Hong Kong’s Disneyland Opens 1st Frozen-Themed Attraction 

Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
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Hong Kong’s Disneyland Opens 1st Frozen-Themed Attraction 

Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)

Hong Kong Disneyland opened its first Frozen-themed attraction on Monday, with thousands of eager visitors turning up to experience the new rides, some lining up for hours to get an early start.

Based on Disney’s wildly popular Frozen animation film, the new section of the park features landscapes and characters from the movie and two new rides, a roller coaster and a boat ride that takes visitors through different scenes featured in the film.

“Over the past decade, the film has grown into one of the most successful franchises in Disney history,” said Josh D’Amaro, chairman of Disney Experiences. “World of Frozen represents Hong Kong Disneyland’s largest and boldest expansion since the park opened in 2005.”

The opening comes after Disney announced in September a $60 billion expansion of its parks and cruises over about a decade. Now that Chinese tourists are venturing abroad again after the pandemic, the new attraction is meant to be a game changer for a theme park that has run losses for years.

Some of the hundreds of Disney fans who lined up hours ahead of time were dressed like characters from Frozen.

Disney enthusiast Bryan Darmanic, who had travelled from California with his wife and daughter, were among the first visitors to the Frozen-themed roller coaster and received limited edition souvenirs to commemorate the experience.

“The World of Frozen is really well-designed and beautiful,” said Darmanic, whose family was making its first visit to the Hong Kong theme park.

Winnie Ip, a tourist from Macao, said she arrived at 9 a.m. in the morning ahead of the opening of the Frozen section.

The Frozen attractions were “magnificent,” Ip said.

Hong Kong has been beefing up the park to try and draw more visitors. In June 2022, it debuted its Momentous multimedia and fireworks show, which is staged at its castle on most nights.

Elsewhere, Disney plans to launch a Zootopia-themed area at its Shanghai Disneyland in December, a Fantasy Springs port at Tokyo DisneySea next spring and a Frozen-themed Kingdom of Arendelle at Disneyland Paris, slated to open in either 2024 or 2025.



Movie Review: Coon, Olsen and Lyonne Await a Father’s Death in ‘His Three Daughters’ 

This image released by Netflix shows, from left, Elizabeth Olsen, Carrie Coon and Natasha Lyonne in a scene from "His Three Daughters." (Netflix via AP)
This image released by Netflix shows, from left, Elizabeth Olsen, Carrie Coon and Natasha Lyonne in a scene from "His Three Daughters." (Netflix via AP)
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Movie Review: Coon, Olsen and Lyonne Await a Father’s Death in ‘His Three Daughters’ 

This image released by Netflix shows, from left, Elizabeth Olsen, Carrie Coon and Natasha Lyonne in a scene from "His Three Daughters." (Netflix via AP)
This image released by Netflix shows, from left, Elizabeth Olsen, Carrie Coon and Natasha Lyonne in a scene from "His Three Daughters." (Netflix via AP)

Death isn’t like it is in the movies, a character explains in “His Three Daughters.” Elizabeth Olsen’s Christina is telling her sisters, Katie (Carrie Coon) and Rachel (Natasha Lyonne), a story about their father, who became particularly agitated one evening while watching a movie on television in the aftermath of his wife’s passing.

It’s not exactly a fun memory, or present, for any of them. This is, after all, also a movie about death.

The three women have gathered in their father’s small New York apartment for his final days. He’s barely conscious, confined to a room that they take shifts monitoring as they wait out this agonizingly unspecific clock. But even absent the stresses of hospice, tensions would be high for Christina, Katie and Rachel, estranged and almost strangers who are about to lose the one thread still binding them. Taken together, it’s a pressure cooker and a wonderful showcase for three talented actors.

Writer-director Azazel Jacobs has scripted and filmed “His Three Daughters,” streaming Friday on Netflix, like a play. The dialogue often sounds more scripted than conversational (except for Lyonne, who makes everything sound her own); the locations are confined essentially to a handful of rooms in the apartment, with the communal courtyard providing the tiniest bit of breathing room.

Jacobs drops the audience into the middle of things, dolling out background and information slowly and purposefully. Coon’s Katie gets the first word, a monologue really, about the state of things as she sees it and how this is going to work. She’s the eldest, a type-A ball of anxiety, the mother of a difficult teenage daughter and the type of person who can barely conceal either disappointment or deep resentment.

Katie also lives in Brooklyn, not far from her father, but rarely ever visited. Caretaking duties were left to Lyonne’s Rachel, an unemployed stoner who never left home, likes to bet on football games and is poised to inherit the apartment – to the not-so-subtle resentment of her sisters. The youngest is Christina, a head-in-the-clouds, conflict averse yogi and Grateful Dead follower who lives across the country and has had to leave her 3-year-old for the first time.

Jacobs is unafraid of allowing both drama and humor to coexist, to seep into moments unexpectedly. There is an undeniable absurdity to the act of writing an obituary for a loved one in a fraught time like hospice that actually captures a life and a person and doesn’t sound like a laundry list of biographical facts and positive attributes. Add to that the fact that Katie is also frantically trying to get a medical professional to the apartment to witness a DNR order. The women are torn in premature grief, wanting him to stay alive but also go quickly.

They’re all richly drawn and perfectly mysterious too, even to themselves; Jacobs is too smart and attuned to how humans are to give anyone a simple, straightforward explanation. Everyone is making assumptions about others — many of them are wrong, or, at the very least misguided. Coon, with her booming, theatrical voice, is particularly suited playing this slightly terrifying, massively judgmental perfectionist. Lyonne, so good at cool deflection, gets to use that otherworldliness to hit a different kind of note: quiet heartbreak. And Olsen, playing a character, really shines in her non-verbal choices: A reaction, a moment alone that she doesn’t know is being observed. It won’t be surprising if any or all get some recognition this awards season (unfortunately in a system that is uniquely ill-equipped to fete small ensembles with three leads).

There are some movies that die quiet deaths on streaming-first (this did receive a bit of a theatrical run), but “His Three Daughters” is one that seems right on Netflix just for its ability to reach a larger audience than it would stand a chance to at the multiplex. It’s never not riveting watching it all unfold, even with the temptation of the phone nearby. Whether you make it a solo viewing experience or a group one might have everything to do with your own relationship with family members.

And to that initial indictment about movies not getting death right? It’s still probably true. But movies like “His Three Daughters” might help us all make a little bit more sense of the inevitable.