Michael Jackson’s Moonwalk Hat up for Auction 

A Fedora hat that belonged to US singer Michael Jackson, made of wool and lined with silk, is displayed before being put on sale at auction, in Paris, on September 12, 2023. (AFP)
A Fedora hat that belonged to US singer Michael Jackson, made of wool and lined with silk, is displayed before being put on sale at auction, in Paris, on September 12, 2023. (AFP)
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Michael Jackson’s Moonwalk Hat up for Auction 

A Fedora hat that belonged to US singer Michael Jackson, made of wool and lined with silk, is displayed before being put on sale at auction, in Paris, on September 12, 2023. (AFP)
A Fedora hat that belonged to US singer Michael Jackson, made of wool and lined with silk, is displayed before being put on sale at auction, in Paris, on September 12, 2023. (AFP)

Just before performing his famous moonwalk dance for the first time, Michael Jackson tossed his hat to the side of the stage. Four decades later, it's up for auction in Paris.

The sale at the Hotel Drouot in Paris takes place on September 26. The black fedora is expected to fetch between 60,000 and 100,000 euros ($64,000-$107,000).

Though it is the star among some 200 items of rock memorabilia, organizer Arthur Perault of the Artpeges gallery admitted that valuations for Jackson items had fallen lately due to "the sale of fakes and the accusations against him".

Jackson has long been accused of child abuse, which his heirs still contest and which the singer denied up to his death in 2009 at the age of 50.

The King of Pop whipped off the hat while breaking into his hit "Billie Jean" during a televised Motown concert in 1983, at the height of his fame.

Moments later, Jackson showed off what would become his trademark move -- the moonwalk -- a seemingly effortless backwards glide while appearing to walk forwards.

A man named Adam Kelly picked up Jackson's hat, "thinking the singer's staff would come to collect it but they didn't", said Perault.

He held on to it for several years, but it has since passed through a couple of private collectors on its way to Paris.

Also being auctioned are a guitar owned by the legendary bluesman T-Bone Walker that could fetch up to 150,000 euros; a suit worn by Depeche Mode's Martin Gore; and one of Madonna's gold records.

A chunk of wall from the Bus Palladium, a Paris venue that shut down last year, signed by numerous rock stars including members of The Libertines, Air and The Dandy Warhols, is valued at between 5,000 and 8,000 euros.

"Personally, I hope this wall stays in France. It is part of our heritage for all lovers of music and rock," said Perault.

Music memorabilia has become big business.

Co-organizers Lemon Auction made a splash last year with the sale of a guitar smashed by Noel Gallagher on the night Oasis split up in Paris following a fight with his brother Liam. The instrument went for 385,500 euros.

This month, a series of auctions for items belonging to Freddie Mercury -- including the piano on which he composed "Bohemian Rhapsody" -- have made a total of 46.5 million euros at Sotheby's, attracting bidders from 76 countries.



Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
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Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)

When Billy Idol first entered American consciousness in the early '80s, leather-clad and bleached hair in tow, he not only brought a punk rock sound to the mainstream. The Englishman brought a new attitude, a new, rebellious way of being.

In the time since, songs like “White Wedding,” “Rebel Yell” and “Eyes Without a Face” have become instant classics — for those who've worn a spiky jacket and those who've only imagined what it might be like.

Now, over four decades later, he's got the wisdom to reflect. It's led to a new documentary about his life, “Billy Idol Should Be Dead,” which will premiere at the Tribeca Film Festival — and a new album, the polished punk-pop of “Dream Into It.”

“It was a gradual process, really,” he said of the 11-year span between albums. “It wasn’t so much that we didn’t want to make an album, it was more like we were building up to doing this.”

Idol discussed with The Associated Press this week his new album and forthcoming documentary, his past struggles with addiction, his first-ever Rock & Roll Hall of Fame nomination and more.

Remarks have been edited for clarity and brevity.

AP: You've described “Dream Into It” as autobiographical. I thought your last album, 2014's “Kings & Queens of the Underground,” pulled from your life as well.

IDOL: Being this age, in particular, 69, when you look back, you can really see your whole life, how it plays out. And maybe it’s also having grandchildren. My children are having children.

You sort of reach this vantage point where you can really look back and see all the sort of different eras of my life. And you can sing about it. And I think I didn’t go deep enough with the songs I did on “Kings and Queens.” I thought lyrically I could go deeper. That’s one of those regrets I had about the last album. So I really went for it, and I went for more imagery, (on ‘Dream Into It,’ in the) way of talking about my life. I’m not spelling it out exactly.

AP: There are a lot of rock ‘n’ roll women on the album. Joan Jett, Avril Lavigne and The Kills' Alison Mosshart are all featured.

IDOL: (Mosshart's) voice is just incredible. And of course, Joan Jett, I’ve known since 1978 after a Germs/Dead Kennedys concert. We hung out in Los Angeles. I was on a Generation X promotion tour for the first album. And then Avril, I mean, I’ve just been watching her career forever and she’s fantastic. So, it was just great.

AP: The documentary has an evocative title, “Billy Idol Should Be Dead.” It sounds like it may dive into your past struggles with addiction.

IDOL: There was a point in my life when I was living like every day, like, “Live every day as if it’s your last.” One day, you’re going to be right.

In the '70s, in England, you know, young people, we had this feeling that we were being completely ignored. You were even being told that you had no future. And so, we just didn’t think beyond the day-to-day existence. It was probably only when I really started having children and stuff like that, I really starting to realize I (should) try start to give up drugs and things.

I’ve always flirted with death, in a way. Even riding motorcycles, you’re staring at the concrete. It’s right there, you can come off that thing and get horribly messed up. And I’ve done it. It’s horrible. You find out how human you are, how vulnerable. There’s lots of things about my life that, yeah, I did kind of call death at times. Not really mean to, but you just were living like that.

Imagine if it was today. If I was doing what I was back then today, I would be dead because I would have run into fentanyl.

AP: You're nominated for the Rock & Roll Hall of Fame for the first time. Do you think your younger punk rock self would be excited?

IDOL: I do sort of think about Bo Diddley and Chuck Berry and Little Richard. “And what? Are you going to be in something with those guys?” You know, Buddy Holly. These are some of the seminal people who turned on the people that turned me on, you know? Somewhere down the road, it led to punk rock.

Also, my motorcycle has been in the Rock & Roll of Fame for like five years. So I might as well be in it, too.