Matthew Perry’s ‘Friends’ Costars Reminiscence about Late Actor

A makeshift memorial for US actor Matthew Perry outside the building shown in exterior shots of the television show 'Friends', in New York, USA, 30 October 2023 (Issued on 31 October 2023). (EPA)
A makeshift memorial for US actor Matthew Perry outside the building shown in exterior shots of the television show 'Friends', in New York, USA, 30 October 2023 (Issued on 31 October 2023). (EPA)
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Matthew Perry’s ‘Friends’ Costars Reminiscence about Late Actor

A makeshift memorial for US actor Matthew Perry outside the building shown in exterior shots of the television show 'Friends', in New York, USA, 30 October 2023 (Issued on 31 October 2023). (EPA)
A makeshift memorial for US actor Matthew Perry outside the building shown in exterior shots of the television show 'Friends', in New York, USA, 30 October 2023 (Issued on 31 October 2023). (EPA)

Matthew Perry’s "Friends" co-stars are sharing more remembrances of the star in their first personal social media posts since the actor’s death last month.

Jennifer Aniston, Courteney Cox, Matt LeBlanc and David Schwimmer posted heartfelt notes about Perry, who died Oct. 28, on Instagram. The posts on Tuesday and Wednesday were accompanied by photos from the "Friends" set.

"In the last couple weeks, I’ve been pouring over our texts to one another. Laughing and crying then laughing again," Aniston posted Wednesday, sharing a text message where Perry sent her photo of a script reading session where Perry made her laugh.

"Oh boy this one has cut deep... Having to say goodbye to our Matty has been an insane wave of emotions that I’ve never experienced before," Aniston’s post read.

The stars, including Lisa Kudrow, issued a joint statement a few days after Perry's death, saying they were "all so utterly devastated by the loss of Matthew. We were more than just cast mates. We are a family."

Schwimmer posted a photo of him and Perry dressed up as "Miami Vice" characters, calling it "one of my favorite moments with you."

"Now it makes me smile and grieve at the same time," Schwimmer’s post said.

LeBlanc posted Tuesday: "It was an honor to share the stage with you and to call you my friend. I will always smile when I think of you and I’ll never forget you. Never." His post included one candid shot of the cast all hugging on set.

Perry was found dead last month at his Los Angeles home. After an initial investigation, the Los Angeles County coroner deferred giving a cause of death, which may take weeks to determine.

Cox shared a video clip of a "Friends" scene where her and Perry's characters are in bed, trying not to have their relationship discovered. It’s an iconic moment of the show, and Cox shared a bit of backstory about filming.

"In this scene, before we started rolling, he whispered a funny line for me to say," Cox posted. "He often did things like that. He was funny and he was kind."

"I am so grateful for every moment I had with you Matty and I miss you every day," she wrote.

Most of the posts reference how sweet, funny and thoughtful Perry was.

LeBlanc ended his note with a bit of comedy, writing: "Spread your wings and fly brother you’re finally free. Much love. And I guess you’re keeping the 20 bucks you owe me."



China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
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China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)

Chinese director Jia Zhangke's ambitious latest, which utilizes footage shot across two decades, offered a peek into the evolving nature of cinema as it unspooled at this year's Busan International Film Festival.

"Caught by the Tides" combines a story of elusive love with a panoramic portrayal of recent Chinese history using everything from low-resolution digital camera footage to a scene enhanced with cutting-edge AI technology.

And while it explores the meaning of the past, the film's creation emphasized innovation.

Jia assembled and recontextualized footage shot over more than 20 years, including unused scenes from previous films, newly filmed sequences, and random images he captured during his travels -- blending documentary and fiction.

The result, with a format reminiscent of Richard Linklater's 2014 film "Boyhood", creates a vivid record of time passing, particularly through lead actress Zhao Tao, Jia's long-time collaborator and wife in real life.

As she goes on a fruitless search for a lost love, audiences witness her age before their eyes.

The film also uses images related to key events that have shaped contemporary China, such as the successful bid for the 2008 Olympics and the construction of the Three Gorges Dam, which resulted in often overlooked suffering for those displaced by the project.

"After Covid, I felt that one era had ended and a new one was emerging," Jia told reporters in Busan when asked what motivated him to create "Caught by the Tides".

"With the rapid advancements in technology, including science, the Internet, and AI, people's lifestyles have also shifted. I realized that during this period of change, it was important to process the (accumulated) footage I had previously filmed."

Actress Zhao described the film as a "truly precious gift."

"It has allowed me to document my 20s, 30s, and 40s through the medium of film, while also expressing the lives and struggles of many women through the character," she told reporters.

The film played over the weekend as part of BIFF's gala presentation section.

- Covid, cinema and AI -

Jia's feature debut, "Xiao Wu", earned the director BIFF's New Current Award for emerging filmmakers in 1998, when he was just 28.

"It's not an exaggeration to say that my life as a filmmaker started in Busan," Jia said, adding he had missed the South Korean port city since his last visit.

He has since won the top prize at the Venice Film Festival for "Still Life" (2006), among other prestigious awards, establishing himself as one of the most important Chinese filmmakers of his generation.

"Jia stood out as someone who is obviously talented. He was, above all else, original," Kim Dong-ho, the 87-year-old BIFF founder, told AFP of the Chinese filmmaker's younger years.

Now 54, Jia has brought his latest film to Busan at a pivotal moment of change for the festival.

BIFF's opening night featured a streaming title for the first time in its history, and it hosted a day-long conference just on the theme of AI in content production.

At the festival's main venue, giant posters of Netflix's latest streaming projects underlined the shift -- including its opening film "Uprising," positioned next to a festival gift store that ironically proclaimed: "Theater is Not Dead."

Jia's film, by its end, reflects and evokes these changes and what may lie ahead, showing its characters queuing for PCR tests and wearing masks during the Covid pandemic, an era that contributed to the rise of streaming platforms worldwide.

One scene was modified using AI technology, changing the film that the protagonist watches to create a stronger link to an element introduced later in the story -- robots.

When reflecting on his some 26 years in film, Jia said: "It feels like I've been drifting in an endless ocean."

But "completing each film made me feel like I stood tall, having overcome the waves."