Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
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Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)

Pink sauce on that Burger King burger? What about "Barbie-fying" your pet with sweaters and beds with Barbie motifs? If that's too low-brow, perhaps you'd be interested in hot pink Barbie monogrammed knit leggings by luxury designer Balmain instead, selling at Neiman Marcus for a cool $2,150.

Welcome to the wonderful and weird world of "Barbie" movie marketing.

Ahead of Friday's US release of the "Barbie" movie, parent company Mattel has created a product marketing blitz with more than 100 brands plastering pink everywhere.

There are pink benches at bus stops and pink clothing displayed in store windows. Microsoft's XBox has come up with a Barbie console series and HGTV is hosting a four-part Barbie Dreamhouse Challenge.

And then there are all the unofficial collaborators trying to grab a piece of Barbie craze. Restaurants across the country are offering special pink cocktails, while interior decorators are showing options like vibrant pink backsplashes to "Barbiefy" your kitchen.

Even the organization I Support the Girls — a nonprofit that has provided 22 million bras and menstrual hygiene products to homeless people, refugees and immigrants — is creating a social media campaign around menstrual periods using Barbie and having volunteers create miniature packages of Barbie-sized menstrual pads and tampons as teaching tools.

"The capability to share stories and knowledge through playing with Barbie is what made us realize we need to jump on this pop culture Barbie bandwagon," said Dana Marlowe, founder and executive of I Support the Girls. "If you can see yourself in a toy or in a doll, we want to also make sure that we’re raising awareness about bras and and clean underwear and the like."

Some experts say all the marketing beyond the movie is only good for the 64-year-old brand, helping to attract multi-generations of fans.

"When a brand owns something as iconic as the color pink, it's good news and bad news," said Marc Rosenberg, a Chicago-based toy consultant who led the global marketing teams for Hasbro's brands like Furby, GigaPets, and Hit Clips. "In this case, I think it’s all good news. Everyone in the world wants a piece of pink now."

But pundits also say it's going to be hard for many of the products to stand out when the world is awash in pink.

"There is such a stampede toward this that most people are going to get stepped on and will not be noticed," said Allen Adamson, co-founder of marketing consultancy Metaforce, noting he believes there will be more losers than winners.

For some shoppers like Hollie Krause of Mahwah, New Jersey, Barbie pink blitz that ramped up since June is already getting too much.

Krause, 31, said that she loved her Barbie dolls growing up and had about 20 of them along with a Barbie Dreamhouse. So when some of the merchandise started to roll in earlier this year, she bought Barbie-themed pajamas, a Barbie T-shirt, Barbie-trademarked pink lemonade, along with some other pink outfits.

Now she's feeling overwhelmed.

"Barbie is supposed to be for everyone, but these nostalgic collaborations should feel a little bit more unique or a little bit more creative," said Krause, who plans to focus on limited edition items.

Barbie's first live action movie, an homage to the doll with some biting satire, comes at a time when Barbie sales have been up and down after slumping from 2012 to 2015, when it faced stiff competition from other dolls and was under attack for pushing unrealistic beauty standards to girls and lost some relevance. It enjoyed a big bump in sales during the depths of the pandemic when parents were looking to entertain their children.

Barbie now accounts for one-third of Mattel's revenue and it has been diversifying the dolls with more skin tones and versions with prosthetic legs, wheelchairs and hearing aids. This year, it unveiled its first Down Syndrome doll.

As a result, according to market research firm Circana, Barbie has remained the top fashion doll for the past four years starting in 2019 and through June of this year in the US as well in the combined 12 countries that Circana tracks.

So far, product marketing around the movie has done well.

Mattel's Barbie that was specifically made for the movie and is dressed in a pink gingham dress, is No. 1 in sales for dolls and for the pre-school dolls and dollhouse category sold on Amazon, according to the retailer's website.

Neiman Marcus noted that it launched its exclusive Barbie collaboration with Balmain last year and sold out of many items in the first few days. Based on the success of last year’s collaboration and the current Barbiecore cultural phenomenon, it has reissued the collection starting July 10, the retailer said.

Then there's the mixed social media reviews for the "Pink Burger" offered by Burger King’s franchisee in Brazil. It's offering a slice of melted cheese, bacon and a smoky-flavored hot pink sauce. The Pink Burger comes in a Barbie Combo, which also features French fries (dubbed "Ken’s Potatoes"), a pink shake and a pink-frosted donut.

"Has BK completely lost its creativity or is just too lazy to think of something better?" said one comment on Burger King Brazil's Instagram account.

Restaurant Brands noted it is a limited-time partnership sold exclusively in the Brazil market and will not be available in the United States nor elsewhere.



‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

“KPop Demon Hunters” won the Oscar for best animated feature on Sunday, capping a record-breaking run after becoming Netflix’s most-watched film ever on its 2025 debut.

"For those of you who look like me, I'm so sorry that it took us so long to see us in a movie like this, but it is here," Reuters quoted director Maggie Kang ⁠as saying on stage. ⁠She said the win was for Korea and for Koreans everywhere.

The action-packed feature was also nominated for best original song for “Golden,” written by EJAE and Mark Sonnenblick. The film follows Huntrix — Rumi, Mira and Zoey — ⁠a global KPop girl group who juggle superstardom with their secret lives as demon hunters.

The animated musical fantasy previously swept major awards, winning best animated feature and best song at the 31st Critics Choice Awards and best animated motion picture and best original song at the 83rd Golden Globes.

Animated by Sony Pictures Animation, the Netflix hit also earned a Grammy ⁠for ⁠best song written for visual media, marking the first-ever Grammy win for a KPop song.

Directed by Kang and Chris Appelhans, the film’s soundtrack has trended worldwide. In a January 2026 press its most-watched title over a six-month period with 482 million views and 32 million views for the film's lyric videos.

Other nominees in the best animated feature category included “Zootopia 2,” “Arco,” “Little Amélie or the Character of Rain" and "Elio."


With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
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With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP

At an Oscars full of nerve-shreddingly tight races, best actress was one of Sunday night's few entirely predictable categories.

Pundits were -- correctly -- unanimous that Jessie Buckley would win for her tear-jerking turn as William Shakespeare's wife in "Hamnet."

But that did not stop her rival nominees enjoying the night -- if anything, they were the life and soul of the party.

Emma Stone, a two-time best actress winner already, spent much of the ceremony happily chatting backstage with friends and admirers in the theater's most exclusive lobby.

"The bar is the place!" Stone, nominated for her role in conspiracy theory thriller "Bugonia," told AFP.

Indeed, while the Oscars are being handed out in the adjoining theater, the Dolby Theater's ground-floor bar is renowned as a free-flowing gossip, networking and champagne spot for the industry's movers and shakers.

Stone jokingly admitted she wasn't sure exactly how many Academy Awards she'd attended, but by now knew where to wait for her category to come up.

For Norwegian actress Renate Reinsve, it was a second trip to Hollywood's top awards show, but a first as an acting nominee.

She came to the Oscars four years ago for best foreign film contender "The Worst Person in the World," but was personally recognized this time for "Sentimental Value."

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.


‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)
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‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)

"Hoppers," the latest original animated film from Disney's Pixar, maintained its position atop the North American box office with $28.5 million in ticket sales in its second weekend, industry estimates showed Sunday.

The adventure comedy, which tells the story of young animal lover Mabel who uses technology to transfer her consciousness into a robotic beaver so she can better communicate and protect wildlife, has now pulled in $165 million worldwide, according to Exhibitor Relations.

The voice cast features Meryl Streep, Jon Hamm, Kathy Najimy and Piper Curda as Mabel.

Debuting at number two was Universal's romance "Reminders of Him," based on the novel by Colleen Hoover and starring Maika Monroe and Tyriq Withers. It earned $18.2 million in the United States and Canada.

"This is an excellent opening for an original romance picture, at well above average levels for the genre," wrote analyst David A. Gross of Franchise Entertainment Research.

Another new arrival, the horror flick "Undertone" distributed by A24, came in third, with $9.3 million in ticket sales.

The it's-coming-from-inside-the-house scare-fest, complete with a deeply unsettling soundscape, narrowly bested the latest in an iconic series of the genre, "Scream 7."

Paramount's new installment in the 30-year-old slasher series, featuring yet another Ghostface killer, held onto fourth position earning $8.3 million, for a global three-week total of $176.5 million.

Sony's family-friendly animated film "GOAT" -- the story of an undersized domesticated mammal who wants to join a basketball-like "roarball" team -- in its fifth week slipped one spot to fifth, at $4.7 million, and $162.5 million globally.