‘The Hunger Games’ Starts Fresh, without Katniss, in ‘The Ballad of Songbirds & Snakes’ 

Tom Blyth, and Rachel Zegler pose for photographers upon arrival at the World premiere of the film "The Hunger Games: The Ballad of Songbirds & Snakes" on Thursday, Nov. 9, 2023 in London. (AP)
Tom Blyth, and Rachel Zegler pose for photographers upon arrival at the World premiere of the film "The Hunger Games: The Ballad of Songbirds & Snakes" on Thursday, Nov. 9, 2023 in London. (AP)
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‘The Hunger Games’ Starts Fresh, without Katniss, in ‘The Ballad of Songbirds & Snakes’ 

Tom Blyth, and Rachel Zegler pose for photographers upon arrival at the World premiere of the film "The Hunger Games: The Ballad of Songbirds & Snakes" on Thursday, Nov. 9, 2023 in London. (AP)
Tom Blyth, and Rachel Zegler pose for photographers upon arrival at the World premiere of the film "The Hunger Games: The Ballad of Songbirds & Snakes" on Thursday, Nov. 9, 2023 in London. (AP)

Everyone had resigned themselves to the fact that “The Hunger Games” ended in 2015. The four-film blockbuster franchise had made nearly $3 billion at the global box office and helped Jennifer Lawrence skyrocket to superstardom. But Suzanne Collins’ Katniss Everdeen saga was over. And, frankly, everyone, including Collins, director Francis Lawrence and producer Nina Jacobson, was eager to take a break and do something else.

For several years after “Mockingjay — Part 2,” “Hunger Games”-related text conversations between Lawrence and Collins rarely went past sending one another screenshots of their films on Jeopardy categories. Then, in 2019, Jacobson and Lawrence got a call: Collins was putting the finishing touches on something new, a prequel set 64-years before Katniss volunteered as tribute. It would be focused on a young Coriolanus Snow, and there would be a big musical element.

“The Hunger Games: The Ballad of Songbirds & Snakes” arrives in theaters nationwide Friday at another transitional moment in Hollywood, where Marvel movies are no longer sure things and, for the first time in a long time, the biggest movies of the year aren’t already franchises.

And while the team was excited about the possibility of working together again, there were some nerves about whether or not there was an appetite for Hunger Games movies “without Katniss,” Lawrence told The Associated Press in a recent interview. But this was all before they’d laid eyes on the book.

Both Lawrence and Jacobson were soon brought into Collins’ agent’s office, seated in a locked room and given the book to read. To their relief, suddenly the Katniss problem didn’t seem so important anymore, and soon they were off to Lionsgate to get it off the ground.

“We were excited to be able to dive into something that didn’t feel like a rehash,” Jacobson said. “It didn’t feel like we were trying to imitate the previous movies.”

For Lawrence, it “felt like a ‘Hunger Games’ story” but also something unique, “with new thematic foundations.”

“Instead of a girls’ survival story, it was a young man’s descent into darkness,” Lawrence said. “It’s an origin story about a major character and also the series itself.”

As with the first film, Lawrence and Jacobson wanted to find fresh young talents to lead the franchise – not a TikTok star or someone already famous in another part of the world – and surround them with veteran actors. In this case, those established names would include Viola Davis, Peter Dinklage and Jason Schwartzman.

They found their young Snow, played in the original films by Donald Sutherland, via taped submission. The English actor Tom Blyth entered the running rather late and quickly became the frontrunner, beating out hundreds for the role.

“He just blew everybody out of the water,” Lawrence said. “He has a charisma, he has the right physical attributes. He’s Juilliard trained. He really knows his craft. He was going to be able to give us all the emotional values we need for the character’s journey. And he felt like a star.”

For Lucy Gray Baird, the District 12 tribute Snow is assigned to mentor for the 10th Hunger Games, Lawrence already had someone in mind. Like many film fans, he was transfixed by Rachel Zegler ’s film debut as Maria in Steven Spielberg’s “West Side Story” and persuaded her to co-star. It wasn’t a hard sell: “The Hunger Games” were already a big part of Zegler’s life having grown up with the books and the movies, which she and her mom and sister made events out of.

“As somebody who loves to call herself a fan first before anything else, the greatest gift you can get is more to the story,” Zegler said. “Rather than seeing it as a pressure cooker just waiting to explode, I see it as a really big blessing.”

Blyth, in his first starring role in Hollywood, felt some pressure. But he found comfort in the material they were working with.

“We’re lucky to be adapting a book that’s really good,” Blyth said. “Suzanne writes these big thinking pieces that are approachable for teenagers and younger people, which I think is a genuinely honorable feat — someone who wants to try and bring bigger ideas to young people while also entertaining them.”

Filming took place largely in Germany. The production looked to reconstruction-era Berlin for aesthetic and thematic inspiration for this post-war capitol that’s rebuilding and on tenuous political ground. And Trish Summerville was also brought back to design the ornate costumes, which include some Easter eggs for fans hidden in Lucy’s hand-painted corset.

“There’s this spectacle to the whole world,” Blyth said. “The whole thing is about spectacle. It’s about being distracted by beautiful things while everything else is going on.”

But even while creating a new world, the filmmakers were disciplined about the budget. Instead of resting on laurels and precedent – “Mockingjay Part 2” had a $160 million price tag – they kept theirs to a reported $100 million.

“We were very mindful that this was not a sequel but a prequel with a new cast,” Jacobson said. “We wanted to make sure that we were making this movie at a price that that made sense.”

It’s easy to forget that not everyone in Hollywood thought that they had a blockbuster in their hands at the beginning. Back in 2009, when Jacobson and her production company ColorForce acquired the rights to adapt Collins’ YA series, there was widespread skepticism about young adult material and about the appeal of female-fronted action movies that weren’t primarily romances.

“In the original series, we were able to take a lot of risks and really challenge a lot of industry assumptions,” Jacobson said. “The most important thing in this go-around was to still take those risks and not be playing it safe — to still feel like we’re making something that’s a bit on the subversive side.”

With its moral ambiguity and complicated characters, Jacobson thinks it might even be the kind of movie that audiences want to discuss and debate afterward. In the past year, she added, a lot of young people have discovered the franchise on streaming who will hopefully join established fans at the theater for “The Ballad of Songbirds & Snakes.”

“I’m hopeful that it will be a shared cultural experience and a communal experience at a time when we don’t have too many of those,” Jacobson said. “When they do happen, as they have this year with movies as different as ‘Barbie’ and ‘Oppenheimer,’ it certainly shows that if you give people a worthwhile and original story with some bold storytelling and a filmmaker with a voice, that they will show up. And we hope to be part of that showing up.”



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".