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Will Taylor Swift Endorse Him in 2024? Biden Says That’s ‘Classified’ 

US President Joe Biden (R), flanked by host Seth Meyers (L), eats an ice cream cone at Van Leeuwen Ice Cream after taping an episode of "Late Night with Seth Meyers" in New York City on February 26, 2024. (AFP)
US President Joe Biden (R), flanked by host Seth Meyers (L), eats an ice cream cone at Van Leeuwen Ice Cream after taping an episode of "Late Night with Seth Meyers" in New York City on February 26, 2024. (AFP)
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Will Taylor Swift Endorse Him in 2024? Biden Says That’s ‘Classified’ 

US President Joe Biden (R), flanked by host Seth Meyers (L), eats an ice cream cone at Van Leeuwen Ice Cream after taping an episode of "Late Night with Seth Meyers" in New York City on February 26, 2024. (AFP)
US President Joe Biden (R), flanked by host Seth Meyers (L), eats an ice cream cone at Van Leeuwen Ice Cream after taping an episode of "Late Night with Seth Meyers" in New York City on February 26, 2024. (AFP)

US President Joe Biden made light of conspiracy theories about him and pop superstar Taylor Swift during an appearance on a late night show and had a ready answer to the question of whether she'll endorse him in 2024: that's classified.

During an appearance on NBC's "Late Night with Seth Meyers" on Monday, Biden, a Democrat, joked with Meyers, a comedian, about conspiracy theories that the president and the singer-songwriter are in "cahoots." Meyers said recent polling showed 18% of Americans believed Biden and Swift were somehow working together.

"Can you confirm or deny that there is an active conspiracy between you and Ms. Swift?" Meyers asked Biden.

"Where are you getting this information?" the president quipped, to laughter. "It’s classified."

Swift, whose massive popularity with young people would be a boon for the president as he runs for re-election in 2024, endorsed Biden in 2020, the president happily pointed out.

"You think it might come around again?" Meyers asked.

"I told you, it’s classified," Biden replied.

Biden's appearance on the show, which was taped on Monday and broadcast early on Tuesday, is the latest attempt by the president to connect with younger people and dispel concerns about his age after a special counsel's report raised questions about his memory and mental acuity.

Biden, 81, noted that former President Donald Trump, his likely Republican rival, 77, was close to him in age and has had his own problems with verbal slip-ups.

"You got to take a look at the other guy. He's about as old as I am, but he can't even remember his wife's name," Biden said, referencing Trump's recent appearance at the conservative CPAC conference in which some thought he referred to his wife, Melania, as "Mercedes."

Mercedes Schlapp, a former communications official in Trump's White House, is one of CPAC's organizers. The former president's reference may have been to her.

Biden also sought to address concerns about his age by comparing his policies with Trump's in areas such as abortion. Biden supports women's rights to abortion; Trump has expressed pride in naming three new justices to the Supreme Court during his tenure who later helped repeal the landmark Roe v. Wade decision that had guaranteed abortion rights nationwide.

"It's about how old your ideas are. Look, I mean, this is a guy who wants to take us back," Biden said, referring to Trump. "He wants to take us back in Roe v. Wade. He wants to take us back on a whole range of issues."

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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.