Greta Gerwig, Ryan Gosling Join Fellow Oscar Nominees for Annual Celebratory Luncheon 

Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
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Greta Gerwig, Ryan Gosling Join Fellow Oscar Nominees for Annual Celebratory Luncheon 

Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)

The casts of “Barbie” and “Oppenheimer” gathered Monday at the annual Academy Award nominees luncheon alongside dozens of less famous and first-time Oscar hopefuls for handshakes, hugs, a huge group picture and instructions on nailing an acceptance speech.

The event at the Beverly Hilton is a warm, feel-good affair where nominees in categories like best animated short get to rub shoulders and share tables with acting nominees like Ryan Gosling and Emma Stone.

Greta Gerwig and Margot Robbie, whose snubs for best director and best actress, respectively, for “Barbie” caused a major stir, both showed up for the nominations they did get, and were all smiles.

Gerwig, nominated for adapted screenplay, was surrounded by selfie-seekers as soon as she entered the banquet hall while Robbie, up for best picture as a “Barbie” producer, beamed nearby as she hugged and chatted with a woman who got one of the best actress spots, Sandra Hüller of “Anatomy of a Fall.”

The centerpiece of the event is a class photo of the entire group of nominees. Nearly all of them usually attend, both as part of the Oscars experience and as part of their unspoken campaigns for votes.

Gerwig and Robbie got some of the loudest cheers of the afternoon when their names were called during the class picture roll call that feels like a school commencement and is perhaps the day's most egalitarian tradition. The names are read and nominees called up to risers in an order that seems to make no accounting for fame.

In one typical trio, Carey Mulligan, best actress nominee for “Maestro,” was summoned to the risers between David Hemingson, who was nominated for writing his first film, “The Holdovers,” and James Price, nominated for production design on “Poor Things.”

Martin Scorsese, 81, nominated this year for best director on “Killers of the Flower Moon,” may have gotten the loudest ovation of the day when he was called up. He sat between the favorites in the actress category, Da'Vine Joy Randolph of “The Holdovers” and Lily Gladstone from his film. Both towered over the shorter Scorsese. “Oppenheimer” director Christopher Nolan reached across Gladstone to shake his hand as he sat down.

Gerwig got a happy greeting from “Barbie” best supporting actor nominee Ryan Gosling, who kissed each of her cheeks.

The luncheon dress code is daytime casual. For Gosling that meant a lilac suit with matching shirt, for Robbie a light pink beaded business suit with a bared midriff. Colman Domingo brought in a bit of evening with a tailed black jacket, black shirt with a plunging neckline and white slacks.

The first attempts at the photo didn't go well. When they finally got a few that worked, Robert Downey Jr., supporting actor nominee for “Oppenheimer,” who had been shouting joke instructions to the group of several hundred, leapt up, pumped a fist and shouted “yeah!” then turned and began applauding his fellow nominees.

Most major nominees including Cillian Murphy, a favorite for best actor for “Oppenheimer,” and Bradley Cooper, one of his category competitors, spent the hours before and after lunch making the rounds of media outlets whose reporters are set up in cabanas around the Beverly Hilton pool.

Cooper was headed toward the pool when he ran into Messi, the dog with a key role in “Anatomy of a Fall.” Cooper knelt down and gave the border collie a long, thorough petting.

The nominees sat for a vegetarian meal of king oyster mushrooms and wild mushroom risotto while Academy President Janet Yang gave her annual remarks.

She used last year's luncheon to address what she called the Academy's “inadequate” response to Will Smith slapping Chris Rock at the previous year's ceremony.

Her remarks this year had a much lighter tone, and dealt with more mundane matters more akin to a freshman orientation, like the timing of the Oscars ceremony.

“In case any of you have been in a nominations haze, we are starting an hour earlier this year,” she said.

When she saw surprise around the room she said, “Ooh, some people didn’t know! I’m glad I reminded you!”

She drew groans when she added that the Oscars come on the first day of daylight saving time.

She also delivered the president’s annual instructions on victory speeches, mostly urging winners to be brief and stick to the 45-second limit but also “speak from the heart,” “feel the moment” and “add a bit of humor.”

She then played a montage of past speeches that met the ideals, with clips from Jamie Lee Curtis, Brad Pitt and Ke Huy Quan.

It ended with the academy’s Platonic ideal of a speech played in its entirety: Javier Bardem’s 2008 acceptance of best supporting actor for “No Country for Old Men.” Total time: 37 seconds.



Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”