Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
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Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)

Pink sauce on that Burger King burger? What about "Barbie-fying" your pet with sweaters and beds with Barbie motifs? If that's too low-brow, perhaps you'd be interested in hot pink Barbie monogrammed knit leggings by luxury designer Balmain instead, selling at Neiman Marcus for a cool $2,150.

Welcome to the wonderful and weird world of "Barbie" movie marketing.

Ahead of Friday's US release of the "Barbie" movie, parent company Mattel has created a product marketing blitz with more than 100 brands plastering pink everywhere.

There are pink benches at bus stops and pink clothing displayed in store windows. Microsoft's XBox has come up with a Barbie console series and HGTV is hosting a four-part Barbie Dreamhouse Challenge.

And then there are all the unofficial collaborators trying to grab a piece of Barbie craze. Restaurants across the country are offering special pink cocktails, while interior decorators are showing options like vibrant pink backsplashes to "Barbiefy" your kitchen.

Even the organization I Support the Girls — a nonprofit that has provided 22 million bras and menstrual hygiene products to homeless people, refugees and immigrants — is creating a social media campaign around menstrual periods using Barbie and having volunteers create miniature packages of Barbie-sized menstrual pads and tampons as teaching tools.

"The capability to share stories and knowledge through playing with Barbie is what made us realize we need to jump on this pop culture Barbie bandwagon," said Dana Marlowe, founder and executive of I Support the Girls. "If you can see yourself in a toy or in a doll, we want to also make sure that we’re raising awareness about bras and and clean underwear and the like."

Some experts say all the marketing beyond the movie is only good for the 64-year-old brand, helping to attract multi-generations of fans.

"When a brand owns something as iconic as the color pink, it's good news and bad news," said Marc Rosenberg, a Chicago-based toy consultant who led the global marketing teams for Hasbro's brands like Furby, GigaPets, and Hit Clips. "In this case, I think it’s all good news. Everyone in the world wants a piece of pink now."

But pundits also say it's going to be hard for many of the products to stand out when the world is awash in pink.

"There is such a stampede toward this that most people are going to get stepped on and will not be noticed," said Allen Adamson, co-founder of marketing consultancy Metaforce, noting he believes there will be more losers than winners.

For some shoppers like Hollie Krause of Mahwah, New Jersey, Barbie pink blitz that ramped up since June is already getting too much.

Krause, 31, said that she loved her Barbie dolls growing up and had about 20 of them along with a Barbie Dreamhouse. So when some of the merchandise started to roll in earlier this year, she bought Barbie-themed pajamas, a Barbie T-shirt, Barbie-trademarked pink lemonade, along with some other pink outfits.

Now she's feeling overwhelmed.

"Barbie is supposed to be for everyone, but these nostalgic collaborations should feel a little bit more unique or a little bit more creative," said Krause, who plans to focus on limited edition items.

Barbie's first live action movie, an homage to the doll with some biting satire, comes at a time when Barbie sales have been up and down after slumping from 2012 to 2015, when it faced stiff competition from other dolls and was under attack for pushing unrealistic beauty standards to girls and lost some relevance. It enjoyed a big bump in sales during the depths of the pandemic when parents were looking to entertain their children.

Barbie now accounts for one-third of Mattel's revenue and it has been diversifying the dolls with more skin tones and versions with prosthetic legs, wheelchairs and hearing aids. This year, it unveiled its first Down Syndrome doll.

As a result, according to market research firm Circana, Barbie has remained the top fashion doll for the past four years starting in 2019 and through June of this year in the US as well in the combined 12 countries that Circana tracks.

So far, product marketing around the movie has done well.

Mattel's Barbie that was specifically made for the movie and is dressed in a pink gingham dress, is No. 1 in sales for dolls and for the pre-school dolls and dollhouse category sold on Amazon, according to the retailer's website.

Neiman Marcus noted that it launched its exclusive Barbie collaboration with Balmain last year and sold out of many items in the first few days. Based on the success of last year’s collaboration and the current Barbiecore cultural phenomenon, it has reissued the collection starting July 10, the retailer said.

Then there's the mixed social media reviews for the "Pink Burger" offered by Burger King’s franchisee in Brazil. It's offering a slice of melted cheese, bacon and a smoky-flavored hot pink sauce. The Pink Burger comes in a Barbie Combo, which also features French fries (dubbed "Ken’s Potatoes"), a pink shake and a pink-frosted donut.

"Has BK completely lost its creativity or is just too lazy to think of something better?" said one comment on Burger King Brazil's Instagram account.

Restaurant Brands noted it is a limited-time partnership sold exclusively in the Brazil market and will not be available in the United States nor elsewhere.



Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
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Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP

The Oscars gala traditionally features performances of all the tracks nominated for best original song -- this year, the ceremony on Sunday bucked norms, but musical numbers still punctuated the show.

Ariana Grande and Cynthia Erivo opened the star-studded gala with a tribute to Los Angeles -- which recently suffered devastating wildfires -- that also celebrated their Oscar-nominated roles in the blockbuster film "Wicked."

In a glimmering red dress and shoes nodding to Dorothy's magic slippers, Grande belted a touching version of the classic ballad "Over the Rainbow" from 1939's "The Wizard of Oz" starring Judy Garland, AFP said.

Erivo then joined to deliver a soaring rendition of "Home" from "The Wiz" -- both "The Wizard of Oz" and 1978's "The Wiz" are tales about the fantastical land of Oz that "Wicked" also riffs on.

Grande and Erivo ultimately brought the audience to its feet with the film's hit song "Defying Gravity," which brought some attendees, including co-star Michelle Yeoh, to tears -- especially thanks to Erivo's chills-inducing climax.

Later in the show came a James Bond medley, a celebration of the film franchise that just controversially came under the creative control of Amazon MGM Studios.

The Oscar stage turned Bond set featured a dance number led by "The Substance" star Margaret Qualley -- who is a trained dancer.

Lisa -- a member of the K-pop group Blackpink -- descended from the ceiling to sing Wings' "Live and Let Die" from that 1973 film.

And Doja Cat literally dripped in diamonds to sing Shirley Bassey's "Diamonds Are Forever," before an orchestra joined Raye to close the performance with a cover of Adele's "Skyfall."

Tribute to Quincy Jones

Mick Jagger popped by to present the prize for best original song, which went to "El Mal," the track off "Emilia Perez" written by Clement Ducol, Camille and the film's director Jacques Audiard.

"We wrote 'El Mal' as a song to denounce corruption," Camille said onstage. "We hope it speaks to the role music and art can play, and continue to play, as a force of the good and progress in the world."

Before presenting the award, Jagger joked that "the producers really wanted Bob Dylan to do this -- Bob didn't want to do it because he said the best songs this year were obviously in "A Complete Unknown" -- the film about Dylan.

"Bob said, 'You should find somebody younger,'" the Rolling Stone frontman quipped.

Oprah Winfrey and Whoopi Goldberg presented a tribute to the late Quincy Jones, the composing titan who orchestrated the sounds of the music and film worlds for more than 50 years.

"Quincy was love lived out loud in human form, and he poured that love out into others and into his work," Winfrey said.

Latifah then brought disco to the Academy Awards with a performance of "Ease on Down the Road" -- yet another nod to the world of Oz -- from the musical film adaptation of "The Wiz," which Jones worked on.

Host Conan O'Brien added in his own song and dance after his opening monologue, poking fun at the show's reputation for trudging along at a glacial pace.

"I Won't Waste Time!" he sang.

The show ultimately clocked in at nearly four hours.