‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
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‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)

“Get Ready with Me” — to go on a date, go to work or ... get fired?

“Get Ready with Me” videos are everywhere these days, and they’re as straightforward as the name suggests. Social media users, often influencers, invite viewers to watch them get ready to do something or go somewhere. And embedded in the storyline are the skin care, the makeup, the hairdo and all the glam that goes into looking hot — and, of course, the personal stories about life or love that arrest your attention.

GRWM videos, as they’re also known, are part of a trend of “with me” content that has gained popularity over the past decade. Think “Clean with Me” videos where users watch people clean their homes for inspiration or pleasure. Or hours-long “Study with Me” videos for students who want buddies for intense cramming sessions but don’t have any friends nearby.

More than a decade after debuting on YouTube in the days when creator content was still relatively new, “Get Ready with Me” videos and their personal sensibilities have inundated social media thanks to a shorter iteration of the genre, which seems to have lent them a more personal and even revelatory tone.

“For creators, this is a vehicle for storytelling,” says Earnest Pettie, a trends insight lead at YouTube. “It becomes an excuse to share something about your life.”

People are watching by the billion

The videos have made everyday tasks a core staple of our online diets on platforms like YouTube by drawing in viewers who find it either informative, communal, or both.

Consumers, for the most part, seem to be really into it. In a report released in August, YouTube said there were more than 6 billion views of videos titled with variations of “grwm” at that point in the year. On TikTok, videos with the hashtag “grwm” have been viewed more than 157 billion times.

Celebrities and “it girls” have hopped on the bandwagon, often to promote their brands or as part of Vogue’s “Beauty Secrets” series, which draws from the trend. In April, model Sofia Richie Grainge joined TikTok and posted a series of Get Ready with Me videos to offer fans an inside look into her wedding.

In the initial years of the genre, Pettie says, people would simply put on makeup in front of the camera. Soon after, the videos evolved to what is seen today — content creators getting glammed up while talking to their followers about whatever’s on their minds.

It experienced another revival in recent years with the popularity of short-form video, TikTok’s bread-and-butter — which was cloned by YouTube and Instagram in the form of Shorts and Reels, respectively.

The genre is being adopted by up-and-coming creators who might be uncomfortable sharing a story in a video without doing anything else, says Nicla Bartoli, the vice president of sales at Influencer Marketing Factory. Adding activities has the tendency to make content feel less heavy and more inviting, especially to viewers who’ve never come across the creator but are interested in what they’re doing.

Because users also tend to scroll quickly on TikTok, creators must capture a viewer’s attention right away before they move on to the next thing on their “For You” page. More engagement means more popularity, which typically leads to partnerships with companies eager to pay influencers through brand deals or other means.

“The level of compelling stories has been increasing a lot,” says Bartoli, whose company connects influencers with brands who want to partner with them to promote products. “It can be because it’s more crowded. You need to step up the game, so to speak.”

Get ready for emerging personalities

One of the most-known influencers in this arena is 22-year-old Alix Earle, who shares her experiences with struggles like acne, an eating disorder and panic attacks as well as lighthearted episodes about nights out with friends. She has nearly 6 million followers on TikTok.

Alisha Rei, 18, who lives in Toronto and models, says she wants to create viral social media content to help her build her following and, in turn, her modeling career. She says her friends told her to make Get Ready with Me videos because they tend to be popular.

Because of modeling events, Rei says she’d missed some shifts at her part-time job working at a mall shoe store. So she decided to make a “get ready with me to get fired” video while doing her makeup before she went back for another shift. The video was tagged #pleasedontbelikeme.

In an interview, Rei, a college freshman, says she received a warning from her manager but didn’t get fired.

Often, behind the “getting ready” content lurk other, more commercial messages.

Bartoli notes that many of the confessional videos do more than they might first appear: They can provide more engagement from users who want to receive updates on a story that’s being shared or know more about the products creators are using. That can make the videos good for product placements and encourage brand partnerships, which, according to Goldman Sachs, is the largest source of income for creators.

The investment bank said in a report earlier this year that the creator economy is worth $250 billion today and could roughly double in size by 2027.

Allie Pribula, a 25-year-old TikToker who used to be an elementary school teacher in the Philadelphia suburbs, says she started making GRWM videos as a way to process her feelings about her old job. Pribula says some companies have since reached out to her to offer gifts and have paid her to market products on her page. She says she considers it a “side hustle.”

Camilla Ramirez Diaz, a 25-year-old optician who lives in Burlingame, California, recently bought a freckle pen that was featured on GRWM videos she watches at night to wind down her day. Diaz prefers to watch them more on TikTok, where she says the content can be a bit more personal. She cites a video she recently came across from an influencer who was getting ready while stranded in London due to an expired passport.

“It's almost like you’re watching your friend on FaceTime with you,” Diaz says. “I could sit there all day and watch Get Ready with Me videos from different creators. They’re just a mix of everything.”



Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo
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Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo

Two concerts by ‌US rapper Kanye West in Russia that had been scheduled for October have been cancelled, the show's organizer, Say Agency, said.

West, who is also known as Ye, had been due to perform in St Petersburg. However, a week after the concerts were announced in mid-August, the venue due to host them said it had never signed a contract with the organizers, a separate Moscow-based company.

The ‌shows had ‌remained in limbo ever since, ‌with ⁠organizers providing no clear ⁠confirmation of whether they would go ahead.

"Friends, it is with sincere regret that we inform you that the YE concerts in St. Petersburg will not be able to take place on the scheduled dates. We will issue an official ⁠statement regarding the status of the project ‌and our future plans ‌in the near future," Say Agency posted on Telegram ‌on Wednesday.

West has faced concert cancellations and ‌performance bans in several European countries this year following a series of past antisemitic remarks, including praise for Adolf Hitler, and the use of Nazi imagery.

In January West ‌apologized for the remarks, which he attributed to an undiagnosed brain injury and ⁠untreated bipolar disorder.

Had ⁠the concerts gone ahead, West would have become one of the biggest international music stars to visit Russia since Moscow launched its full-scale war against Ukraine in 2022.

The planned gigs had drawn criticism from some Russian pro-war military bloggers, who questioned the appropriateness of hosting a US performer while Washington continues to provide military and financial support to Ukraine.

Russian Foreign Ministry spokeswoman Maria Zakharova criticized the planned shows, calling them unacceptable and citing what she described as the West's "glorification" of Hitler.


Kenneth Branagh Examines the Scars of Iraq War in 'Atonement'

Kenneth Branagh, Hiam Abbass and Boyd Holbrook star in 'Atonement', which examines the long tail of conflict. Rodin Eckenroth / GETTY IMAGES NORTH AMERICA/AFP
Kenneth Branagh, Hiam Abbass and Boyd Holbrook star in 'Atonement', which examines the long tail of conflict. Rodin Eckenroth / GETTY IMAGES NORTH AMERICA/AFP
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Kenneth Branagh Examines the Scars of Iraq War in 'Atonement'

Kenneth Branagh, Hiam Abbass and Boyd Holbrook star in 'Atonement', which examines the long tail of conflict. Rodin Eckenroth / GETTY IMAGES NORTH AMERICA/AFP
Kenneth Branagh, Hiam Abbass and Boyd Holbrook star in 'Atonement', which examines the long tail of conflict. Rodin Eckenroth / GETTY IMAGES NORTH AMERICA/AFP

Screenwriter Reed Van Dyk was leafing through a magazine one day in 2012 when he came across an article about the human cost of war that stopped him in his tracks.

He knew that one day he would have to bring it to the screen, but he did not feel he had the leverage in Hollywood to tackle such a weighty issue.

"I wasn't in a position to make a film about this back then," he told AFP.

That all changed after his short film "DeKalb Elementary" won critical acclaim and earned an Oscar nomination in 2018, so he went back to the New Yorker article and began work on "Atonement," which goes on limited release on Friday.

The film, based on the magazine piece, begins in 2003, when the lives of an Iraqi family and a war veteran became tragically intertwined in a Baghdad under fire.

Mariam Khachaturian, played by Hiam Abbass, and her family are trying to reach their home when their two vehicles are fired on by a Marine unit that believed it was under threat.

Three passengers die in the shooting, including Mariam's husband.

Eventually, the widow tries to leave the war behind by moving to the United States with her daughter.

Marine Lou D'Alessandro (Boyd Holbrook) also wants to move on, but the consequences of what he was involved in continue to haunt him.

The only way he feels he might be able to exorcise his demons is to seek out Mariam.

"I was so touched by this piece of writing and the story and all these characters and the way that their lives had intersected very tragically, and then by some miracle, they all intersect again a decade later," Van Dyk said.

In the movie, Lou and Mariam sit face-to-face in California, brought together by the efforts of Michael Reid (Kenneth Branagh), a journalist who had interviewed both of them about the war.

"I was very drawn to the idea of that complexity, and very drawn to the idea of being this witness at this remarkable meeting over years with two people trying to process the enormous pain and loss of very different kinds," Branagh told AFP on the sidelines of the Toronto International Film Festival.

"And then the really compelling drama of this immensely difficult thing, meeting again to feel, discuss, forget, forgive," said the British actor, whose character is inspired by journalist Dexter Filkins, author of the original article.

- 'A new context' -

"Atonement" arrives in US theaters days after the US formally ended its decades-long mission in Iraq, but with the country again at war -- this time with Iran.

"I was pulled to write about and explore these trio of people, and so that was in spite of the fact that you know it wasn't a story that headlines were echoing at the time of my writing," Van Dyk said.

But "as we're making the film, the world has sort of backslid into war everywhere. So it brings a new context to all of our work."

For Holbrook ("Narcos"), portraying the tormented Lou was "a fantastic experience," but also an intimidating one.

"The preparation for a film like this is everything, and for me it was life altering," he told AFP.

"It was something that I had to really find and discover in myself, the empathy and the courage that [his character] Lou had."

Abbass ("Blade Runner 2049" and "Succession") said she had wanted desperately to do justice to Mariam.

"I wanted to take her place and shout out my feelings and my anger towards why this should happen," she said.

"Why on Earth we keep going all the time, causing these pains to people, whoever they are, whatever they are, whatever nationality they come from, whatever conflict we're talking about."


Paramount Gets Court Green Light on Warner Bros Deal, Names Mattel’s Kreiz Co-CEO

The Paramount Studio lot in Hollywood, Los Angeles, California, US, September 17, 2026. (Reuters)
The Paramount Studio lot in Hollywood, Los Angeles, California, US, September 17, 2026. (Reuters)
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Paramount Gets Court Green Light on Warner Bros Deal, Names Mattel’s Kreiz Co-CEO

The Paramount Studio lot in Hollywood, Los Angeles, California, US, September 17, 2026. (Reuters)
The Paramount Studio lot in Hollywood, Los Angeles, California, US, September 17, 2026. (Reuters)

A US judge entered an order on Wednesday allowing Paramount to close its $110 billion acquisition of Warner Bros, ending a months-long holdup, as the company named Mattel's Ynon Kreiz as co-CEO to help run the combined business.

US District Court Judge Araceli Martínez-Olguín approved a Sept. 21 settlement with a California-led group of 12 states that had sued to block one of the largest media mergers in history, saying it would create a media behemoth ‌capable of driving up ‌film and TV prices.

Under the settlement, the combined ‌company ⁠must release at least ⁠30 films a year in US theaters for five years and spend an extra $300 million a year on US production. Falling short of the film quota could force it to sell Miramax.

It must also negotiate basic cable deals separately for the two companies' channels and create a board of journalists to oversee CBS News and CNN.

Groups opposed to the merger objected strongly to the settlement, with some ⁠urging the court to reject it.

Martínez-Olguín called the deal ‌a "reasonable factual and legal resolution," saying objectors' ‌hopes for the decree "to reach farther – to achieve more – do not rise to the level ‌of legal violations" warranting rejection.

A spokesperson for the California Department of Justice ‌said the settlement "resolves our antitrust concerns..., protects competition and consumer choice, and centers the needs, concerns, and futures of California workers".

The companies said in a late Wednesday statement that the deal is expected to close on October 6.

The companies also settled a Writers Guild ‌of America antitrust lawsuit, agreeing to pay $17.5 million to the guild's health fund and maintain WGA staffing levels at CBS ⁠News for five ⁠years.

MATTEL'S KREIZ TO BECOME CO-CEO

Separately, Paramount said Mattel CEO Ynon Kreiz will join on October 5 and become co-CEO when the deal closes alongside chairman and CEO David Ellison, running day-to-day operations and integration.

Kreiz, Mattel's CEO since 2018, turned the toymaker's brands into films, TV shows and games, delivering "Barbie," Warner Bros' highest-grossing film ever.

The hire gives Ellison, whose background is on the creative side, a seasoned operator who steered Mattel through the pandemic and tariffs, as Paramount aims for more than $6 billion in savings from the merger.

Before Mattel, he spent much of his career in TV and digital media, co-founding Fox Kids Europe and running "Big Brother" producer Endemol.

He later ran YouTube network Maker Studios, which he sold to Disney in 2014.