Los Angeles City Council Acts to Spare Marilyn Monroe House from Demolition

The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
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Los Angeles City Council Acts to Spare Marilyn Monroe House from Demolition

The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)

The Los Angeles City Council voted on Friday to launch a process to designate actress Marilyn Monroe's former home, where she died of a drug overdose in 1962, a historic and cultural monument, blocking plans to demolish the property.

The motion to initiate consideration of the Spanish Colonial-style house in L.A.'s Brentwood section for historic preservation was introduced by Councilwoman Traci Park and approved unanimously the same day, according to her spokesperson Jamie Paige.

In response to the 12-0 vote, the city's Board of Building and Safety Commissioners immediately revoked a demolition permit that had been issued a day earlier. The City Council motion itself also bars major alterations to the property while review of its potential status as a landmark is under way.

Paige said she visited the house on Thursday and that no work had been done at the site, currently owned by a little-known entity called Glory of the Snow Trust.

Monroe purchased the single-story, 2,900-square-foot (270-sq-meter) house in the early 1960s for $75,000 after the end of her third marriage, to playwright Arthur Miller, according to the Los Angeles Times. It was the only residence the actress, who spent part of her childhood in an orphanage and foster care, ever independently owned.

The screen legend, star of such films as "Gentlemen Prefer Blondes," "Some Like It Hot" and "The Misfits," was found dead in a bedroom of the home in August 1962 at the age of 36. The cause of death was ruled to be acute barbiturate poisoning.

The Times reported that the half-acre (0.20-hectare) property, which included a swimming pool and guest house, was purchased in 2017 for $7.25 million by Glory of the Snow LLC, then managed by a hedge fund executive. It was sold to the Glory of the Snow Trust for $8.35 million earlier this year.

No representatives for the trust have been identified by Councilwoman Park, and the reason for the planned demolition remained unclear, Paige said. The Times said the trust is not listed in property records alongside any person's name.

Word that the gated, four-bedroom hacienda at the end of a cul-de-sac was slated to be torn town sparked expressions of outrage on social media, the Times reported. Park, whose council district includes Brentwood, said her office had received hundreds of calls urging her to take action to spare the house.

"For people all over the world, Marilyn Monroe was more than just a movie icon," Park said at a news conference, calling the performer "a shining example of what it means to overcome adversity.

The actress named the home Cursum Perficio, a Latin phrase meaning "My journey ends here," which adorned tiles on the home's front porch.



‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
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‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)

A white house in a quiet corner of the city of Rio de Janeiro, Brazil, has been attracting a stream of visitors in recent weeks.

They are eager to see the family home portrayed in the Academy Awards nominee film "I’m Still Here", in which a mother of five rebuilds her life while struggling to uncover the truth about her husband's forced disappearance during Brazil’s military regime in the 1970s.

"We came here to pay homage to the family," said visitor Daniela Gurgel, as she roamed through the house. "Raising this story at this time is very important."

The film's three Oscar nominations - best picture, best international feature, and best lead actress - cast a global spotlight on both the real story of Eunice Paiva and her husband Rubens Paiva, and the authoritarian government that upended their lives. The military ruled Brazil between 1964 and 1985.

"Seeing the world watch this story is the recognition of a struggle that my family has been fighting for over 50 years," said Marcelo Rubens Paiva, the son of Eunice and Rubens and the author of the book on which the movie is based.

This struggle, he added, is one "for respect for human rights and democracy."

Brazil's dictatorship ended four decades ago but no one has ever been held accountable for the murder of hundreds of its critics or the torture of what many believe were tens of thousands. Even Rubens Paiva's disappearance, one of the most emblematic cases of human rights abuse of that time, is still an open case before Brazil's Supreme Court. His body was never found.

In 2010, the court upheld a 1979 law, passed during the dictatorship, that pardoned the crimes committed by the regime. But prosecutors and others who oppose the ruling still have cases pending before the court, including Paiva's.

On Friday, the Brazilian government provided families some relief.

Rubens Paiva's death certificate was amended to register that the cause of his death was "unnatural, violent, caused by the Brazilian State in the context of systematic persecution of the population identified as political dissidents of the dictatorial regime established in 1964".

Actress Fernanda Torres, who plays Eunice Paiva in the movie, said: "They did everything they could so that there would be no body, so that there would be no memory, so that it would not be spoken of, so that it would remain hidden in a corner."

But, she added: "This story will not be forgotten."

More than 400 other death certificates from victims of the military dictatorship all over Brazil will be rectified in an effort led by the Special Commission on Political Deaths and Disappearances under former human rights minister Nilmario Miranda.

"The film came as a gift from heaven for us, because it deals with a political disappearance," Miranda said. "The families feel that Brazil needs it. This debt to democracy is being redeemed now."