Sweden’s City of Malmo Will Host the 2024 Eurovision Pop Music Contest

A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
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Sweden’s City of Malmo Will Host the 2024 Eurovision Pop Music Contest

A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)

The southern Swedish city of Malmo will host the 2024 Eurovision Song Contest in the same venue that housed the colorful and eclectic music competition in 2012, the Swedish organizers said Friday.

The 68th edition will be held at the Malmo Arena, and the live televised final has been set for May 11, with semi-finals on May 7 and May 9.

Sweden’s third largest city — which also hosted the event in 1992 and 2012 — was picked in what organizers called a “strong bid process” examining venues, accommodations for visitors, infrastructure and other factors.

“Malmo was eventually chosen as it met all the criteria," said executive producer Ebba Adielsson at Sweden's public broadcaster SVT.

In May, Sweden won this year's contest in Liverpool, England, with the power ballad “Tattoo” by Swedish singer Loreen, who also won the 2012 Eurovision. The host country usually is the winner of the previous year’s event, but 2022 runner-up Britain hosted this year on behalf of the winner, Ukraine.

Loreen was only the second person to take the pop crown twice. Ireland’s Johnny Logan was the first double winner, in the 1980s.

Loreen's 2023 win was Sweden’s seventh victory, matching Ireland’s record. The Scandinavian country has won seven times and has staged the competition three times in Stockholm — in 1975, 2000 and 2016, twice in Malmo, and once in Goteborg in 1985.

Swedish supergroup ABBA shot to fame by winning the 1974 Eurovision Song Contest with “Waterloo.”

Launched in 1956 to foster unity after World War II, Eurovision evolved over the years from a bland ballad-fest to a campy, feelgood extravaganza. It has grown from seven countries to as many as 40, including non-European nations such as Israel and far-away Australia.

Participating countries send acts who are selected through national competitions or by broadcasters. Six countries automatically qualify: last year’s winner and the “Big Five” who pay the most to the contest -- France, Germany, Italy, Spain and Britain.

Malmo sits 615 kilometers (about 380 miles) south of Stockholm and across from the Danish capital of Copenhagen with which it is linked by a tunnel and bridge.



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."