Taylor Swift Makes Grammys History as Women Rule Music's Top Honors

epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024.  EPA/ALLISON DINNER
epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER
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Taylor Swift Makes Grammys History as Women Rule Music's Top Honors

epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024.  EPA/ALLISON DINNER
epa11128269 (L-R) Phoebe Bridgers, Julien Baker, and Lucy Dacus of Boygenius, winners of the "Best Rock Performance" award for "Not Strong Enough", the "Best Rock Song" award for “Not Strong Enough”, and the "Best Alternative Music Album" award for "The Record"; Taylor Swift, winner of the "Album of the Year" and "Best Pop Vocal Album" awards for "Midnights"; and Jack Antonoff, winner of "Producer of the Year, Non-Classical", pose in the press room during the 66th annual Grammy Awards ceremony at Crypto.com Arena in Los Angeles, California, USA, 04 February 2024. EPA/ALLISON DINNER

Pop superstar Taylor Swift set another record on Sunday, winning the Grammy award for album of the year for an unprecedented fourth time as women dominated the music industry's top honors.
Swift also announced from the Grammys stage that she would release a new album in April, Reuters reported.
The 34-year-old won album of the year for "Midnights," eclipsing music legends Frank Sinatra, Paul Simon and Stevie Wonder, who each claimed the prize three times.
Swift said she was thrilled by the honor and gushed about the fulfillment she feels from writing and singing songs. "It makes me so happy," she said. "All I want to do is keep doing this."
Earlier, Swift claimed the prize for best pop vocal performance and used the moment to announce that she will release "The Tortured Poets Department" on April 19.
"I want to say thank you to the fans by telling you a secret that I've been keeping from you for the last two years," Swift said as she disclosed the new album, which was made available for pre-sales during the Grammys telecast.
Swift, who is about to jet to Tokyo to resume the world's highest-grossing concert tour, was among the women who swept the major Grammy awards on Sunday.
Billie Eilish claimed song of the year for "What Was I Made For?," a ballad written for the "Barbie" movie soundtrack.
"As a woman, it feels a lot of the time like you're not being seen," Eilish told reporters backstage. "I feel that this makes me feel very seen. Sometimes it feels really good to have somebody tell you 'good job.'"
Miley Cyrus, winner of her first two Grammys on Sunday, landed the record of the year honor for her empowerment anthem "Flowers."
"This award is amazing," Cyrus said, "but I really hope that it doesn’t change anything because my life was beautiful yesterday."
Best new artist went to R&B and pop singer Victoria Monet, who thanked her mom, "a single mom raising this really bad girl."
Winners were chosen by the musicians, producers, engineers and others who make up the Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of color to its ranks.
SZA, who went into the night as the most-nominated artist, won three trophies including best R&B song for "Snooze."
"I came really, really far," she said. "I can't believe this is happening, and it feels very fake."
Indie rock band boygenius, a band formed by musicians Phoebe Bridgers, Lucy Dacus and Julien Baker, also claimed three awards.
JONI MITCHELL, BILLY JOEL PERFORM
Comedian Trevor Noah, back for a fourth stint as host, opened the show on CBS by joking that it was "the only concert that starts on time."
Folk singer Joni Mitchell performed for the first time at the Grammys, singing "Both Sides Now" from a chair and sporting blonde braids and a beret, with Brandi Carlile playing guitar beside her.
In a tribute to the many musicians and industry executives who passed away in the last year, Stevie Wonder played "For Once In My Life" to honor the late Tony Bennett who sang along from a video.
Annie Lennox sang "Nothing Compares 2 U" in a tribute to Sinead O'Connor, and Fantasia Barrino honored Tina Turner with her version of "Proud Mary," backed by singers in shiny gold and silver fringed outfits.
Jon Batiste played "Ain't No Sunshine" and "Lean On Me" in a tribute to Clarence Avant, known as "the Godfather of Black music."
Near the start of the show, country star Luke Combs sang his cover hit "Fast Car," alongside the original singer and writer of the 1988 song, Tracy Chapman.
Toward the end, Billy Joel performed his new single "Turn The Lights Back On," his first original song in 17 years.
In accepting the Dr. Dre Global Impact Award, rapper Jay-Z aired some Grammy grievances, including the fact that his superstar wife Beyonce had never won album of the year despite having earned more Grammys than anyone else.
"I don’t want to embarrass this young lady," Jay-Z said as Beyonce watched from the audience. "But she has more Grammys than anyone and never won album of the year. So even by your own metrics, that doesn’t work."



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."