Sweden’s City of Malmo Will Host the 2024 Eurovision Pop Music Contest

A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
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Sweden’s City of Malmo Will Host the 2024 Eurovision Pop Music Contest

A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)
A view of the Stortorget square in Malmo, Sweden, on March 18, 2020. (AP)

The southern Swedish city of Malmo will host the 2024 Eurovision Song Contest in the same venue that housed the colorful and eclectic music competition in 2012, the Swedish organizers said Friday.

The 68th edition will be held at the Malmo Arena, and the live televised final has been set for May 11, with semi-finals on May 7 and May 9.

Sweden’s third largest city — which also hosted the event in 1992 and 2012 — was picked in what organizers called a “strong bid process” examining venues, accommodations for visitors, infrastructure and other factors.

“Malmo was eventually chosen as it met all the criteria," said executive producer Ebba Adielsson at Sweden's public broadcaster SVT.

In May, Sweden won this year's contest in Liverpool, England, with the power ballad “Tattoo” by Swedish singer Loreen, who also won the 2012 Eurovision. The host country usually is the winner of the previous year’s event, but 2022 runner-up Britain hosted this year on behalf of the winner, Ukraine.

Loreen was only the second person to take the pop crown twice. Ireland’s Johnny Logan was the first double winner, in the 1980s.

Loreen's 2023 win was Sweden’s seventh victory, matching Ireland’s record. The Scandinavian country has won seven times and has staged the competition three times in Stockholm — in 1975, 2000 and 2016, twice in Malmo, and once in Goteborg in 1985.

Swedish supergroup ABBA shot to fame by winning the 1974 Eurovision Song Contest with “Waterloo.”

Launched in 1956 to foster unity after World War II, Eurovision evolved over the years from a bland ballad-fest to a campy, feelgood extravaganza. It has grown from seven countries to as many as 40, including non-European nations such as Israel and far-away Australia.

Participating countries send acts who are selected through national competitions or by broadcasters. Six countries automatically qualify: last year’s winner and the “Big Five” who pay the most to the contest -- France, Germany, Italy, Spain and Britain.

Malmo sits 615 kilometers (about 380 miles) south of Stockholm and across from the Danish capital of Copenhagen with which it is linked by a tunnel and bridge.



Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”