The conflict did not end there.

Five years later, union leader Lee Chang-kun held a sit-in for 100 days on top of one of the factory's chimneys to protest a sentence in favor of Ssangyong against the strikers.

He was supplied with food from a basket attached to a rope by supporters and endured hallucinations of a tent rope transformed into a writhing snake.

Some who experienced the unrest struggled to discuss "Squid Game" because of the trauma they endured, Lee told AFP.

The repercussions of the strike, compounded by protracted legal battles, caused significant financial and mental strain for workers and their families, resulting in around 30 deaths by suicide and stress-related issues, Lee said.

"Many have lost their lives. People had to suffer for too long," he said.

He vividly remembers the police helicopters circling overhead, creating intense winds that ripped away workers' raincoats.

Lee said he felt he could not give up.

"We were seen as incompetent breadwinners and outdated labor activists who had lost their minds," he said.

"Police kept beating us even after we fell unconscious -- this happened at our workplace, and it was broadcast for so many to see."

Lee said he had been moved by scenes in the first season of "Squid Game" where Gi-hun struggles not to betray his fellow competitors.

But he wished the show had spurred real-life change for workers in a country marked by economic inequality, tense industrial relations and deeply polarized politics.

"Despite being widely discussed and consumed, it is disappointing that we have not channeled these conversations into more beneficial outcomes," he said.

- 'Shadow of state violence' -

The success of "Squid Game" in 2021 left him feeling "empty and frustrated".

"At the time, it felt like the story of the Ssangyong workers had been reduced to a commodity in the series," Lee told AFP.

"Squid Game", the streaming platform's most-watched series of all time, is seen as embodying the country's rise to a global cultural powerhouse, part of the "Korean wave" alongside the Oscar-winning "Parasite" and K-pop stars such as BTS.

But its second season comes as the Asian democracy finds itself embroiled in some of its worst political turmoil in decades, triggered by conservative President Yoon Suk Yeol's failed bid to impose martial law this month.

Yoon has since been impeached and suspended from duties pending a ruling by the Constitutional Court.

That declaration of martial law risked sending the Korean wave "into the abyss", around 3,000 people in the film industry, including "Parasite" director Bong Joon-ho, said in a letter following Yoon's shocking decision.

Vladimir Tikhonov, a Korean studies professor at the University of Oslo, told AFP that some of South Korea's most successful cultural products highlight state and capitalist violence.

"It is a noteworthy and interesting phenomenon -- we still live in the shadow of state violence, and this state violence is a recurrent theme in highly successful cultural products."