Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
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Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)

French electronic music pioneer Jean-Michel Jarre plans a mixed reality show “surrounded by all the elements of French digital savoir-faire”, at the famous Château de Versailles’ Hall of Mirrors, on December 25.

The event celebrates the 400th birthday of the Château de Versailles, which was the favorite hunting staycation of Louis XIII, and then became a symbol of absolute monarchy and an embodiment of classic art during the rule of Louis XIV, in 1623.

“The idea of the concert, which hosts spectators live and virtually on social media, is to surround oneself with the French digital savoir-faire as a tribute to the continuation of creativity,” Jarre told Agence France Press (AFP).

The electronic musician recalled that Versailles was a destination for “the dreamers who created automatons, the ancestors of robots, for example.”

According to Jarre, the concert is planned “in three modes at the same time.” First, the live concert at the Hall of Mirrors for the attending audience. Second, in virtual reality at a gallery reconstructed in collaboration with Vrroom, a French platform and studio specializing in designing immersive shows.

The virtual audience can access the concert on VR headsets, tablets and smartphones. The third mode is the live broadcast on the French TV channels, including (Groupe M6-W9), international TV channels, on radio (RTL) and other platforms.

During the concert, Jarre will be wearing a VR headset fashioned by Lynx, a French startup specializing in mixed reality. “It’s an exceptional headset that allows me to connect with the audience in the hall and on social media,” the musician explained.

The program includes some of his greatest hits, some of which were specially redistributed for this event.

The renowned musician, also known as JMJ, said that what he loves the most about VR is “the ability to invite the audience to live in their dreams.” He also promised to introduce a world that blends Tron, a famous sci-fi movie from the 1980s, with the works of Tim Burton inspired by magic and darkness. The show also recalls the “passing through mirrors” idea, inspired by Jean Cocteau’s Beauty and The Beast.

For his event, JMJ plans on using artificial intelligence for his virtual content. “In this case, when it comes to graphics, AI is the extension of my imagination. It’s a super-collaborator which I keep under control,” he explained.

Jarre, who was the president of the International Confederation of Societies of Authors and Composers (CISAC), acknowledged the AI-related concerns about property rights. A recent fake duo that used the voices of Drake and The Weeknd without their consent, stirred remarkable controversy.

“Every tech innovation has a tech response. When an algorithm is capable of doing something like this, we should develop another algorithm that determines the source of what we are using, like the share of The Weeknd, Gainsbourg or Jarre (laughing), to make sure rights are distributed fairly,” he says.

“We shouldn’t be afraid of regulations. Behind regulations, there is freedom. We invented the driving license that allows us to drive on roads,” he adds.

Jean-Michel Jarre, the immersive performance savvy, performed a VR concert on December 31, 2020. Sponsored by UNESCO and virtually held at the Notre Dame Cathedral, the event was free, accessible around the world and broadcasted on YouTube and Facebook.



Beyoncé's Performance Highlighted Netflix's NFL debut on Christmas Day

 32-time Grammy winner Beyoncé. (The AP/File Photo)
32-time Grammy winner Beyoncé. (The AP/File Photo)
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Beyoncé's Performance Highlighted Netflix's NFL debut on Christmas Day

 32-time Grammy winner Beyoncé. (The AP/File Photo)
32-time Grammy winner Beyoncé. (The AP/File Photo)

Beyoncé provided more excitement than either game during Netflix’s NFL debut on Christmas Day.

Riding into her halftime appearance on a white horse, the 32-time Grammy winner rocked her hometown Houston crowd with a nearly 13-minute performance on Wednesday.

She surprised fans by bringing along Shaboozey to perform “Sweet Honey Buckiin” and Post Malone joined her for “Levii's Jeans.”

The action on the field didn't live up to expectations as the NFL showcased four of the AFC's top five teams, The AP reported.

Patrick Mahomes and Travis Kelce exposed a glitch in Pittsburgh's defense during Kansas City's 29-10 rout in the first game.

The broadcast itself went off just fine, quickly becoming the second-most popular live title on Netflix to date, according to NFL Media.

Lamar Jackson and the Ravens led C.J. Stroud and the Texans to 17-2 at halftime before Beyoncé stole the show.

Mariah Carey opened Wednesday’s doubleheader with a taped performance of “All I Want for Christmas is You” and then the two-time defending Super Bowl champion Chiefs trounced the Steelers to clinch the No. 1 seed in the AFC.

There were no signs of any major streaming issues during the game after Netflix experienced minor blunders at the start of the pregame show. The broadcast opened with roughly 10 seconds of silence because it appeared studio host Kay Adams’ microphone wasn’t turned on.

Beyoncé's live performance at NRG Stadium was supposed to be the biggest test for the streaming giant and it seemed to go off without a hitch.

Mahomes threw for 320 yards and three touchdowns and Kelce had eight catches for 84 yards and one score as the Chiefs (15-1) earned a first-round bye and home-field advantage throughout the AFC playoffs. The Steelers (10-6) have lost three straight games and may have to settle for a wild-card spot instead of an AFC North title.

Netflix agreed to a three-year contract in May to broadcast Christmas Day games. The NFL is expected to give the streaming service one of its biggest days since the site launched in 1998.

Netflix’s 282.3 million subscribers in more than 190 countries could stream the games, marking the first time one outlet distributed an NFL game globally. Netflix had the games available in five languages — English, French, Spanish, Portuguese and German.

Netflix had problems streaming the Mike Tyson-Jake Paul fight on Nov. 14. The bout peaked at 65 million concurrent streams, including 38 million concurrent streams in the United States. According to the website Down Detector, nearly 85,000 viewers logged problems with outages or streaming leading up to and during the fight.

There were fewer complaints on Wednesday.

According to NFL Media, viewers in all 50 states tuned in within minutes of the pregame show going live and viewers from nearly 200 countries watched the first game. Before the Ravens-Texans kicked off, Netflix reported that it eclipsed its peak concurrent viewers of any Christmas in the past four years.

The NFL was playing its first games on a Wednesday since the Steelers and Ravens were forced to play on Dec. 2, 2020, because of the COVID-19 pandemic. The only other time the league played on a Wednesday since 1948 was in 2012 when the Giants and Cowboys met in the season opener.

Commercials Netflix promoted its own programming in addition to the usual slew of advertisements. The first teaser trailer for “Happy Gilmore 2” was released before kickoff. Adam Sandler is back as Happy Gilmore for the sports comedy that hits the streaming service in 2025. Travis Kelce also was featured in a trailer filled with cameos by celebrities, including Bad Bunny and Kid Cudi.

New Christmas tradition The NFL played its first games on Christmas Day in 1971 with a pair of divisional playoff games. The league avoided playing on Dec. 25 from 1972-88 and shifted its full slate of games to Saturday if Christmas fell on a Sunday. Since 1989, there have been 30 games on Christmas, never more than three on that day. But the NFL went out of its way to schedule two games on Wednesday to accommodate its $150 million deal with Netflix.

Broadcasting teams J.J. Watt, a three-time AP Defensive Player of the Year and brother of Steelers four-time All-Pro edge rusher T.J. Watt, and former NFL wide receiver Nate Burleson shared analyst duties for the Chiefs-Steelers game, with Ian Eagle on play-by-play.

“I’m extremely proud of him and also slightly concerned he’s getting close to a lot of my records,” J.J. Watt said of his younger brother at the start of the broadcast.

Noah Eagle, Ian’s son, was on play-by-play for the Ravens-Texans game, with former NFL tight end Greg Olsen in the analyst seat.

Not a first This wasn’t the first time NFL games aired exclusively on a streaming service. The league’s Thursday night games are in their third season on Amazon Prime Video, Peacock streamed the Packers-Eagles game in São Paulo, Brazil, in Week 1 and Prime Video will stream a wild-card game. Also, the “Sunday Ticket” package moved to YouTube TV last year.

The largest audience for a streamed-exclusive NFL game was 23 million on Peacock for last season’s AFC wild-card game between the Miami Dolphins and the Chiefs.