Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
TT

Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)

In "Next Goal Wins," a soccer coach comes from far away to lead a hapless group of athletes. He's a fish-out-of-water type, ill-suited for the job, but rises to the occasion and everyone feels good at the end. Wait, you're thinking, that's the plot of "Ted Lasso." Well, only kind of.

Writer-director Taika Waititi — the manic, slightly unhinged mind behind "Thor: Love and Thunder" and "Jojo Rabbit" — offers a sports movie that's not, of course, a sports movie and the opposite of whatever Jason Sudeikis was doing on his TV series.

"Next Goal Wins" — "inspired by true events" — stars Michael Fassbender as a bitter Dutch-American soccer coach assigned to help the struggling American Samoa national team qualify for the 2014 FIFA World Cup. The team is an international laughing stock and still stinging from having been on the wrong side of the worst loss in international soccer history — a 31-0 thrashing by Australia in 2001.

Waititi and co-writer Iain Morris based their movie on a 2014 British documentary of the same name and you can instantly tell why Waititi gravitated toward the story. It has a clash of civilizations, explores overcoming loss and it has a beautiful lesson about embracing those who are different.

In Waititi's hands, it becomes a sloppy, quirky, pop culture-studded frothy comedy that gently apes other underdog sports movies but doesn't offer much but a mildly funny respite from reality. It makes "Bend it like Beckham" seem really deep.

Waititi himself — he couldn't resist stepping into his own film — frames the movie in the first minutes by playing a priest on American Samoa who promises this will not be a tale of woe but "a tale of woah!" (Shakespeare isn't laughing).

Fassbender here is the opposite of Lasso — he's broken inside, angry outside, egotistical and unyielding, a coach fired from his last three teams and given a career lifeline no one else wants. He has no home-spun wisdom to offer, just routine high school bullying. "Something’s not right about that guy," says one islander. "Well," comes the response. "He is white."

The coach will eventually be redeemed by American Samoa itself, by the nobility of its people and the goodness of their souls, with the movie getting dangerously close to worn out movie cliche territory.

The script had an opportunity to really examine the demand of winning at all costs versus the rewards of merely having fun and having a passion for sports but abandons any lessons in a flurry of team-building montages.

This being a Waititi movie, there's a scattershot of pop culture references — "Karate Kid," "Taken," "The Matrix," "Any Given Sunday" and even Frank Sinatra ("You’re riding high in April, shot down in May"). At times, these seem more like the director's idiosyncrasies than plot advancers.

The script also takes a weird sort of glee mocking the islanders, who are portrayed sometimes as playing dress-up. One sits at a desk with a keyboard and a monitor but no computer and another makes siren noises with his mouth in a police car because of faulty equipment.

There are really nice turns by Oscar Kightley, Will Arnett and Elisabeth Moss, but it's Fassbender who must do the bulk of the lifting here. His accent is spotty and he may initially not have been on the top of everyone's list for the part but he sticks the landing, to mix sports metaphors. "Next Goal Wins" isn't a tale of "woe" or "woah!" but "meh."



Labubu Creators Hope for Monster Film Hit in Sony Co-production

FILE PHOTO: Toys are displayed at at Pop Mart's Skullpanda pop-up shop in Manhattan, in New York City, US, December 12, 2025. REUTERS/Mike Segar/File Photo
FILE PHOTO: Toys are displayed at at Pop Mart's Skullpanda pop-up shop in Manhattan, in New York City, US, December 12, 2025. REUTERS/Mike Segar/File Photo
TT

Labubu Creators Hope for Monster Film Hit in Sony Co-production

FILE PHOTO: Toys are displayed at at Pop Mart's Skullpanda pop-up shop in Manhattan, in New York City, US, December 12, 2025. REUTERS/Mike Segar/File Photo
FILE PHOTO: Toys are displayed at at Pop Mart's Skullpanda pop-up shop in Manhattan, in New York City, US, December 12, 2025. REUTERS/Mike Segar/File Photo

China's snaggle-toothed Labubu dolls will soon come alive on the big screen after flying off the toy shelves, with maker Pop Mart announcing a collaboration with Sony Pictures.

The movie, which is still in early development, will feature the fanged plushie monsters in a "live-action and CGI hybrid", Beijing-based Pop Mart said on Thursday.

Created in 2015 by Hong Kong artist Kasing Lung, Labubus sparked a craze nine years later, with the "ugly-cute" charms adorning the handbags of celebrities such as Rihanna and Dua Lipa and sparking massive queues at Pop Mart stores around the world.

Vivian Jia, a Canadian tourist visiting Pop Mart's flagship Shanghai flagship store, said she was looking forward to watching the Labubu movie with her children.

"I think they're so cute, especially the ones with the eyes that move... my friends' kids all like (Labubus) too," she told AFP.

Jia said she spent more than 400 yuan ($58) on a Labubu figure, which she said she planned to display in her living room in Vancouver.

The new film project, unveiled by Lung and director Paul King ("Wonka" and "Paddington") in Paris on Thursday, will seek to capitalize on the dolls' viral fame by bringing "Labubu's whimsical world to the big screen", Pop Mart said.

The collectable dolls, which typically sell for around $40, are released in limited quantities and sold in "blind boxes", meaning buyers do not know the exact model they will receive.

Some of the less common Labubu figures can fetch thousands of dollars.

Pop Mart sold more than 100 million Labubu dolls worldwide last year, with Chinese officials hailing the toothy characters' popularity as evidence of China's growing cultural and soft power.

They have become furry ambassadors for a "cool" China, even in places such as Europe and North America, where public opinion towards Beijing has not always been positive.

Camilla Pinheiro, a Brazilian Pop Mart fan who bought several dolls at the Shanghai store, said she would prefer a movie franchise about some of Pop Mart's less well-known toy lines, such as the punk-inspired Peach Riot figures.

"The whole (Labubu) fever, it was kind of intense... by the time they finish the movie, it will be so saturated," Pinheiro said.

King will share scriptwriting duties with Tony Award-winner Steven Levenson.

"The collaboration between Pop Mart and Sony Pictures marks a significant milestone," Pop Mart said, which promises "a unique cinematic experience with creative storytelling, artistic vision and enduring global appeal".

The company now has more than 600 stores in over 30 countries and regions.

A release date for the film has not yet been announced.


Tina Turner’s Name, Image, Likeness and Most Music Catalog Rights Acquired by Pophouse

Tina Turner is shown during an interview in New York on Sept. 14, 1984. (AP)
Tina Turner is shown during an interview in New York on Sept. 14, 1984. (AP)
TT

Tina Turner’s Name, Image, Likeness and Most Music Catalog Rights Acquired by Pophouse

Tina Turner is shown during an interview in New York on Sept. 14, 1984. (AP)
Tina Turner is shown during an interview in New York on Sept. 14, 1984. (AP)

Pophouse Entertainment has acquired Tina Turner’s name, image and likeness rights as well as the majority share of her music catalog rights from music company BMG, it announced Thursday.

The Swedish company, co-founded by ABBA’s Björn Ulvaeus, is known for their digital avatars and immersive experiences.

Pophouse CEO Jessica Koravos would not disclose the deal's financial details or describe the company's plans for the Turner acquisition but told The Associated Press “that one of the reasons that we were so interested in Tina is because she has such an incredible visual presence and such an incredible stage energy. And so, we’re very much looking at projects that can portray that and try to recreate that to some degree.”

“What we want to do is really help to consolidate her legacy,” she added. “I think that Tina Turner is up there, or is going to be up there, with the Elvises and the Marilyn Monroes of the world.”

Koravos would not confirm if a digital avatar is on the way. She did say Pophouse will announce plans in the next six months.

Turner, known as the “Queen of Rock ’n’ Roll” for her chart-topping hits such as “What’s Love Got to Do With It,” “The Best” and “Proud Mary,” died in 2023 at 83. Across her multidecade career, Turner won 12 Grammy Awards — including a Lifetime Achievement Award — was inducted into the Rock & Roll Hall of Fame in 1991 and 2021, was honored at the Kennedy Center in 2005 and sold over 150 million records worldwide.

Conversations for the Pophouse deal began after her death. Koravos told the AP that BMG still holds a percentage of her catalog. She said Turner's estate was not involved “as a counterparty but certainly involved and in the sense of informed and participating in the conversations.”

“Tina Turner’s voice and spirit shaped modern music and popular culture,” Alistair Norbury, president of BMG UK, Continental Europe and APAC, wrote in a statement. “Our responsibility, alongside Pophouse and the Estate, is to ensure her work continues to resonate with audiences around the world, while remaining true to the strength, independence and originality that defined her career.”

One of many musical investments Pophouse has been making investments outside of Sweden as of late. In 2024, hard rock quartet Kiss sold their catalog, brand name and intellectual property to Pophouse in a deal estimated to be over $300 million. Previously, the band partnered with Pophouse to develop digitized avatars of themselves, which they revealed onstage at the final night of their 2023 farewell tour.

The cutting-edge technology was created by George Lucas’ special-effects company, Industrial Light & Magic, in partnership with Pophouse. The same companies teamed up for the “ABBA Voyage” show in London, where fans could attend a full concert by the Swedish band in their heyday, as performed by their own digital avatars.

Also in 2024, Cyndi Lauper entered a partnership with Pophouse, which included the sale of the majority share of her music.

“Most suits, when you tell them an idea, their eyes glaze over, they just want your greatest hits,” Lauper told the AP at Pophouse's Stockholm headquarters at the time. “But these guys are a multimedia company, they’re not looking to just buy my catalog, they want to make something new.”

“I think what interests artists, and the estates of artists in some cases, is that there aren’t very many people who are talking to them about what they want to achieve, creatively, around their body of work,” Koravos says. “So I think that is interesting to people, it's interesting to artists, who have got creative projects in their heads that they would like some support realizing. And those are the people we’re interested in talking to.”

“We’re not trying to be a major (label),” she adds. “It’s not a volume game for us. We want to acquire 10 or 12 really unique properties that have even more unique projects attached to them.”


Director Plans to Put Val Kilmer Back on Screen Thanks to AI

A director says Val Kilmer authorized using AI to have him 'act' in a movie after his death. JIM WATSON / AFP
A director says Val Kilmer authorized using AI to have him 'act' in a movie after his death. JIM WATSON / AFP
TT

Director Plans to Put Val Kilmer Back on Screen Thanks to AI

A director says Val Kilmer authorized using AI to have him 'act' in a movie after his death. JIM WATSON / AFP
A director says Val Kilmer authorized using AI to have him 'act' in a movie after his death. JIM WATSON / AFP

The late American film star Val Kilmer could soon be "acting" on the big screen again after allowing a director to use AI tools to produce his likeness for an upcoming film, media reports said Wednesday.

Coerte Voorhees had tapped Kilmer, who died of pneumonia last year after years of battling throat cancer, for "As Deep as the Grave," about the pioneering archaeologist Ann Morris, a co-discoverer of the Anasazi civilization.

Kilmer was to play a Catholic priest named Fintan, said AFP.

"He was the actor I wanted to play this role," Voorhees told industry magazine Variety. "It drew on his Native American heritage and his ties to and love of the Southwest."

He said Kilmer signed on to the project but later became too ill to begin filming.

"I was looking at a call sheet the other day, and we had him ready to shoot," Voorhees said. "He was just going through a really, really tough time medically, and he couldn't do it."

He said Kilmer's family had provided video images of Kilmer, who was known for keeping a vast archive of footage from various moments of his life, that would be used to build the AI actor.

The project will likely get a wary welcome from many in Hollywood, where actors, writers and others are worried that AI could replace an array of jobs.

AI was already used with Kilmer so he could again play one of his most iconic roles, the cocky pilot Iceman, in the 2022 sequel to the era-defining 1980s hit "Top Gun."

Kilmer, who played in big-budget successes and indie films throughout his career, was one of the late actors praised during the In Memoriam segment of the Oscars ceremony on Sunday.