Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
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Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP

Director Alexander Payne has entered the Oscars hunt with his new film "The Holdovers," a poignant 1970s-set dramedy about a cantankerous prep school teacher and a troubled student that screened Monday at the Toronto film festival.

The film reunites Payne with his "Sideways" star Paul Giamatti, who plays the surly Paul Hunham, who grumbles through his lessons on ancient civilizations and has no qualms about failing students who think their wealth should be able to buy good grades, said AFP.

Hunham is forced to remain at the New England school over the Christmas break to supervise a handful of students who cannot go home. Eventually, he is left with just one 'holdover': Angus (newcomer Dominic Sessa), who is navigating family issues.

The pair -- along with cafeteria manager Mary (Da'Vine Joy Randolph), whose son was killed in Vietnam -- build their own unlikely family over the course of the school holiday.

Payne lamented that his stars and writer David Hemingson could not be at the Toronto screening, which followed the film's world premiere at the Telluride festival 10 days ago in Colorado, because of the ongoing double strike in Hollywood.

"Unlike musicians and stage actors, in film, we don't get to have that immediacy of communication between us and the audience," Payne told spectators at the Princess of Wales theater in Toronto.

"The only place we can kind of get close to that is at a fresh festival audience, and they're sadly being deprived of that."

Payne reserved particular praise for Sessa, who was recruited at Deerfield Academy, one of the boarding schools in Massachusetts where the film was shot.

Though Sessa was the star of the drama club, "he'd never been in front of a camera," Payne told filmgoers in the post-screening question and answer session.

"To go toe-to-toe, head-to-head with Paul Giamatti in his first-ever film is really something to watch."

The Toronto International Film Festival (TIFF) is a key part of the fall festival lineup, along with Venice and Telluride. Movies hoping to build early Oscars momentum typically hold premieres at one or several of the major industry events.

TIFF's annual People's Choice Award has become an increasingly accurate Academy Awards bellwether, predicting eventual best picture winners such as "Nomadland" and "Green Book."

But the festival in Toronto, the biggest in North America, is unfolding against the backdrop of the twin strikes by Hollywood actors and writers, meaning many of them cannot promote their work if it was produced under the auspices of a major studio.

The actors and writers are striking over pay, the threat posed by artificial intelligence and other work conditions.

Awards prediction site Gold Derby lists "The Holdovers" among the early top contenders for best picture, best director and best original screenplay, as well as best actor for Giamatti and best supporting actress for Randolph.

The 62-year-old Payne is a seven-time Oscar nominee, and has won twice -- both times for best adapted screenplay, for "Sideways" and "The Descendants."

"The Holdovers" opens in US theaters in November.

TIFF runs through September 17.



‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
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‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)

The cast of the film “The Brutalist” is giving their director Brady Corbet all the credit when it comes to the strong acclaim for the movie.

“He's a special filmmaker because he focuses on psychology and behavior and those things that we as actors are genuinely interested in,” said Guy Pearce, who plays wealthy industrialist Harrison Lee Van Buren.

“So, it was a real treat from start to finish,” he added.

The movie is an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States, and stars Oscar-winner Adrien Brody in the leading role of the architect Laszlo Toth.

"The Brutalist", which has a three-hour and 35-minute runtime and comes with a 15-minute intermission, was co-written by Corbet's wife, Mona Fastvold.

It was successful at the Venice International Film Festival earlier this year, with Corbet winning the best director prize.

The film, distributed by A24, arrives in movie theaters on Dec. 20 in the United States.

Brody, who had read the script nearly six years ago, expressed his deep connection to the story and his character through both his Hungarian-born mother and grandfather.

“Her [his mother’s] journey as an artist, her pursuits as an artist are deeply profound and linked to this,” he said.

For Brody, the role connected him with his mother’s yearning to leave something of great meaning behind, which was enhanced when contrasted with an understanding of hardship.

He also thought of his own grandfather's struggles with language and assimilation as a foreigner without work opportunities or respect.

“That (respect) was lost and taken from him,” Brody added.

His grandfather, fleeing from home due to the war, largely shaped the actor’s perspective of his role.

For “The Theory of Everything” actress Felicity Jones, who portrays Toth’s wife in the film, Erzsebet Toth, some of the most compelling aspects of the film are its characters and unique storytelling style.

“These characters, particularly Laszlo and Erzsebet, you know, they're doing everything they can to preserve their integrity and their self-worth,” she said.

Brody was recently nominated for a Golden Globe for best performance for a male actor in a motion picture drama and is receiving Oscar buzz for his role.

For “The Pianist” actor, having a strong team was key to the power of the film.

“In order to do work on this level, you need all of those to conspire with you and not against you,” Brody said.