Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
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Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo

Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance" defied the odds. Not accounting for inflation, it's the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the US and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters, The Associated Press reported.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director."
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift's $20.78, according to data firm EntTelligence.
Critics and audiences gave "Renaissance" glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift's.
Lionsgate's “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“Godzilla Minus One " is expected to take third place on the North American charts. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho's 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.



Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
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Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)

The Tony Awards for excellence in Broadway theater Sunday highlighted history with awards for a musical on the suffragette movement, a gritty remake of a book set in the 1960s and a tale of a 1970s rock band.

The ceremony took place for the first time at New York City's Lincoln Center with Tony-nominated and Oscar-winning actress Ariana DeBose hosting the awards ceremony for the third year in a row, after presiding over last year's writerless event with an elaborately choreographed dance number.

Shaina Taub won best score and best book of a musical for "Suffs," the story of the suffragette movement, featuring an all-woman cast.

"Stereophonic" took the Tony Awards for best play and best direction for Daniel Aukin. David Adjmi's play about a 70s-era rock band making an album, featuring original songs by Will Butler, formerly of Arcade Fire, broke the record for the most nominations for a play in Tonys history.

"Succession" star Jeremy Strong won best lead actor in a play for his role in the Henrik Ibsen play "Enemy of the People," and Daniel Radcliffe, best known for his starring role in the Harry Potter movie franchise, won best featured actor for "Merrily We Roll Along."

Will Brill beat out two other actors in his production, "Stereophonic," for best featured actor in a play. Kara Young, who is the first Black actor, male or female, to be nominated for a Tony three years in a row, won the award for best featured actress in a play for her role in "Purlie Victorious."

Justin Peck won the best choreography Tony for the dance musical "Illinoise," which brought Sufjan Steven’s 2005 concept album “Illinois” to the stage.

Danya Taymor won for direction of a musical an adaptation of S.E. Hinton's coming-of-age novel “The Outsiders,” upsetting favored “Merrily We Roll Along” actor Maria Friedman.

Dancers including DeBose, reviving her Oscar-winning role as Anita in Steven Spielberg’s film version of “West Side Story,” paid tribute to Broadway legend Chita Rivera, who died this in January at the age of 91.

During a pre-show event hosted by actors Julianne Hough and Utkarsh Ambudkar and streamed on the free platform Pluto TV, Tonys were awarded mostly in technical categories.