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‘Succession’ Leads All Emmy Nominees with 27 as HBO Dominates

HBO dominated Wednesday morning’s Emmy nominations, with the elite trio of “Succession,” “The White Lotus” and “The Last of Us” combining for a whopping 74. (AP)
HBO dominated Wednesday morning’s Emmy nominations, with the elite trio of “Succession,” “The White Lotus” and “The Last of Us” combining for a whopping 74. (AP)
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‘Succession’ Leads All Emmy Nominees with 27 as HBO Dominates

HBO dominated Wednesday morning’s Emmy nominations, with the elite trio of “Succession,” “The White Lotus” and “The Last of Us” combining for a whopping 74. (AP)
HBO dominated Wednesday morning’s Emmy nominations, with the elite trio of “Succession,” “The White Lotus” and “The Last of Us” combining for a whopping 74. (AP)

HBO dominated Wednesday morning’s Emmy nominations, with the elite trio of “Succession,” “The White Lotus” and “The Last of Us” combining for a whopping 74, but the dominant theme darkening the scene is the ongoing writers strike and the looming possibility that actors may join them in as little as a day.

“Succession” and its deeply dysfunctional dynasty of one-percenters led all Emmy nominees in its fourth and final season with 27, including best drama, which it has won two of the past three years. It got three nominations for best actor in a drama, with Brian Cox, Jeremy Strong and Kieran Culkin all getting nods for playing men of the Roy clan, and Sarah Snook getting a best actress nomination. It also got four nominations for best supporting actor in a drama.

The cursed vacationers at a Sicilian resort from the second of “The White Lotus” truly dominated the supporting categories, however, landing five nominations for best supporting actress in a drama – including nods for Jennifer Coolidge and Aubrey Plaza – and four more for best supporting actor.

Bella Ramsey and Pedro Pascal, the duo on a fungus-filled quest in “The Last of Us,” each got lead acting nominations. The show was second behind “Succession” with 24 nominations. “The White Lotus” had 23.

“Ted Lasso” was top among comedies with 21 nominations, including best comedy series and best actor for Jason Sudeikis.

The nominees for drama series are: “Andor”; “Better Call Saul”; “The Crown”; “House of the Dragon”; “The Last of Us”; “Succession”; “The White Lotus”; “Yellowjackets.”

The nominees for outstanding comedy series are: “Abbott Elementary”; “Barry”; “The Bear”; “Jury Duty”; “The Marvelous Mrs. Maisel”; “Only Murders in the Building”; “Ted Lasso”; “Wednesday.”

The nominees for limited or anthology series are: “Beef”; “Dahmer - Monster: The Jeffrey Dahmer Story”; “Daisy Jones & the Six”; “Fleishman is in Trouble”; “Obi-Wan Kenobi.”

The nominees for best actor in a drama series are: Jeremy Strong, “Succession”; Bob Odenkirk, “Better Call Saul”; Kieran Culkin, “Succession”; Pedro Pascal, “The Last of Us”; Brian Cox, “Succession”; Jeff Bridges, “The Old Man.”

Television Academy Chair Frank Scherma said during the announcement that the academy is hoping negotiations will “come to an equitable and swift resolution.”

Actors joining movie and television writers on strike would further shut down the industry and be the first time since 1960 that two Hollywood unions are on strike. While show and film releases will continue, work on upcoming projects will cease and the promotional interviews and appearances by actors to support the projects would cease.

The possibility of an industry debilitated by two strikes could dampen any joy for those nominated, and could put the damper on the ceremony scheduled for September 18 on the Fox network.

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‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
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‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)

Gru and the minions celebrated a second week in first place at the North American box office this weekend, while a small horror movie called “Longlegs” upset the starry $100 million "Fly Me to the Moon."

The supremacy of “Despicable Me 4” was hardly a surprise, as the Universal and Illumination franchise added $44.7 million and pushed the film over $200 million, according to studio estimates Sunday. But the big upset came further down the charts with “Longlegs ” more than doubling the debut of the Scarlett Johansson and Channing Tatum romantic comedy “Fly Me to the Moon.”

“Longlegs,” an original horror about a serial killer starring Maika Monroe and Nicolas Cage, made an estimated $22.6 million from 2,510 theaters. That’s the best ever start for indie outfit Neon (most famous for releasing the Oscar-winning “Parasite”), which acquired the $10 million film for distribution. Written and directed by Osgood Perkins, “Longlegs” also scored the best opening for an R-rated film this year.

Neon deployed an innovative marketing strategy for the film, including touches like placing cipher messages in local newspapers and posting a Los Angeles billboard with a phone number that played an “unnerving” message. In its first 48 hours, the number received over 250,000 calls.

“Longlegs” was well-received by critics (it has an 87% on Rotten Tomatoes), but audiences gave it a less enthusiastic a C+ CinemaScore.

“Fly Me to the Moon,” an Apple Original Films production, launched with only $10 million over the weekend. It trailed holdovers “Inside Out 2,” in third with $20.8 million; and “A Quiet Place: Day One,” in fourth place with $11.8 million.

Sony distributed “Fly Me to the Moon,” the Greg Berlanti-directed film about a marketing executive brought in to sell the space race to the American public, and, later, stage a fake moon landing just in case. Apple has not yet announced when it will debut on its streaming service.

The movie opened in 3,356 locations this weekend, attracting an audience that was mostly over 45. In this case, the audience was kinder than the critics, giving it an A- CinemaScore against a 67% on Rotten Tomatoes, suggesting that word-of-mouth may work in its favor over the long run.

The year-to-date gap between box office performance this year and last is getting moderately slimmer. It's now down 16.1% from 2023 thanks to a run of recent successes. But performance still pales in comparison to pre-pandemic standards. On July 14 in 2019, the annual box office take was at $6.2 billion. This year it’s at $4.1 billion so far.

“A very unpredictable summer movie season continues,” said Paul Dergarabedian, the senior media analyst for Comscore. “And after a slow start in May (it) has continued to surprise and impress with expected as well as unexpected hits adding bottom-line dollars to the industry’s most important season.”

In limited release, A24 opened “Sing Sing,” an early Oscar contender, in four theaters in New York and Los Angeles. With sellouts in both locations, it made $137,119, one of the best limited openings of the year.

The film from director Greg Kwedar is about an arts program at the prison and features many real life participants, including Clarence Maclin in his film debut. “Sing Sing” will continue playing on four screens through July and expand nationwide in August.

Finally, “Twisters,” which opens in North America on Thursday, began its international rollout this weekend, earning $11.5 million from 38 markets including in Australia, Mexico and Brazil.

In its wake comes “Deadpool & Wolverine,” the first Marvel release of the summer.