Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ and Song Titles 

US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
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Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ and Song Titles 

US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)

Forget her “Reputation.” Taylor Swift has a whole new album coming out.

Accepting the Grammy for best pop vocal album on Sunday night, Taylor said she’d been keeping a secret for two years.

“My brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’ I’m going to go and post the cover right now backstage,” she announced.

And so she did.

On her Instagram, Swift posted a black-and-white image of her reclining across pillows. The top half of her face and lower half of her legs are cut off in the low-contrast image.

“All’s fair in love and poetry...” her caption read. In a little over an hour, the Instagram post alone had amassed nearly 7 million likes — a figure that swelled to an apt 13 million in under a day.

“And so I enter into evidence / My tarnished coat of arms / My muses, acquired like bruises / My talismans and charms / The tick, tick, tick of love bombs / My veins of pitch black ink,” read what appeared to be handwritten lyrics posted after the album cover.

Inside Los Angeles' Crypto.com Arena, Swift's album announcement elicited screams from the upper levels.

Swift had provoked mass speculation earlier in the night when her site seemed to go down. Some theorized she was gearing up to release “Reputation (Taylor’s Version),” but cryptic clues on the “crashed” site indicated that might be a misdirect.

And so it was.

The site’s back up now, focused around the upcoming album, with preordering and merchandise options. The album will feature 16 tracks, with some editions offering a bonus track, “The Manuscript,” according to product descriptions. On Monday night, Swift released a track listing on social media.

Collaborations include “Fortnight,” featuring Post Malone, and “Florida!!!” featuring Florence + the Machine. A selection of other song titles: “Down Bad,” “I Can Fix Him (No Really I Can),” “loml” and “Clara Bow.”

This will be Swift's 11th studio album, not counting her re-recordings. Her last original album was “Midnights,” released in October 2022. Since then, she's launched the billion-dollar Eras Tour and released “Speak Now (Taylor's Version)” and “1989 (Taylor's Version).”

Swift was accepting the Grammy for “Midnights” when she made the surprise announcement. She later picked up album of the year, the show's final award, for the album.

“I would love to tell you this is the best moment of my life, but I feel this happy when I finish a song, or when I crack the code to a bridge that I love, or when I’m shortlisting a music video, or when I’m working with my dancers,” she said after accepting her album of the year award from Celine Dion. With it, she broke the record for the most wins in that category (her other albums of the year: “Fearless,” “1989” and “Folklore”).

As she walked the red carpet in custom Schiaparelli Couture, she paid homage to her album title, donning a Lorraine Schwartz choker with a small clock embedded. And yes, the time was set to the midnight — even if the viewer had to tilt their head to see the hands pointing to “12.”

While a nod to the album — and reminiscent of the “tick, tick, tick” in “The Tortured Poets Department” post — the watch seemed particularly apt, given the superstar's seemingly packed schedule over the next week.

Swift is set to head back out on her Eras Tour this week, performing for four nights in Tokyo. She still will be able to make it back to the US later in the week to catch her boyfriend Travis Kelce playing in the Super Bowl.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."