Largest US Newspaper Chain to Hire Taylor Swift and Beyoncé Writers

US singer-songwriter Taylor Swift greets fans during the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (Photo by TIMOTHY A. CLARY / AFP)
US singer-songwriter Taylor Swift greets fans during the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (Photo by TIMOTHY A. CLARY / AFP)
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Largest US Newspaper Chain to Hire Taylor Swift and Beyoncé Writers

US singer-songwriter Taylor Swift greets fans during the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (Photo by TIMOTHY A. CLARY / AFP)
US singer-songwriter Taylor Swift greets fans during the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (Photo by TIMOTHY A. CLARY / AFP)

This week the United States’ biggest newspaper chain posted to its site two unusual job listings: a Taylor Swift reporter and a Beyoncé Knowles-Carter reporter.
Gannett, which owns more than 200 daily papers, will employ these new hires through USA Today and The Tennessean, the company's Nashville-based newspaper. The chain is looking for “modern storytellers” adept in print, audio and visual journalism, said Michael Anastasi, the Tennessean's editor and Gannett's vice president for local news.
“Seeing both the facts and the fury, the Taylor Swift reporter will identify why the pop star’s influence only expands, what her fanbase stands for in pop culture, and the effect she has across the music and business worlds,” The Associated Press quoted the company as saying in its job description.
Similarly, the company wants a journalist who can capture Beyoncé Knowles-Carter's effect on society and the industries in which she operates.
Anastasi said the Tennessean already has a three-person music team and “I put our sophisticated coverage up against anybody.” Gannett is always looking for opportunities to make itself essential for paying customers, he said.
Critics of the new roles cited layoffs at Gannett, where the workforce has shrunk 47% in the last three years due to layoffs and attrition, according to the NewsGuild. At some newspapers, the union said the headcount has fallen by as much as 90%. Last year alone, Gannett cut about 6% of its roughly 3,440-person US media division.
Some journalists said that while hiring these massively popular artist-specific roles reflect their influence in pop culture, they do fail to invest in local journalism at a company known for its local dailies.
“At a time when so much serious news and local reporting is being cut, it’s a decision to raise some questions about,” Rick Edmonds, an expert at the journalism think tank Poynter Institute, said of the new positions.
Said Anastasi: “We're not hiring a Taylor Swift reporter at the expense of other reporters.”
Some journalists criticized the job listings for presenting superfan behavior as a full-time journalism job. Music writer Jeremy Gordon said on social media that it “doesn't feel great to see ‘full-time stan’ go out as an actual journalism job.” Stan is slang for “superfan.”
If the hire acts more like a fan than a journalist, the decision could backfire on Gannett. But if the job is done well, and the reporters can penetrate tightly-controlled operations to glean insights, they can establish themselves as national authorities on important cultural figures.



‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
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‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)

Gru and the minions celebrated a second week in first place at the North American box office this weekend, while a small horror movie called “Longlegs” upset the starry $100 million "Fly Me to the Moon."

The supremacy of “Despicable Me 4” was hardly a surprise, as the Universal and Illumination franchise added $44.7 million and pushed the film over $200 million, according to studio estimates Sunday. But the big upset came further down the charts with “Longlegs ” more than doubling the debut of the Scarlett Johansson and Channing Tatum romantic comedy “Fly Me to the Moon.”

“Longlegs,” an original horror about a serial killer starring Maika Monroe and Nicolas Cage, made an estimated $22.6 million from 2,510 theaters. That’s the best ever start for indie outfit Neon (most famous for releasing the Oscar-winning “Parasite”), which acquired the $10 million film for distribution. Written and directed by Osgood Perkins, “Longlegs” also scored the best opening for an R-rated film this year.

Neon deployed an innovative marketing strategy for the film, including touches like placing cipher messages in local newspapers and posting a Los Angeles billboard with a phone number that played an “unnerving” message. In its first 48 hours, the number received over 250,000 calls.

“Longlegs” was well-received by critics (it has an 87% on Rotten Tomatoes), but audiences gave it a less enthusiastic a C+ CinemaScore.

“Fly Me to the Moon,” an Apple Original Films production, launched with only $10 million over the weekend. It trailed holdovers “Inside Out 2,” in third with $20.8 million; and “A Quiet Place: Day One,” in fourth place with $11.8 million.

Sony distributed “Fly Me to the Moon,” the Greg Berlanti-directed film about a marketing executive brought in to sell the space race to the American public, and, later, stage a fake moon landing just in case. Apple has not yet announced when it will debut on its streaming service.

The movie opened in 3,356 locations this weekend, attracting an audience that was mostly over 45. In this case, the audience was kinder than the critics, giving it an A- CinemaScore against a 67% on Rotten Tomatoes, suggesting that word-of-mouth may work in its favor over the long run.

The year-to-date gap between box office performance this year and last is getting moderately slimmer. It's now down 16.1% from 2023 thanks to a run of recent successes. But performance still pales in comparison to pre-pandemic standards. On July 14 in 2019, the annual box office take was at $6.2 billion. This year it’s at $4.1 billion so far.

“A very unpredictable summer movie season continues,” said Paul Dergarabedian, the senior media analyst for Comscore. “And after a slow start in May (it) has continued to surprise and impress with expected as well as unexpected hits adding bottom-line dollars to the industry’s most important season.”

In limited release, A24 opened “Sing Sing,” an early Oscar contender, in four theaters in New York and Los Angeles. With sellouts in both locations, it made $137,119, one of the best limited openings of the year.

The film from director Greg Kwedar is about an arts program at the prison and features many real life participants, including Clarence Maclin in his film debut. “Sing Sing” will continue playing on four screens through July and expand nationwide in August.

Finally, “Twisters,” which opens in North America on Thursday, began its international rollout this weekend, earning $11.5 million from 38 markets including in Australia, Mexico and Brazil.

In its wake comes “Deadpool & Wolverine,” the first Marvel release of the summer.