Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
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Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)

In "Next Goal Wins," a soccer coach comes from far away to lead a hapless group of athletes. He's a fish-out-of-water type, ill-suited for the job, but rises to the occasion and everyone feels good at the end. Wait, you're thinking, that's the plot of "Ted Lasso." Well, only kind of.

Writer-director Taika Waititi — the manic, slightly unhinged mind behind "Thor: Love and Thunder" and "Jojo Rabbit" — offers a sports movie that's not, of course, a sports movie and the opposite of whatever Jason Sudeikis was doing on his TV series.

"Next Goal Wins" — "inspired by true events" — stars Michael Fassbender as a bitter Dutch-American soccer coach assigned to help the struggling American Samoa national team qualify for the 2014 FIFA World Cup. The team is an international laughing stock and still stinging from having been on the wrong side of the worst loss in international soccer history — a 31-0 thrashing by Australia in 2001.

Waititi and co-writer Iain Morris based their movie on a 2014 British documentary of the same name and you can instantly tell why Waititi gravitated toward the story. It has a clash of civilizations, explores overcoming loss and it has a beautiful lesson about embracing those who are different.

In Waititi's hands, it becomes a sloppy, quirky, pop culture-studded frothy comedy that gently apes other underdog sports movies but doesn't offer much but a mildly funny respite from reality. It makes "Bend it like Beckham" seem really deep.

Waititi himself — he couldn't resist stepping into his own film — frames the movie in the first minutes by playing a priest on American Samoa who promises this will not be a tale of woe but "a tale of woah!" (Shakespeare isn't laughing).

Fassbender here is the opposite of Lasso — he's broken inside, angry outside, egotistical and unyielding, a coach fired from his last three teams and given a career lifeline no one else wants. He has no home-spun wisdom to offer, just routine high school bullying. "Something’s not right about that guy," says one islander. "Well," comes the response. "He is white."

The coach will eventually be redeemed by American Samoa itself, by the nobility of its people and the goodness of their souls, with the movie getting dangerously close to worn out movie cliche territory.

The script had an opportunity to really examine the demand of winning at all costs versus the rewards of merely having fun and having a passion for sports but abandons any lessons in a flurry of team-building montages.

This being a Waititi movie, there's a scattershot of pop culture references — "Karate Kid," "Taken," "The Matrix," "Any Given Sunday" and even Frank Sinatra ("You’re riding high in April, shot down in May"). At times, these seem more like the director's idiosyncrasies than plot advancers.

The script also takes a weird sort of glee mocking the islanders, who are portrayed sometimes as playing dress-up. One sits at a desk with a keyboard and a monitor but no computer and another makes siren noises with his mouth in a police car because of faulty equipment.

There are really nice turns by Oscar Kightley, Will Arnett and Elisabeth Moss, but it's Fassbender who must do the bulk of the lifting here. His accent is spotty and he may initially not have been on the top of everyone's list for the part but he sticks the landing, to mix sports metaphors. "Next Goal Wins" isn't a tale of "woe" or "woah!" but "meh."



Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
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Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)

Kendrick Lamar gave music listeners an early holiday present Friday with the surprise drop of a new album.

The Grammy winner's 12-track “GNX” is his first release since 2022's “Mr. Morale & The Big Steppers” and his sixth studio album overall. It also comes just months after his rap battle with Drake.

Lamar first teased the album with a cover art and video snippet of “GNX,” which features multi-instrumentalist Jack Antonoff as a co-producer on every track except for “Peekaboo.” Other notable producers include Sounwave and DJ Mustard, who both contributed production on the hit “Not Like Us,” the ubiquitous diss track emanating from the Drake feud.

Lamar's former Top Dawg Entertainment labelmate SZA appears on a couple songs including “Gloria” and “Luther,” which also features sampled vocals from Luther Vandross and Cheryl Lynn through “If This World Were Mine."
On the opening track “Wacced Out Murals,” Lamar raps about cruising in his Buick GNX (Grand National Experimental) car with listening to Anita Baker. He brings up Snoop Dogg posting Drake's AI-assisted “Taylor Made Freestyle” diss track on social media and Nas congratulating Lamar for being selected to headline February's Apple Music Super Bowl Halftime Show in New Orleans.
Lamar also shows admiration for Lil Wayne, who expressed his hurt feelings after being passed over as the headliner in his hometown.
Lamar, 37, has experienced massive success since his debut album “good kid, m.A.A.d city” in 2012. Since then, he’s accumulated 17 Grammy wins and became the first non-classical, non-jazz musician to win a Pulitzer Prize for his 2017 album “DAMN.”
The surprise release caps a big year for Lamar, who was featured on the song “Like That” with Future and Metro Boomin — a track that spent three weeks at No. 1 on the Billboard Hot 100 this year.
Lamar is up for seven Grammys, fueled by “Not Like Us,” which earned nods for record and song of the year, rap song, music video as well as best rap performance. He has two simultaneous entries in the latter category, a career first: “Like That” is up for best rap performance and best rap song, too.