New Film on Historical Native American Murders Reflects Universal Themes, Says Scorsese 

(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
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New Film on Historical Native American Murders Reflects Universal Themes, Says Scorsese 

(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)

Martin Scorsese, best known for his action-packed thrillers and gangster epics, now depicts an investigation into the murders of Native Americans in his latest film, "Killers of the Flower Moon", which previewed in New York on Wednesday.

Adapted from a nonfiction book of the same name, "Killers of the Flower Moon" tells the true story of the 1920s murders and disappearances of members of Osage Nation on oil-rich lands in the central US state of Oklahoma.

At a red carpet event at Manhattan's Lincoln Center, Scorsese told AFP his film about the 100-year-old crimes touched on broad themes.

"It's about a clash of cultures, misunderstanding each other, the sense of entitlement -- and it could be (about) not only Americans," Scorsese told AFP about the film, which he shot on Oklahoma's prairies with around 40 Osage Native Americans included in the cast.

The $200-million film stars Leonardo DiCaprio as Ernest Burkhart, a man in love with a Native American woman (played by Lily Gladstone) who finds himself embroiled in a plot hatched by oil-hungry cattle magnate William Hale, played by Robert De Niro. An FBI agent, Jesse Plemons, is assigned to solve the murders.

"Killers of the Flower Moon" will be released in North American cinemas on October 20, before being made available on Apple TV+.

The violence and crimes depicted in the film "could be in any part of the world," Scorsese said. "It just so happens to be a story that actually reflects through the millennia."

"It's good to tell this kind of story now because people are trying to shy away from this stuff. Show it, talk about it," the "Gangs of New York" and "Taxi Driver" director added.

American writer David Grann, whose book the film was based on, told AFP that the story covers "one of the most monstrous crimes and racial injustices committed by white settlers against Native Americans for their oil money."

"What it is fundamentally about is what happens when greed is fused together with the dehumanization of other people," the New Yorker journalist said. "And what that led to were these genocidal crimes."

Grann believes that the history of the Osage Tribe, and of many Native Americans across the United States, has been "largely erased from our conscious".

"It was not taught in any of my schoolbooks. I never learned about it," he said.

In 2021, President Joe Biden became the first US president to issue a proclamation for Indigenous Peoples' Day, which coincides with the increasingly controversial national holiday celebrating explorer Christopher Columbus.

Principal Chief of the Osage Nation Geoffrey Standing Bear also appeared at the red carpet event.

"It's not just the Osage people -- all of the Native peoples have had their hard times for 500 years," the North American leader said. "And this movie shows us it still goes on.

"It wasn't that long ago. It was my grandparents' generation when this movie, the facts in it, occurred."



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.