French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
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French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)

If French Montana’s father never abandoned him as a teenager, the rapper believes he would not have grown into a popular figure who has earned three Grammy nominations.

Montana and his family left Morocco more than two decades ago in hopes of a better life in the US, but when times got tough, his father returned to their native country. Montana turned to New York City’s street life in the South Bronx for manly guidance while his mother served as the faithful backbone. It was his mother’s sacrifice to raise her sons as a single parent that inspired him to become a better man.

The “Pop That’’ rapper is telling that story in the documentary film “For Khadija,” a project named after his mother that recently premiered at the Tribeca Film Festival. The project touches on his rise as a successful recording artist and the plight of his single immigrant mother raising three sons.

“This is a story about the grind, the losses and the sacrifices,” said Montana about the documentary, which is executive produced by Drake and Sean “Diddy” Combs.

“That father figure left, and I had no guidance, so the streets became my father,” Montana said. “But my father didn’t’ have the right guidance himself. I think Allah moved him out of my life, because he had his own destiny for me. I’m sure (my father) wanted me to do a lot of things that he sees in his eyes. But I feel like when he left, French Montana took over.”

Montana’s music career includes several hits, including “Unforgettable” featuring Swae Lee. The Moroccan-born rapper earned his Grammy nominations through his songwriting endeavors on Kanye West’s “All Day” and being featured on “All the Way Up” with Fat Joe, Remy Ma and Infared. He’s also been actively fighting for global healthcare efforts in Uganda as a Global Citizen rap ambassador.

Montana feels no bitterness toward his father for leaving them during their stressful circumstances. His father wanted to return to Morocco for good after a couple opportunities didn’t pan out, but his mother was against taking the family back. She believed there were better opportunities in the United States.

“I ... respect the move he made, than if he would’ve stayed with us and we all suffered in New York,” he said. “I’m happy that he found his peace. If he stayed, I would have never been French Montana. Why would I be mad at him? That was the best thing he ever did for me as a man. He left me and I became a man. That’s how it’s supposed to be. The right way.”

With his mother having no work experience and unable to speak English, Montana said his father thought they would only last maybe a year or two before they too would return to Morocco. Instead, their time in America ultimately lasted 25 years.

In the documentary, Montana said he and his mother shared a heartfelt moment – which symbolized how her enduring faith helped them overcome a plethora of financial obstacles while she worked multiple jobs and prayed daily.

“When you see my mother kiss me on the forehead, it was us sacrificing, us going through the trials and tribulations,” he said. “It was really making the impossible come true. It was a miracle. It was no support except for the man upstairs.”

Director Mandon Lovett said he first became intrigued about Montana’s story after reading a 2012 article about him traveling to Morocco and seeing his father for the first time since the elder man left New York. Lovett was compelled by Montana’s story and wanted to one day work with him.

That moment came in 2017 when Montana took a trip to Morocco to film a music video for his song “Famous.” Through mutual acquaintances, the director was able to tag along and create a short sizzle reel.

After viewing all the material, Lovett said the story was strong enough to turn into a full-length project.

“From Morocco to New York, this story spans the globe,” said Lovett, who mentioned that Montana’s father has photos of all his sons through his apartment. “It’s a big, broad story. As French and I got to know each other, it took an even more of a turn which turned into a story that paid homage to his mother.”

Montana said naming the documentary after his mother was an easy decision after seeing Lovett’s finished product. The rapper said no accomplishment in his music career was greater than seeing his mother return to Morocco and hug her sister who she hadn’t seen in more than two decades.

“When we watched the film, I said to myself ‘This is bigger than me,’” he said. “When my mother hugged my aunt at the end, it was just a full circle moment. I came back to Morocco before my mother did. But the real warrior here, and the real struggle was her.”



Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.