James Spader Bids Farewell to an Intriguing Criminal Mastermind as ‘the Blacklist’ Finale Approaches

 This image released by NBC shows James Spader as Raymond Reddington in a scene from "The Blacklist." The 2-hour series finale airs July 13. (NBC/ Sony Pictures Television via AP)
This image released by NBC shows James Spader as Raymond Reddington in a scene from "The Blacklist." The 2-hour series finale airs July 13. (NBC/ Sony Pictures Television via AP)
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James Spader Bids Farewell to an Intriguing Criminal Mastermind as ‘the Blacklist’ Finale Approaches

 This image released by NBC shows James Spader as Raymond Reddington in a scene from "The Blacklist." The 2-hour series finale airs July 13. (NBC/ Sony Pictures Television via AP)
This image released by NBC shows James Spader as Raymond Reddington in a scene from "The Blacklist." The 2-hour series finale airs July 13. (NBC/ Sony Pictures Television via AP)

Raymond "Red" Reddington is finally hanging up his famous black fedora and — fitting for a manipulative genius — he's doing it on his own terms.

"The Blacklist" ends its 10-year NBC run Thursday with a two-hour send-off, and star James Spader says the cast and crew relished the chance to take their time saying goodbye.

"I was very, very glad we were able to end it exactly the way we wanted to end it. It was deliberate and we weren’t taken by surprise in terms of when the ending was going to come," he tells The Associated Press. "You’ll see that the ending has conviction and we commit to it."

The end of "The Blacklist" is a swan song for Reddington, one of the most intriguing and delicious characters on television. A master of brokering shadowy deals for criminals, he offered his help to the FBI tracking down the world’s most dangerous criminals.

Spader reveals that the show — filmed mostly in New York City with an embrace of international characters — went overseas for the finale. "The Blacklist" ends in Spain.

"I really felt like this was complete and I loved how it really completed a circle, in a way," he says. "It wasn’t just an unbroken line from point A to point Z, but it was a circle of sorts."

The show attracted Spader all those years ago because he was looking for something that would sustain both his interest and the viewer's for more than 20 episodes a season, or in his words, create a "limitless landscape."

The pilot introduced Reddington as a fugitive criminal whose enterprises were worldwide, checking one box for the actor. Spader was also looking for a show that was fluid in tone, which the pilot also delivered.

"I would not be as curious about a show that was either just a drama or a show that was just a comedy," he says. "I felt that it was sort of nice that this show was very, very intense and brutal at times and then, at other times, very irreverent and sometimes very emotional."

Reddington, infused with Spader's elliptical charm, was a stylish addition to network TV, a character who could make an amazing frittata with just a toaster oven and who collected sabers from the Crimean War. He was not good, certainly, but not bad, either. "He’s a scary monster and people like him," Spader says.

Reddington is deeply cultured, a man able to converse about Cary Grant, the Piazza del Campo in Siena or Kai Tak Airport. Nicknamed "The Concierge of Crime," he said deeply profound things like, "Not every answer is worth knowing" and "I can only lead you to the truth. I can’t make you believe it."

"He inhabits the whole world, he really does. He lives in it and he really loves it. And he loves life," says Spader, a three-time Emmy winner. "I guess one would understand the value of life if one has to take it every so often."

Even when laying low, Reddington shone. In the fifth season, he was reduced to living in a motor lodge, hanging poolside wearing a baseball cap, but rose again. Reddington was fearless.

"He’s someone who would show reason and caution but he was never fearful of anything. That sort of combination, I think, is compelling for people when faced with so much in one’s life and the world around you," Spader says.

"I think there’s something compelling, I guess, in losing yourself in a story, going on a ride along with someone, not fearful of whatever might be around the next corner or what might be across that threshold that you’re just about to cross."

Another thing that sustained "The Blacklist" was its marriage between a weekly procedural needing an end and an overarching, serialized story that started with the pilot and never paused until the finale.

"People could enter the show or sort of access it at any time, and there would be a certain amount of satisfaction in that," says Spader. "And yet for those people who wanted to stay with it, then it was satisfying as a long and circuitous journey."

Ten years ago, Spader's Reddington promised the FBI access to his lengthy roster of politicians, mobsters, hackers, spies — "the criminals who matter," he taunted agents in the pilot, "the ones you can’t find because you don’t even know they exist."

A decade later it was Spader during the Hollywood writers' strike who helped get the finale onto screens. He turned out to be the only executive producer able to help get the last two episodes out.

Spader said Reddington is a welcome addition to his off-kilter gallery of TV characters, which includes Alan Shore on "Boston Legal" and Robert California from "The Office."

"He sits very comfortably with all the others. He’s got his own place at the table," the actor says. "It feels complete and sometimes you’re not done with someone that you’ve played. I don’t harbor any regret."



Tom Cruise Is Finally Getting an Oscar as Will Dolly Parton, Debbie Allen and Wynn Thomas 

Tom Cruise appears at the premiere of "Top Gun: Maverick" at the 75th international film festival, Cannes, southern France on May 18, 2022. (AP) 
Tom Cruise appears at the premiere of "Top Gun: Maverick" at the 75th international film festival, Cannes, southern France on May 18, 2022. (AP) 
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Tom Cruise Is Finally Getting an Oscar as Will Dolly Parton, Debbie Allen and Wynn Thomas 

Tom Cruise appears at the premiere of "Top Gun: Maverick" at the 75th international film festival, Cannes, southern France on May 18, 2022. (AP) 
Tom Cruise appears at the premiere of "Top Gun: Maverick" at the 75th international film festival, Cannes, southern France on May 18, 2022. (AP) 

Twenty-five years after Tom Cruise received his first Oscar nomination, he’s finally getting a trophy. It’s not for his death-defying stunts, either. At least, not exclusively.

Cruise, choreographer Debbie Allen and “Do The Right Thing” production designer Wynn Thomas have all been selected to receive honorary Oscar statuettes at the annual Governors Awards, the film academy said Tuesday. Dolly Parton will also be recognized with the Jean Hersholt Humanitarian Award for her decades-long charitable work in literacy and education.

“This year’s Governors Awards will celebrate four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,” Academy President Janet Yang said in a statement.

Most recipients of the prize historically have not yet won a competitive Oscar themselves. Cruise, 62, has been nominated four times, twice for best actor in “Born on the Fourth of July” and “Jerry Maguire,” once for supporting actor in “Magnolia” and once for best picture with “Top Gun: Maverick.” He’s also championed theatrical moviegoing and big-scale Hollywood production through the coronavirus pandemic.

Yang spotlighted Cruise’s “incredible commitment to our filmmaking community, to the theatrical experience, and to the stunts community.”

Allen, 75, has never been nominated for an Oscar. But the multi-hyphenate entertainer — she also acts and produces — has played an integral role in the Oscars show, having choreographed seven ceremonies over the years. Four of those were nominated for prime-time Emmy awards.

A nomination had also eluded Thomas, a leading production designer whose films have often gone on to best picture nominations and even one win, for Ron Howard’s “A Beautiful Mind.” Thomas is most known for his long-term collaboration with filmmaker Spike Lee, from “She’s Gotta Have It” and “Malcolm X” through “Da 5 Bloods.”

Parton has been nominated twice for best original song, for “9 to 5” and, in 2006, “Travelin’ Thru” from the film “Transamerica.” But her honor celebrates her humanitarian efforts over the years, through organizations like the Dollywood Foundation and the literary program “Dolly Parton’s Imagination Library.”

Yang said Parton “exemplifies the spirit” of the Jean Hersholt Humanitarian Award.

The awards will be handed out during an untelevised ceremony on Nov. 16 at the Ray Dolby Ballroom in Los Angeles. Last year’s recipients included the late Quincy Jones, Bond producers Barbara Broccoli and Michael G. Wilson, filmmaker Richard Curtis and casting director Juliet Taylor.

Recipients of the prizes, which honor lifetime achievement, contributions to the state of motion picture arts and sciences and service to the academy are selected by the film academy’s board of governors.