‘Shaft’ Star Richard Roundtree, Considered First Black Action Movie Hero, Dies at 81 

Actor Richard Roundtree arrives for the US premiere of "What Men Want" at the Regency Village theatre on January 28, 2019 in Westwood, California. (AFP)
Actor Richard Roundtree arrives for the US premiere of "What Men Want" at the Regency Village theatre on January 28, 2019 in Westwood, California. (AFP)
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‘Shaft’ Star Richard Roundtree, Considered First Black Action Movie Hero, Dies at 81 

Actor Richard Roundtree arrives for the US premiere of "What Men Want" at the Regency Village theatre on January 28, 2019 in Westwood, California. (AFP)
Actor Richard Roundtree arrives for the US premiere of "What Men Want" at the Regency Village theatre on January 28, 2019 in Westwood, California. (AFP)

Richard Roundtree, the trailblazing actor who starred as the ultra-smooth private detective in several “Shaft” films beginning in the early 1970s, has died. He was 81.

Roundtree’s longtime manager, Patrick McMinn, said the actor had been diagnosed with pancreatic cancer and died at his home in Los Angeles on Tuesday. He was diagnosed with breast cancer in 1993 and underwent a double mastectomy.

“Richard’s work and career served as a turning point for African American leading men,” McMinn said. “The impact he had on the industry cannot be overstated.”

Roundtree, who was born in New Rochelle, New York, was considered as the first Black action hero and became one of the leading actors in the blaxploitation genre through his New York street smart John Shaft character in the Gordon Parks-directed film in 1971. At age 28, it was Roundtree’s first feature film appearance after starting his career as a model.

Roundtree’s “Shaft” was part of a change in how Black movies were viewed in Hollywood, which failed to consider Black actors – especially for leading roles — in projects at the time. The blaxploitation films were primarily aimed at the African American audiences.

In the film, his character navigated the world of thugs. “What we were doing was a good, old Saturday afternoon shoot ’em up,” Roundtree said in a 2000 interview with The Associated Press.

Isaac Hayes’ “Shaft” theme song — which included the line “You a bad mother— (Shut your mouth)” — helped insinuate the original movie into the pop-cult consciousness. The singer, who died in 2008, said the song was “like the ‘shot heard round the world.” His single won an Academy Award for best song in 1971 and two Grammys the following year.

After the film’s success, Roundtree returned in sequels “Shaft’s Big Score” in 1972 and “Shaft in Africa” in 1973. That same year, he played the savvy detective once again on the CBS television series “Shaft,” which lasted only seven episodes.

Roundtree reprised his role in the 2000 “Shaft” film, a revival that starred Samuel L. Jackson. He appeared as Jackson’s uncle in the big-budget film that was aimed at the general audience. Both appeared again in the same roles in the 2019 film starring Jessie T. Usher.

Jackson called Roundtree the “prototype” and the “best to ever do it” in a social media post.

“SHAFT, as we know it is & will always be his Creation,” he said of Roundtree. “His passing leaves a deep hole not only in my heart, but I’m sure a lotta y’all’s, too.”

Through his 50-plus year career, Roundtree appeared in a number of other notable films including “Earthquake,” “Man Friday” with Peter O’Toole, “Roots,” “Maniac Cop” “Se7en” and “What Men Want” starring Taraji P. Henson. He also made his mark with television roles on “Magnum P.I.,” “The Love Boat,” “Being Mary Jane” and “The Love Boat.”

In 1995, Roundtree received a lifetime achievement award at the MTV Movie & TV awards.



Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
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Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)

Iceland will not take part in the 2026 Eurovision Song Contest, the country's public broadcaster RUV said on Wednesday, after organizer the European Broadcasting Union last week cleared Israel's participation.

The decision to allow Israel to take part in the next Eurovision, which will be held in Vienna in May, earlier prompted Spain, the Netherlands, Ireland, and Slovenia to withdraw in protest, citing Israel's conduct in the Gaza war.

"It is clear from the public debate in this country and the reaction to the EBU's decision last week that there will be neither joy nor peace regarding RUV's participation," the broadcaster's Director General Stefan Eiriksson said in a statement.

Iceland was among the countries that had requested a vote last week on Israel's participation. But the European Broadcasting Union, or EBU, decided not to call a vote on Israel's participation, saying it had instead passed new rules aimed at discouraging governments from influencing the contest.

Iceland has never won the song contest but came second in 1999 and 2009. The Eurovision Song Contest dates back to 1956 and reaches around 160 million viewers, according to the EBU.


Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
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Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)

At a Damascus air base once off-limits under Bashar al-Assad, a crew now films a TV series about the final months of the ousted leader's rule as seen through the eyes of a Syrian family.

"It's hard to believe we're filming here," director Mohamad Abdul Aziz said from the Mazzeh base, which was once also a detention center run by Assad's air force intelligence branch, known for its cruelty.

The site in the capital's southwestern suburbs "used to be a symbol of military power. Now we are making a show about the fall of that power," he told AFP.

Assad fled to Russia as an opposition offensive closed in on Damascus, taking it without a fight on December 8 last year after nearly 14 years of civil war and half a century of Assad dynasty rule.

The scene at the Mazzeh base depicts the escape of a figure close to Assad and is set to feature in "The King's Family" filmed in high-security locations once feared by regular Syrians.

The series is to be aired in February during the Muslim holy month of Ramadan, prime-time viewing in the Arab world, when channels and outlets vie for the attention of eager audiences.

Dozens of actors, directors and other show-business figures who were opposed to Assad have returned to Syria since his ouster, giving the local industry a major boost, while other series have also chosen to film at former military or security sites.

- 'Impossible before' -

"It's a strange feeling... The places where Syria used to be ruled from have been transformed" into creative spaces, Abdul Aziz said.

Elsewhere in Damascus, his cameras and crew now fill offices at the former military intelligence facility known as Palestine Branch, where detainees once underwent interrogation so brutal that some never came out alive.

"Palestine Branch was one of the pillars of the security apparatus -- just mentioning its name caused terror," Abdul Aziz said of the facility, known for torture and abuse.

Outside among charred vehicles, explosions and other special effects, the team was recreating a scene depicting "the release of detainees when the security services collapsed," he said.

Thousands of detainees were freed when jails were thrown open as Assad fell last year, and desperate Syrians converged on the facilities in search of loved ones who disappeared into the prison system, thousands of whom are still missing.

Assad's luxurious, high-security residence, which was stormed and looted after he fled to Russia, is also part of the new series.

Abdul Aziz said he filmed a fight scene involving more than 150 people and gunfire in front of the residence in Damascus's upscale Malki district.

"This was impossible to do before," he said.

- 'Fear' -

The series' scriptwriter Maan Sakbani, 35, expressed cautious relief that the days of full-blown censorship under Assad were over.

The new authorities' information ministry still reviews scripts, but the censor's comments on "The King's Family" were very minor, he said from a traditional Damascene house where the team was discussing the order of scenes.

Sakbani said he was uncertain how long the relative freedom would last, and was waiting to see the reaction to the Ramadan productions once they were aired.

Several other series inspired by the Assad era are also planned for release at that time, including "Enemy Syrians", which depicts citizens living under the eyes of the security services.

Another, "Going Out to the Well", directed by Mohammed Lutfi and featuring several prominent Syrian actors, is about deadly prison riots in the infamous Saydnaya facility in 2008.

Rights group Amnesty International had called the facility a "human slaughterhouse".

"The show was written more than two years ago and we intended to film it before Assad's fall," Lutfi said.

But several actors feared the former authorities' reaction and they were unable to find a suitable location since filming in Syria was impossible.

Now, they plan to film on site.

"The new authorities welcomed the project and provided extensive logistical support and facilities for filming inside Saydnaya prison," Lutfi said.

As a result, it will be possible "to convey the prisoners' suffering and the regime's practices -- from the inside the actual location," he said.


A Minute With ‘Knives Out’ Director Rian Johnson on Third Franchise Film 

Rian Johnson. (Getty Images/AFP)
Rian Johnson. (Getty Images/AFP)
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A Minute With ‘Knives Out’ Director Rian Johnson on Third Franchise Film 

Rian Johnson. (Getty Images/AFP)
Rian Johnson. (Getty Images/AFP)

Writer and director Rian Johnson is unveiling his third “Knives Out” mystery movie, “Wake Up, Dead Man,” which streams on Netflix on December 12.

The film centers around Father Jud Duplenticy, played by Josh O’Connor, who finds himself the prime suspect in a murder amidst a small, close-knit Catholic church congregation.

The “Knives Out” detective from the previous franchise films, Benoit Blanc, played by Daniel Craig, turns up to solve the mystery.

Johnson told Reuters about the process of creating the third film in the franchise.

Q. When you’re picking titles for films, like the last film “Glass Onion,” and this one “Wake Up, Dead Man,”– how much are you trying to befuddle the audience just with the title alone?

A. Well, I mean, you’re trying to pick a title that sounds like a good murder mystery title, that sounds a little intriguing but also that hopefully once you see the movie, you’re like, "it couldn’t have been named anything else." And this movie, I think the title is apropos.

Q. When you’re writing these mysteries, do you know who you have in mind for who the cast is?

A. I try not to, because it’s a pathway to heartbreak because in one way, all the actors are excited about being in them. It’s still we’re going after people who are the busiest people in the world, who are these movie stars so you don’t always know if it’s going to work out schedule-wise. So, if you’ve written with somebody deeply ingrained for that part and you can’t get them, then that’s a heartbreak. I try and write just to the characters. I try and just write an interesting group and then find the best people to play them.

Q. I think last time I interviewed you for "Glass Onion", you’d done this script already. How far ahead are you of future installments?

A. I actually think it’s quite important for me not to come up with an idea and start writing it until I know it’s going to be the next thing. So it’s not like I have a drawer of ideas for these things.