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Taylor Swift Makes Grammys History as Women Rule Music's Top Honors

epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER
epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER
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Taylor Swift Makes Grammys History as Women Rule Music's Top Honors

epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER
epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER

Pop superstar Taylor Swift set another record on Sunday, winning the Grammy award for album of the year for an unprecedented fourth time as women dominated the music industry's top honors.
Swift also announced from the Grammys stage that she would release a new album in April, Reuters reported.
The 34-year-old won album of the year for "Midnights," eclipsing music legends Frank Sinatra, Paul Simon and Stevie Wonder, who each claimed the prize three times.
Swift said she was thrilled by the honor and gushed about the fulfillment she feels from writing and singing songs. "It makes me so happy," she said. "All I want to do is keep doing this."
Earlier, Swift claimed the prize for best pop vocal performance and used the moment to announce that she will release "The Tortured Poets Department" on April 19.
"I want to say thank you to the fans by telling you a secret that I've been keeping from you for the last two years," Swift said as she disclosed the new album, which was made available for pre-sales during the Grammys telecast.
Swift, who is about to jet to Tokyo to resume the world's highest-grossing concert tour, was among the women who swept the major Grammy awards on Sunday.
Billie Eilish claimed song of the year for "What Was I Made For?," a ballad written for the "Barbie" movie soundtrack.
"As a woman, it feels a lot of the time like you're not being seen," Eilish told reporters backstage. "I feel that this makes me feel very seen. Sometimes it feels really good to have somebody tell you 'good job.'"
Miley Cyrus, winner of her first two Grammys on Sunday, landed the record of the year honor for her empowerment anthem "Flowers."
"This award is amazing," Cyrus said, "but I really hope that it doesn’t change anything because my life was beautiful yesterday."
Best new artist went to R&B and pop singer Victoria Monet, who thanked her mom, "a single mom raising this really bad girl."
Winners were chosen by the musicians, producers, engineers and others who make up the Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of color to its ranks.
SZA, who went into the night as the most-nominated artist, won three trophies including best R&B song for "Snooze."
"I came really, really far," she said. "I can't believe this is happening, and it feels very fake."
Indie rock band boygenius, a band formed by musicians Phoebe Bridgers, Lucy Dacus and Julien Baker, also claimed three awards.
JONI MITCHELL, BILLY JOEL PERFORM
Comedian Trevor Noah, back for a fourth stint as host, opened the show on CBS by joking that it was "the only concert that starts on time."
Folk singer Joni Mitchell performed for the first time at the Grammys, singing "Both Sides Now" from a chair and sporting blonde braids and a beret, with Brandi Carlile playing guitar beside her.
In a tribute to the many musicians and industry executives who passed away in the last year, Stevie Wonder played "For Once In My Life" to honor the late Tony Bennett who sang along from a video.
Annie Lennox sang "Nothing Compares 2 U" in a tribute to Sinead O'Connor, and Fantasia Barrino honored Tina Turner with her version of "Proud Mary," backed by singers in shiny gold and silver fringed outfits.
Jon Batiste played "Ain't No Sunshine" and "Lean On Me" in a tribute to Clarence Avant, known as "the Godfather of Black music."
Near the start of the show, country star Luke Combs sang his cover hit "Fast Car," alongside the original singer and writer of the 1988 song, Tracy Chapman.
Toward the end, Billy Joel performed his new single "Turn The Lights Back On," his first original song in 17 years.
In accepting the Dr. Dre Global Impact Award, rapper Jay-Z aired some Grammy grievances, including the fact that his superstar wife Beyonce had never won album of the year despite having earned more Grammys than anyone else.
"I don’t want to embarrass this young lady," Jay-Z said as Beyonce watched from the audience. "But she has more Grammys than anyone and never won album of the year. So even by your own metrics, that doesn’t work."

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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.